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292 pages, Paperback
First published November 20, 2000
L. Frank Baum could be considered a proto-bizarro. His Oz series was a standard for fantasy literature during the first part of the last century, usurped only by J.R.R. Tolkien's epic The Lord of the Rings. The strange imagery and impossible setting is an inspiration for authors even today. In its incredible tradition, we are given The Emerald Burrito of Oz.
If the title is not enough to convince the reader that this is most definitely a Bizarro story, consider this summary. An average joe is approved by the State Department to travel to Oz to visit his old friend who has been there for several years. Once he arrives events unfold that conspire to sanitize the fantastic world of Oz and bring darkness to the shining gem that is the Emerald City. Throw in a sentient laptop, a herd of living humvees, a Mexican restaurant, and blend with equal parts government conspiracy and uber-geekery.
The novel is divided between the characters of Gene Spielman and his friend Aurora Jones in the form of their journals of the events that take place. They tell of the modern day tourism that comes with the public disclosure of the Gate to Oz, and their perceptions of the consequences. In their musings we are allowed to discover the wonder of Oz through fresh eyes, and the horror of our own human failings when those elements are introduced to the setting.
Those unfamiliar with the original Oz series need not shy away from this amazing novel. John Skipp and Mark Levinthal take great strides to ensure that readers understand the setting, its distance from the 1939 Judy Garland film classic, and also the logical progression they have taken in advancing the story of the strange fairy-land to the modern day. Together they effortlessly draw the audience in, and give an unbelievable narrative all their own.
The Emerald Burrito of Oz never ceases to engage and amaze. The incredible story draws from the familiar and twists it into an epic story of love, loss, and redemption. This book can not be recommended any more highly. Such respect for the source material and talented writing is rarely found in a shared setting.