Clever Fun With "The Great Gatsby"
In 1998 Gus Van Sant produced and directed a shot-for-shot remake of Alfred Hitchcock's 1960 film "Psycho". Apart from details like updating the prices of things, and allowing for new technology, and the like, (and making some content more explicit), it was literally a remake. Same camera angles, same score, same dialogue. The movie was no fun, made no effort to wink at it's source, and was considered pointless. It was, as you might expect, a critical and popular failure. I mention that only because that project brings into relief the reasons why this book is great, and witty, fun.
This book is a "remake" more like "West Side Story" could be considered a remake of "Romeo and Juliet", although this book has more fun with the source material.
First off, the entire story arc is very similar, and the plot follows the original as much as practical. But that's obvious at the outset.
On one level there's a lot of simple name checking. The original doomed heroine, Daisy, is now Maisey. East Egg and West Egg become East Agave and West Agave. The use of the now archaic phrase "Old Sport". And so on. If read "The Great Gatsby" right before you read this book you can occupy yourself looking for little jokes and winks on almost every page.
One another level the updating is just as amusing. All of the vices had to be updated, (designer drugs instead of bathtub hootch), and all of the trappings of ridiculous wealth had to be updated. The author's choices in this regard displayed a good deal of flair and imagination. The characters' back stories had to be changed. (How did Gatsby acquire his wealth, versus the new doomed hero Joss?). Again, the author's choices were sound. Interestingly, Cole kept some of the old-fashioned touches, (Maisey's voice is much more like Daisy's 1920's voice than a modern woman's), and these throwback connections give some of the scenes and some of the dialogue a languorous or timeless quality that enhances the vaguely surreal and romantic atmosphere of the Maisey scenes.
But of course this is mostly jokes and giggles, and if that's all you got the premise would ultimately wear thin. Here, the author also catches some of the tragedy of the characters' situations, and effectively mirrors the larger themes, including the main theme that it is hopeless to struggle against the past. The finally line of "The Great Gatsby" is one the finest endings ever written, and I'll be darned but Cole actually makes a credible run at capturing its style and spirit while making it his own.
So, is Chris Cole the new Fitzgerald? No, probably not. But he has taken a great and ambitious risk and has written a stylish and knowing homage to "Gatsby" that captures some part of the current zeitgeist. It's a fun book, full of energy and insight, and yet deft enough to poke you in the ribs and wink at you. Admirable.