Chase pulls off another tour-de-force of crime fiction writing in his 1941 novel, “He Won’t Need it Now.” This is an action-packed novel filled with blackmail and double-crossing, and a true femme fatale in the worst sense of the word.
As the story opens, Bill Duffy, a news photographer, is in a bar, feeling low, as he just got fired after a blow-out argument with his boss. The concern he has is, not just that he is out of a job, but that the word may be put out all around town, not to hire him. Hard up for money, Duffy is approached by a man known as Morgan, who hires Duffy to hide in a loft and photograph his “wife” making a blackmail payment to someone. Morgan says they no longer live together, but he wants to get her out of the blackmail thing and the photographs would help him pry her out. None of this adds up to Duffy, who is hard up for cash and figures wrongly that there was little risk involved and takes the job, noting though that it really seemed to be more of a job for a private investigator than a news photographer.
Perched in the loft with a bottle of scotch and his camera, Duffy is surprised to witness the “wife” make a payoff and, just as she shows the blackmailer to the door, someone appears in the loft behind Duffy, holds him up at gunpoint for his camera, and knocks him off the loft, where he is discovered by the redheaded temptress, whose real name is Anabel English. She is not Morgan’s wife and does not know who he is and does not believe Duffy’s story about being held up in the loft upstairs. She threatens to call the police, but Duffy knows she can’t.
And then things take a turn for the worse when Duffy is shown out and on top of the elevator car, he sees a corpse of the man who had just taken the payoff from Anabel. Quickly thinking, Duffy pounds on Anabel’s door and, with her urging, takes the body down from the elevator car, wraps it in a covering, and stuffs it in a trunk. They then have the garage attendant help load the trunk with the body in it in her car and head out to a cemetery where Duffy manhandles the corpse into a mausoleum where he hopes the body won’t be discovered for a long time.
It is a lot of work to get rid of a body and the casual reader wonders why Duffy has gone to all this trouble for Anabel. Duffy, in fact, turns to this life of crime rather naturally. First, he gets blackmail photographs for a stranger before he even knows Anabel is the daughter of a powerful politician. Then, he absconds with the corpse without wondering who could have got to it so quickly while he was being held up in the loft for his camera.
What follows though is a tale of blackmail and backstabbing as first one group of thugs than another gang are after Duffy and that camera and other things that think he took off the corpse. Duffy takes it all in stride as he takes one beating after another, seizing opportunities as they come to him. He gets his hands on the blackmail material and auctions it off to the highest bidder with neither grouping willing to pay him, figuring he is all alone and ripe for the pickings.
Duffy turns out to be a dirty scoundrel, looking to cash it in and take off out of town with Olga, who he runs into in the midst of the backstabbing. But when she takes a knife in the chest and he is set up to take the fall, he does not pause for more than a second in his grief and plunges right ahead to even score.
Even with all the different groups involved at cross purposes, Chase does a great job of presenting the story. It appears to all take place in a few short days and the action seldom lets up.