I picked up the book at a used book store, and I read it because it's been recommended for those who enjoyed Girls in Trouble (Caroline Leavitt), A Map of the World (Jane Hamilton), and Perfect Family (Pam Lewis).
Like A Map of the World, the mood and pace are suitably downtrodden and labored, considering the plot and its effect on the characters. Like Perfect Family, their path may have gone differently if not for one rash choice. Caroline Leavitt or Elizabeth Brundage could have handled this character/plot stew in a more adept, haunting, and riveting manner, but it's still quite good--especially for a first novel. I know I'll read more by Joanna Hershon.
As in real life, I found myself drawn to the characters I understood the least or knew the least about. Vivian, Jeb, and Jack were piteously silent or absent, but this is also what Lila wished was not so. Another similarity to reality is the instability of impressions the characters make. Just when I thought I had a handle on Pria, Suzanne, or even Lila, I had to take something else into consideration, or adjust my opinion based on new information.
I feel I'm being harder on this book than I should be, for much of the prose is startlingly keen. One of my favorite descriptions, typical of the author's style, signals a generational action in a particular place: the pond. "A kiss can be as miniscule as a moth or the tiny flame it craves, a torn fingernail or an eyelash; and yet a kiss can be huge. It can be as expansive and dangerous as this one was. It can be the origin of a family" (6).