Okay, I'll admit it. I had a lot of trouble trying to get in to this book. I attempted at least three times before it "took". What I mean by trouble getting in to the book, is the inability to get past the rather dry discussion of economics and governmental structure that our dear protagonist Magnus/Gar is having with his sentient star ship. I suppose that I was in the correct state of mind the third time, and I'm glad that I was, because I found I actually enjoyed this little tale.
I came to this book not realizing that it was set well deep inside a well constructed universe of previous novels, all by the same author. My copy of the book identified it as the first book in the Rogue Wizard series, with the one that Goodreads lists as book #1 belonging to an entirely different series: Heirs To The Warlock. I suppose that since all these are spinoffs or sequel series to the original Warlock series (along with the Wizard in Rhyme series) and since there are a lot of character cross-overs, there also exists a lot of confusion about how things fit together.
So, then, had I read previous books in this universe, I might have been able to surpass the rather discordant prelude and jump in to the main story with ease, as the prelude might have made more sense. But I cannot go back and change the past.
A Wizard in Mind is the story of Magnus D'Armand, also known as Gar, and how he decided to keep a planet from being exploited by the more technologically advanced traders of an intergalactic empire. He does this by pageantry and incursion, entering the trust of a young man named Gianni, son of an influence welder. In this position and operating as the strong-man Gar, he drops hints, wields psychic influence, leads skirmishes, supplements technology, and outright demands that things go his way.
One would think that this would lead to a very boring novel since Gar/Magnus doesn't encounter any real opposition, except for the very real threat of death due to renaissance weaponry (pikes and cannon balls). One would be wrong. The novel is fantastic, likely because it is told from the perspective of poor, trusting Gianni who seems to want to do nothing more than hump the first female who crosses his path that isn't his mother. You root for Gianni's sewing of wild oats even as you hope that Magnus/Gar won't betray the trust that has been placed in him.
While most of this book came off as a light read, minus the oddly intellectual prologue, the descriptions of renaissance-era war are gripping and realistic. If you are a battle buff, you'll like this book for that, alone.
I recommend this book to anyone looking for some light beach reading, with the caveat that they have to tough out the prologue and understand that the rest of the book is nothing like that odd beginning.
(Minus one star for the prologue.)