The fourth installment in the five-book Lockwood & Co series picks up a few months after the last one left off - Lucy Carlyle, having left the Lockwood agency after realizing that her experiments with her psychic abilities were putting the rest of the team in danger, has been working as a kind independent contractor, teaming up with other agencies for one-time jobs. It's only a matter of time, of course, before Anthony Lockwood shows up and asks Lucy to help her former agency with a job.
Honestly, I almost wish that Stroud had devoted more story space to explore Lucy's new role as an independent ghost hunter - her time as a freelancer is over so quickly, and she goes back to Lockwood & Co so easily, that I don't know why Stroud even bothered having her leave the agency in the first place. Honestly, it just feels like he needed a way to end Book Three on a cliffhanger and "Lucy leaves Lockwood & Co" was the best he could come up with. But at the same time, I'm glad he realized that it was a bad idea, and put her back with the agency as soon as possible - Lucy is best when she's interacting with the whole team (talking skull in a jar included) and even though I think Stroud missed an opportunity when he decided not to give Lucy more time to function solo in the story, I think this series is at its best when we're seeing the whole ensemble cast working together on a job.
With only one more book to go in the Lockwood & Co series, it finally feels like things are picking up steam - just in terms of plot and resolution, this is the best in the series so far, because Jonathan Stroud is finally giving us some concrete answers to the central mystery that's been brewing in the background since Book One. This book follows the basic formula that Stroud has established for the series: we start with a ghostt-busting mission right at the beginning, then there's a second minor mission, and one final big setpiece for the climax. But, as in the best installments in this series, all of the cases are connected, and trace back to the central question of the series - how did the Problem start? Like I said, Stroud gives away a few things here (like more answers about what the Orpheus Society is up to) but he's still saving the biggest bombshells for Book Five, and I'm excited to see how he's going to wrap up the series.
Honestly, I really enjoyed this book, but had one major issue - Holly Munro's characterization continues to baffle me, specifically her interactions with Lucy. In my review of the previous book, I joked that Lucy's dislike of Holly seemed to stem more from a subconscious crush, rather than actual animosity. And then in this book, we get stuff like this, where Lucy is trying to make the reader understand why she doesn't like Holly:
"It was her skin that always got to me. It was darkly buttery, with not a pimple to be seen. And her features, too - everything was in the right place. There'd been a time when her easy perfection drove me mad, and I knew that in my disheveled, wildly imperfect way, I'd done the same to her."
Like, seriously. How else am I supposed to interpret that?
It's profoundly confusing, because I honestly can't tell if Stroud is genuinely intending for us to think that Lucy has a crush on Holly. I want to believe that society has advanced far enough for him to casually include a same-sex flirtation subplot in his YA ghost-hunting adventure, but is that really what's going on? If Stroud is doing it intentionally, he's probably just queer-baiting us, since Lucy/Lockwood is pretty obviously his endgame. And if he doesn't realize that he's writing the Holly/Lucy scenes with a romantic undercurrent, that's even worse, because it just means that Stroud thinks the only reason girls wouldn't get along is because one is jealous of how pretty the other is, which...sucks.
And it's also confusing, because Lucy/Lockwood shipping seems pretty common among the readers of this series, and I haven't seen any other reviews that mention the Holly/Lucy stuff. So maybe it's all in my head. But on the other hand, Jonathan Stroud wrote this conversation between Holly and Lucy:
"She gave a laugh. Oh, joy - it was the special tinkling one that set my teeth on edge.
'Someone at Portland Row really missed you, you know,' she said.
I kept my voice light. 'Well, I missed everyone, too, of course. ...Er, who was that?'
'Who missed you most particularly?' Her laugh again; her big dark eyes smiled at me sidelong. 'Can't you guess?'
It was hot in that cafe. I did something with the sleeves of my sweater. 'No.'
'Me.'
'Oh. What-? Did you?'"
Okay. I get that Lucy is uncomfortable because she's thinking of Lockwood, and this bit of conversation is Stroud trying to reinforce the idea that Lucy and Lockwood have romantic potential (I remain firmly on the fence about this, but whatever). But if that's the case, then what the hell is Holly doing with this conversation? Because it really reads like she's flirting with Lucy, and Lucy doesn't notice. I'm frankly a lot more interested in the idea of an Odd Couple-style romance between Holly and Lucy than a straightforward Lockwood/Lucy romance, and I have a feeling that Stroud is going to let me down in Book Five. But seriously, I really want to know what he's intending with these characters.