What is up with this heroine? What is up with this story mode? The whole story is this weird categorization of female and male roles in this old society. Everything is being identified and trying to be pushed into the category of the "man" or "woman" side of workings and thus settle their delicate sensibilities (yes men's too, cuz they get the most unsettled here when women try to do man's work) in these uncertain times. And yet no matter how much every character in this book reiterates that the main hero is a good man doing man's work and everyone especially the heroine should cut him some slack and that the heroine is this extraordinary paragon of female power and perseverance that every man, woman, and child admires there is definitely something smelly in the land of the lairds.
Everything was so... loud here. The emotions, the reactions and the heroine particularly. She is painted as this uber special girl that everyone recollects her doing some pretty brave things when they feel more reckless and lucky when it comes to the stuff that mostly happened to her and what she actively initiated... She keeps fighting and fighting against her new circumstances, and in a way one can understands.
The heroine's admirable qualities are being pointed out by the hero and everyone else and what does she do? She’s constantly throwing fits, screaming like a banshee at the slightest inconvenience, throwing herself at her brother's grave like a soap-opera heroine and blaming the hero for misunderstanding her INTENTIONALLY mixed signals. I mean if she was intending to reinforce the stigma that women are confusing crazy bitches job well done there TSTL. I felt so bad for the hero for being so deeply in love with that bag of crazy. To the point where I thought there should be a public apology offered on the side of our sex, cuz I would like to think were are not all that much bat shit crazy. But no. The apology should come from the author for writing such a malicious female character and letting her out into the wild to wreak havoc and reinforce all the bad sex stereotypes that the female movement has tried fortuitously to dispel for centuries.
I didn't believe some of the reviews when they said the heroine's constant rejection of the hero was so tedious, cuz sometimes the heroine saying 'no' can be taken as too much when the hero is being super sweet and romantic. But they were warning sighs offered by other readers all along. Up to a point I understood why the heroine was holding steadfast against being steamrolled into a role and marriage not of her choosing, no matter how deeply she wanted it on a animistic level, it should still be her consciences choice. It's just the way she went about rebelling against the choices she had to make that made her seem like a ridiculous brat. She zeroed in on all the wrong things in her resentment. It all pointed towards the guy that was simply following her heart and waaaaaay overreacted every time he even breathed in her direction. While her family and clan members who super peer-pressured her into this decision she could not see any fault in them. She could not wait to come back to them once she thoroughly fucked with the hero's sanity and heart (in turn fucking with the reader's sanity and patience).
She was issuing ridiculous demand after demand to the hero and when he showed even a slight sign of not understanding her far from clear demands she would go into a tail spin and put him on the villain fire-pit ready to lit the match at any second. She was so clueless to her surroundings all the time and no wonder she never could catch the attempts on her life till the very end. I mean if I had been a hired assassin I would have had no trouble taking out this clueless ridiculous woman. She would have been a goner in chapter two. And that ridiculous clan of hers, it would have been easy to convince them it was all for the better, what with how toxic she was in her grief for her twin brother and it would be an easy thing to convince them that she could have not handled this world without her brother and she is in a happier place with him now.
Now her grief for her brother was understandable and it was unfair how little patience everyone in her vicinity had for her grief process and just forced her to move past it. I supposed that is what also snapped her in full blown crazy mode when she had to cope with things she was not ready for, but that was handled so poorly by the author. Again she seemed like a petulant child throwing temper tantrums what with how hard she was in understanding and explaining how much of her sadness was still lingering and that she needs a bit more time to come to terms with that. And she just was rebelling and denying everything her clan tried to force her to do without putting any real push in explaining why she was not ready and convince them all that she needed this time to come to terms with everything. And cuz no one wanted to give her that time, but just thought that marriage to a complete stranger, being ripped from the only home she has known and convincing her that the child everyone is predicting was gonna be the golden babe reincarnation of her twin will solve all her emotional problems.
Whelp no wonder she went off one crazy bend when she could not quite visualizes all these obscure predictions that were never explained by neither her family, clan members or her husband. And we unfortunately as the reader had to read through her emotional breakdown and rationalize it to ourselves with the "It's ok, she has been through a lot. She needs to go through some trials to get her HEA ending. It will all be worth it in the end." And dear author when the reader has to justify to themselves why their reading and trying to sympathies with all these bat shit crazy characters it means the choices you have made for your characters and story have been very very very bad indeed. And thus another book ends in a bad review warring other readers to stay away from this hot bed mess of crazy and look for something that actually follows some sense.