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355 pages, Paperback
First published January 1, 1970
Cunning techniques of deception and psychological warfare have been employed by the UFO source to keep us confused and skeptical. Man’s tendency to create a deep and inflexible belief on the basis of little or no evidence has been exploited. These beliefs have created tunnel vision and blinded many to the real nature of the phenomenon, making it necessary for me to examine and analyze many of these beliefs in this text.
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The first photograph of an unidentified flying object was taken back in 1883 by a Mexican astronomer named Jose Bonilla. He had been observing the sun from his observatory at Zacatecas on August 12 of that year when he was taken aback by the sudden appearance of a long parade of circular objects that slowly flitted across the solar disk. Altogether he counted 143 of the things, and because his telescope was equipped with a newfangled gadget called a camera, he shot some pictures of them. When developed, the film showed a series of cigar- and spindle-shaped objects which were obviously solid and noncelestial. Professor Bonilla dutifully wrote up a scholarly report of the event filled with mathematical calculations (he estimated that the objects had actually passed over the earth at an altitude of about 200,000 miles), attached copies of his pictures and sent the whole thing off to the French journal L’Astronomie. His colleagues no doubt read it with chagrin, and because they could not explain what he had seen, they forgot about the whole business and turned to more fruitful pursuits —such as counting the rings of Saturn.
If they [the hard objects] are the product of a superior intelligence with an advanced technology, they seem to be suffering from faulty workmanship. Since 1896 there have been hundreds of reports in which lone witnesses have stumbled onto grounded hard objects being repaired by their pilots. In flight, they have an astounding habit of losing pieces of metal. They seem to be ill-made, always falling apart, frequently exploding in midair. There are so many of these incidents that we must wonder if they aren’t really deliberate. Maybe they are meant to foster the belief that the objects are real and mechanical.
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Thousands of UFO photos have been taken since 1882. Many of these are of indistinct blobs and streaks of light, but many are of apparently solid machines of some sort, with windows, fins, and other clearly discernible features. There’s just one problem. With very few exceptions, no two UFO photographs are alike. [...] During these past three years I have conducted thousands of investigations in person, by telephone, and by mail, and while many of the descriptions of the luminous, flexible “soft” objects are exactly the same, I have rarely heard two independent witnesses describe separate seemingly solid “hard” objects in the same terms. [...] Because the witnesses seem to be telling the truth, we must assume that UFOs come in myriad sizes and shapes. Or no real shapes at all. This leads us to the old psychological warfare gambit once more. If the phenomenon has built-in discrepancies, then no one will take it seriously. If people in Brazil, Iowa, and Australia all gave exactly the same descriptions, then the scientific and military establishments would have to take the subject far more seriously.
The thousands of sightings of phantom dirigibles and mysterious airplanes from 1896 to 1938 provide us with a substantial body of evidence which indicates that the phenomenon is actually flexible and that it tailors itself to adopt acceptable forms for the time periods in which it operates.
Most of these were of luminous objects that behaved in peculiar, unnatural ways. The great majority of all sightings throughout history have been of “soft” luminous objects, or objects that were transparent, translucent, changed size and shape, or appeared and disappeared suddenly. Sightings of seemingly solid metallic objects have always been quite rare. The “soft” sightings, being more numerous, comprise the real phenomenon and deserve the most study. The scope, frequency and distribution of the sightings make the popular extraterrestrial (interplanetary) hypothesis completely untenable.
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What had these people seen? The general behavior of the objects clearly indicated that they were paraphysical (i.e., not composed of solid matter). They were clocked at incredible speeds within the atmosphere but did not produce sonic booms. They performed impossible maneuvers that defied the laws of inertia. They appeared and disappeared suddenly, like ghosts.
We are surrounded by energies we cannot see. It is possible that some of these energies form objects, entities and even worlds that we can’t see, either. But just because we can’t see, hear, feel or taste them doesn’t mean that they aren’t there.
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I think that some “hard” objects definitely exist as Temporary Transmogrifications. They are disk-shaped and cigar-shaped. They leave indentations in the ground when they land. Witnesses have touched them and have even been inside of them. These hard objects are decoys, just as the dirigibles and ghost planes of yesteryear may have been decoys to cover the activities of the multitudinous soft objects. My real concern is with these soft objects. They hold one of the keys to the mystery.
The phenomenon is constantly reaching down to us, creating frames of reference that we can understand and accept. Then, whenever we see something unusual in the sky, we accept it within that frame of reference and call it a meteor, an airplane, an angel, or a visitor from outer space. The first step to understanding UFOs is to discard all frames of reference and try to view the phenomenon as a whole.
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Until 1848, the religious frame of reference was constantly used by the phenomenon. But as man’s technology improved and many of our old beliefs were discarded, the phenomenon was obliged to update its manifestations and establish new frames of reference. The phantom armies and angels so frequently reported in the past were replaced by transmogrifications that appeared to match man’s own technological achievements. If huge, multi-engined airplanes of the 1934 Scandinavian type had appeared over San Francisco in 1896, they would have created a far greater stir than the clumsy dirigibles which were used in that flap. By 1909, man had learned to build and fly crude machines, so the new transmogrifications of Operation Trojan Horse took the form of biplanes and carefully flew over the areas where the many “soft” objects were busily engaged in their mysterious enterprises.
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Beginning in 1947, the great “flying saucer” frame of reference was carefully built up by a long series of spectacular incidents and contacts. The whole structure of these events carefully follows the psychological patterns inherent in the earlier flaps. We were seeing no more—and no fewer—anomalous aerial objects in 1947 than had been seen in 1847. We were simply seeing them in a new way. A new game was being played with us.
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Small groups of believers quickly sprang up, even though no one bothered to collect and study the hundreds of UFO reports from June-July 1947 to search objectively for the hidden patterns. These believers immediately accepted the extraterrestrial hypothesis, and they spent the next twenty years advocating the idea. Their research followed a singular line: They labored to prove the reliability of witnesses. This meant that if a police officer or pilot observed an unusual object from a great distance, his report was given precedence over the report of a housewife who saw one land in her own backyard. Some of these cults became obsessed with the search for physical evidence. But their criteria for evidence was very strict. Such evidence had to be nonterrestrial. But this was a vicious circle. If a piece of metal fell from a UFO and proved to be ordinary aluminum, it was discarded. If it proved to be made of a puzzling, unidentifiable alloy, it still proved nothing unless the source could also be proven.
A new game emerged: the artifact or hardware game. This game is well known in the Irish fairy lore. The phenomenon has always obliged us by planting false evidence all over the landscape.
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In the Forgotten Books of Eden, an apocryphal book allegedly translated from ancient Egyptian in the nineteenth century, we are told that Satan and his hosts were fallen angels who populated the earth before Adam was brought into being, and Satan used lights, fire, and water in his efforts to rid the planet of this troublesome creature. He even disguised himself as an angel from time to time and appeared as a beautiful young woman in his efforts to lead Adam to his doom. UFO-type lights were one of the Devil’s devices described in the Forgotten Books of Eden. Subtle variations on this same theme can be found in the Bible and in the numerous scriptures of the Oriental cultures. Religious man has always been so enthralled with the main (and probably allegorical) story line that the hidden point has been missed. That point is that the earth was occupied before man arrived or was created. The original occupants or forces were paraphysical and possessed the power of transmogrification. Man was the interloper, and the earth’s original occupants or owners were not very happy over the intrusion. The inevitable conflict arose between physical man and the paraphysical owners of the planet. Man accepted the interpretation that this conflict raged between his creator and the Devil. The religious viewpoint has always been that the Devil has been attacking man (trying to get rid of him) by foisting disasters, wars, and sundry evils upon him.
There is historical and modern proof that this may be so.
A major, but little-explored, aspect of the UFO phenomenon is therefore theological and philosophical rather than purely scientific. The UFO problem can never be untangled by physicists and scientists unless they are men who have also been schooled in liberal arts, theology, and philosophy. Unfortunately, most scientific disciplines are so demanding that their practitioners have little time or inclination to study complicated subjects outside their own immediate fields of interest.
Satan and his demons are part of the folklore of all races, no matter how isolated they have been from one another. The Indians of North America have many legends and stories about a devil-like entity who appeared as a man and was known as the trickster because he pulled off so many vile stunts. Tribes in Africa, South America, and the remote Pacific islands have similar stories.
Mystery men with strange persuasive powers, sometimes good but more often evil, are described and discussed in many books with no UFO or religious orientation. A dark gentleman in a cloak and hood is supposed to have handed Thomas Jefferson the design for the reverse side of the Great Seal of the United States (you will find this on a dollar bill). Julius Caesar, Napoleon, and many others are supposed to have had enigmatic meetings with these odd personages. These stories turn up in such unexpected places as Madame Du Barry’s memoirs. She claimed repeated encounters with a strange young man who would approach her suddenly on the street and give her startling prophecies about herself. He pointedly told her that the last time she would see him would serve as an omen for a sudden reversal of her fortunes. Sure enough, on April 27, 1774, as she and her ailing lover, King Louis XV, were heading for the palace of Versailles, the youthful mystery man appeared one final time.
“I mechanically directed my eyes toward the iron gate leading to the garden,” she wrote. “I felt my face drained of blood as a cry of horror escaped my lips. For, leaning against the gate was that singular being.”
The coach was halted, and three men searched the area thoroughly but could find no trace of him. He had vanished into thin air. Soon afterward Madame Du Barry’s illustrious career in the royal courts ended, and she went into exile.
Malcolm X, the late leader of a black militant group, reported a classic experience with a paraphysical “man in black” in his autobiography. He was serving a prison sentence at the time, and the entity materialized in his prison cell:
As I lay on my bed, I suddenly became aware of a man sitting beside me in my chair. He had on a dark suit, I remember. I could see him as plainly as I see anyone I look at. He wasn’t black, and he wasn’t white. He was light-brown-skinned, an Asiatic cast of countenance, and he had oily black hair. I looked right into his face. I didn’t get frightened. I knew I wasn’t dreaming. I couldn’t move, I didn’t speak, and he didn’t. I couldn’t place him racially—other than I knew he was a non-European. I had no idea whatsoever who he was. He just sat there. Then, as suddenly as he had come, he was gone.
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Thousands of mediums, psychics, and UFO contactees have been receiving mountains of messages from “Ashtar” in recent years. Mr. Ashtar represents himself as a leader in the great intergalactic councils that hold regular meetings on Jupiter, Venus, Saturn, and many planets unknown to us. But Ashtar is not a new arrival. Variations of this name, such as Ashtaroth, Ashar, Asharoth, etc., appear in demonological literature throughout history, both in the Orient and the Occident. Mr. Ashtar has been around a very long time, posing as assorted gods and demons and now, in the modern phase, as another glorious spaceman.
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There is no reason to think that the four children of Garabandal [Spain - Sunday, June 18, 1961] had ever seen, or even knew about, the eye symbol on the Great Seal of the United States. Nor is it remotely possible that the children, or any of the elders of Garabandal, could have known of the importance that this symbol plays in the silent contactee situation. In fact, very few ufologists are aware of it. Those mysterious “men in black” who travel around in unlicensed Cadillacs have reportedly been seen wearing lapel pins bearing the symbol. They have also identified themselves directly as being from “the Nation of the Third Eye.” So we call the symbol the Third Eye. It would be interesting to find out why some cultures regarded it as evil, while others used it to symbolize the Deity. Why did the Third Eye appear beside the vision at Garabandal? Was it a symbol of identification? Or was it a warning?