This volume contains 13 original essays exploring Rammstein's stage performance and recorded works from multiple academic perspectives. Topics range from Rammstein's connection with 19th century German literature and their East German heritage to cannibalism and the supernatural. The panoramic view of approaches to Rammstein's music and performance goes beneath the surface and provides fan and scholar alike with a deeper appreciation for the band.
As with all compilations, some are good, some are bad. The worst is one of the editors, John T. Littlejohn. Michael T. Putnam's text however gives an interesting aspect with regards to the recent allegations against the singer. The part I liked the most, as a nonnative German speaker, I had no idea about all the cultural references in the lyrics. 12 out of 13 were good or at least interesting.