U.A. Fanthorpe was that rarest of literary beings, a poet who was hugely popular with the general public and at the same time very seriously regarded by fellow poets and literary critics for her originality, wit and humanity. Since her death, much of her work has been out of print. Selected Poems, chosen from over thirty years of Fanthorpe’s distinctive and accessible writing by her partner R.V. Bailey, will delight all her existing fans as well as those who come to her poems for the first time.
Ursula Askham Fanthorpe (published as U. A. Fanthorpe) was an English poet. She was educated at St Catherine's School, Bramley in Surrey and at St Anne's College, Oxford, where she received a first-class degree in English language and literature, and subsequently taught English at Cheltenham Ladies' College for sixteen years. She then abandoned teaching for jobs as a secretary, receptionist and hospital clerk in Bristol - in her poems, she later remembered some of the patients for whose records she had been responsible.
Her first volume of poetry, Side Effects, was published in 1978. She was "Writer-in-Residence" at St Martin's College, Lancaster (now University of Cumbria)(1983–85), as well as Northern Arts Fellow at Durham and Newcastle Universities.
In 1987 Fanthorpe went freelance, giving readings around the country and occasionally abroad. In 1994 she was nominated for the post of Professor of Poetry at Oxford. Her nine collections of poems were published by Peterloo Poets. Her Collected Poems came out in 2005. Many of her poems are for two voices. In her readings the other voice is that of Bristol academic and teacher R.V. "Rosie" Bailey, Fanthorpe's life partner of 44 years. The couple co-wrote a collection of poems, From Me To You: Love Poems, that was published in 2007 by Enitharmon.
U.A. Fanthorpe was a mid-to-late 20th century English poet, I suspect all but forgotten now. Which is a pity, for, on the basis of these ‘Selections’, she is a fine - and wise- poet. Her poetry is for us, the people (and I realise how condescending that sounds). But it’s true: she speaks to us, not the intellectuals, nor the elite. Unlike some recent (and today’s) poets who want to dazzle with their baroque erudition, but at the cost of connecting with readers. Her range is impressive; she effortlessly moves between classical allusions to the problems with the NHS. For me, her crowning achievement is the masterful “You will be hearing from us shortly”, both hilarious and heartless.
These are poems filled with humanity and wit-- poems for the poetry reading with an ability to turn the face of Classicism towards a political world gone mad.