Jill Shalvis is a fabulous writer. Time and again, she has seamlessly blended humor and heat with some sort of suspense, all while ensuring that an emotional connection between each immensely charismatic hero and intelligent, strong heroine not only exists, but evolves and deepens in a believable, emotional manner. That has held true for every single Jill Shalvis book that I have read - and I've read more than a few - except, unfortunately, for this one.
That is not to say that the humor isn't there - there are some very funny moments and lines. And the heat is definitely present and accounted for, as the chemistry between Noah and Bailey is intense, and translates into truly steamy encounters. And the book has suspense - there is definitely a thriller aspect to the story that involves the hero and heroine repeatedly being chased by armed thugs.
It all sounds good. So, what's the problem, you may ask? Well, I would say the issue is that disbelief can only be suspended so much and so far before one is in danger of rolling her eyes so often that she runs the risk of permanently injuring herself (or, at the very least, getting one heck of a headache). First, it's true that Noah has been hot for Bailey for some time, yet once she hijacks him and his plane - yes, hijacks - that attraction is evidently more than enough of a valid reason for him to risk his life to help her on numerous occasions. That wouldn't be such a problem if Bailey were a good heroine. She's sweet and certainly ddoesn't deserve to become embroiled in the mess that serves as the impetus for the aforementioned hijacking. Unfortunately, she enters too-stupid-to-live territory on a routine basis. She just seems utterly incapable of taking care of herself, and always needs Noah - who is a master of all trades, apparently, and on MacGuyver-like levels - to rescue her. This is a woman who wears high heels when she knows that she will likely have to run and climb on snowy, icy terrain. This is a woman who begins the story already having the information she needs to figure out where to find what she's looking for in order to get out of her situation, yet even though she has exceedingly long stretches of time in which she can think things over, she just can't figure it out until Noah prompts her to do so. Near the end of the book. Really?
Plus - and this is something that another review or two has mentioned - Noah begins the book heading out for some R&R so that he can. . . cavort with as many ski bunnies as possible. There isn't anything wrong with that per se, except that the reader is reminded of that over and over. And over again. Throughout the book, by not only Noah, but also his friends and coworkers. It gets old very, very quickly.
Then, there is the issue of repetitiveness. Noah and Bailey have essentially the same conversation about a dozen times, and the formula for said conversation goes a little something like this: Noah (reasonably) asks Bailey to tell him the truth about what's going on, since he's, you know, risking his life to help her. Bailey hems and haws a bit, and mentions not wanting to put him in danger (though after, say, page 2 it's a bit too late for that), before she eventually gives him a tiny piece of information. Noah is hurt (understandably) because even after all that he's done to help her, she still won't trust him, but he decides to keep helping her anyway. This conversation happens way too many times, and by the time Bailey finally, *finally* tells him the entire story, it is more than blatantly obvious that if had she done so from the very beginning, they could've avoided a great deal of life-threatening trouble. It is absurd, and it's repetitive, and all too quickly, it becomes boring.
And then there is by far the biggest problem: Noah and Bailey are (as previously mentioned) chased on numerous occasions by armed thugs who demonstrate a willingness to use their firearms in Noah and Bailey's general direction. Yet in the midst of chases, our hero and heroine take the time to not only think endlessly about how attracted they are to one another and admire each other's bodies, but also to contemplate all of the sex they'd like to have with one another. It gets worse. They also take the time to kiss and grope each other a little (actually a lot) right smack in the middle of chase scenes. Plus, there's one instance in which Bailey refuses to keep running - regardless of the armed gunmen who are right on their heels - unless Noah stops right then and there and tells her about his past. Really? The first time the inappropriately-timed sex-related activity happened, I chalked it up to adrenaline and chemistry doing odd things to Noah's and Bailey's brains. By the fourth or fifth time they stop mid-chase so that Noah can, let's say, make Bailey happy, I couldn't believe what I was reading. I understand that this is not fine, classic literature, but this was utterly absurd. I actually couldn't believe that Ms. Shalvis wrote this, because this was not at all in-keeping with her talent.
So, the book has some pretty major problems, in my view. It does have its good points - Noah is a fantastic hero (though why he puts up with Bailey is mostly beyond me). And if one is able to look past Bailey's flaws, she and Noah make a great couple who, as I said, are pretty steamy (and the book does not lack sex scenes, though again, some occur at incredibly inappropriate times). All in all, though, while there were some enjoyable parts, the aforementioned problems proved to be far too significant for me to get past. Fans of the author may still like this book for its enjoyable moments that are pretty much classic Shalvis. Other than that, I think that readers may be better served by choosing literally any other Jill Shalvis book.