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Oi, Robot
175 pages, Paperback
First published January 1, 1995
11 people want to read
About the author
Edward L. Ferman
634 books7 followersEdward Ferman (born 1937) was an American science fiction and fantasy fiction editor and magazine publisher.
Ferman is the son of Joseph W. Ferman, and took over as editor of The Magazine of Fantasy and Science Fiction in 1964 when Avram Davidson, due to his residence in various Latin American locales with unreliable postal delivery, could no longer practically continue editing; on the masthead, Joseph Ferman was listed as editor and publisher for Edward Ferman's first two years. Edward Ferman would take on the role of publisher, as well, by 1970, as his father gradually retired. He remained as editor until 1991 when he hired his replacement, Kristine Kathryn Rusch. He remained as publisher of the magazine until he sold it to Gordon Van Gelder in 2000. While Ferman was the editor, many other magazines in the field began to fold or were shortlived, and his magazine, along with Analog, was one of the few which maintained a regular schedule and sustained critical appreciation for its contents.
From 1969-1970, he was the editor of Fantasy & Science Fiction's sister publication Venture Science Fiction Magazine. Together, the Fermans had also edited and published the short-lived nostalgia and humor magazine P.S. and a similarly brief run of a magazine about mysticism and other proto-New Age matters, Inner Space.
Ferman received the Hugo Award for Best Professional Editor three years in a row, from 1981 through 1983. F&SF had previously won several other Hugos under his editorship, which had been famously conducted, at least in the last decade of his tenure, from a table in the Ferman family's Connecticut house. He edited or co-edited several volumes of stories from F&SF and co-edited Final Stage with Barry N. Malzberg. It is probable that he also ghost-edited No Limits for or with Joseph Ferman, an anthology drawn from the pages of the first run of Venture.
Retrieved from "http://en.wikipedia.org/wiki/Edward_L..."
Ferman is the son of Joseph W. Ferman, and took over as editor of The Magazine of Fantasy and Science Fiction in 1964 when Avram Davidson, due to his residence in various Latin American locales with unreliable postal delivery, could no longer practically continue editing; on the masthead, Joseph Ferman was listed as editor and publisher for Edward Ferman's first two years. Edward Ferman would take on the role of publisher, as well, by 1970, as his father gradually retired. He remained as editor until 1991 when he hired his replacement, Kristine Kathryn Rusch. He remained as publisher of the magazine until he sold it to Gordon Van Gelder in 2000. While Ferman was the editor, many other magazines in the field began to fold or were shortlived, and his magazine, along with Analog, was one of the few which maintained a regular schedule and sustained critical appreciation for its contents.
From 1969-1970, he was the editor of Fantasy & Science Fiction's sister publication Venture Science Fiction Magazine. Together, the Fermans had also edited and published the short-lived nostalgia and humor magazine P.S. and a similarly brief run of a magazine about mysticism and other proto-New Age matters, Inner Space.
Ferman received the Hugo Award for Best Professional Editor three years in a row, from 1981 through 1983. F&SF had previously won several other Hugos under his editorship, which had been famously conducted, at least in the last decade of his tenure, from a table in the Ferman family's Connecticut house. He edited or co-edited several volumes of stories from F&SF and co-edited Final Stage with Barry N. Malzberg. It is probable that he also ghost-edited No Limits for or with Joseph Ferman, an anthology drawn from the pages of the first run of Venture.
Retrieved from "http://en.wikipedia.org/wiki/Edward_L..."
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Displaying 1 of 1 review
May 8, 2021
This quirky little volume is by definition a winner. It contains a selection of cartoons from The Magazine of Fantasy and Science Fiction, along with the winners and runners-up from over fifty of their unique and hilarious competitions. The competitions range from the mind-bending to the absurd and feature exercises such as capsule reviews of sf classics (Heinlein's Glory Road: Plot holes; needs resurfacing), mashing-up sf titles with song titles (Asimov's A Hard Day's Nightfall), or adding a letter to the title to make something completely different (such as the one used for the title of the book from Asimov's I, Robot). There's some really riotously funny stuff, and some of the contestants are well-known to the sf community, such as Robert Coulson and Harlan Ellison and Joe Haldeman. My favorites are the near-miss titles, such as Sheckley's Can You Do Anything When I feel This? or Vonnegut's Slaughterhouse 5, Cattle 0. SF was never this much fun.
Displaying 1 of 1 review