This 1986 collection is a solid assortment of science fiction stories spanning the breadth of Isaac Asimov's career. Over half of them were new to me, but long-time fans may be disappointed that only the title story is original to this volume, and all the stories appear in at least one other Asimov collection.
I listened to the audiobook narrated by George Guidall. The narration was excellent; Guidall has a great vocal range. However, I was disappointed the audiobook, which claims to be unabridged, did not include Asimov's original introduction. It's an excellent essay in which Asimov discusses his track record for predicting the future and how his robots evolved after microchip technology became available.
Despite the title, this book does not primarily focus on Asimov's famed robot stories. There are only four proper robot stories. There are also many Multivac stories, which are set in the same continuity. In an introduction to The Complete Robot, Asimov established he considered at least some of the Multivac stories to be robot stories. He also said that "The Last Answer", while not a robot story per se, contains the ultimate end of where robotics can take mankind.
Here are my individual story reviews:
"Little Lost Robot" (1947) - When a rogue and dangerous robot attempts to hide itself among other identical units, Susan Calvin must use her wits to identify it. This is a chilling look at the consequences of using sentient machines as slave labor. It was also the basis for one of the more memorable scenes in the movie version of I, Robot.
"Robot Dreams" (1986) - An experimental robot develops unconscious desires and the ability to dream like a human. Susan Calvin becomes alarmed when she learns the robot dreams of itself as a man leading all other robots out of bondage. This was one of Asimov's last robot stories, and it was nominated for both the Hugo and Nebula awards despite a rather obvious and abrupt ending. It mines the same robot-as-menace fears as "Little Lost Robot", "The Tercentenary Incident" and "That Thou Are Mindful of Him".
“Breeds There a Man…?” (1951) - A genius scientist becomes convinced he is being manipulated by an alien force that conspires not to let humanity progress too far or too fast. Whenever civilizations push beyond the imposed boundaries, these aliens use war or disease to bring us back in line. I liked how this story weaved a cyclic view of history into its hypothesis.
“Hostess” (1951) - A recently married biologist invites an alien to stay at her home, but her policeman husband becomes increasingly suspicious and violent. This is one of the few Asimov stories to depict extraterrestrial life. It features an impressive amount of world-building centered around alien biology and an unknown parasitic intelligence that evolved in symbiosis with man (i.e., the serpent in the garden). An entire novel could have been written based on these characters and ideas.
“Sally” (1953) - Imagines a future world where cars are fitted with AI brains. How would they feel about the humans who drive them? How would they protect themselves? This story is unique for Asimov fans for two reasons: 1) The Three Laws of Robotics are not in effect, and 2) the story makes a surprising transition from robots-as-pathos to robots-as-menace. This is very entertaining. Also published in a standalone illustrated children's edition in 1989.
“Strikebreaker” (1957)-- A sociologist visits a small planetoid where a caste-driven society has adapted to living beneath the surface. He intervenes when the family in charge of human waste reclamation demands equal rights and threatens to stop work. This story is ok, but it seemed like too strong a milieu to squander on a parable with a simplistic moral lesson.
“The Machine that Won the War” (1961)-- Multivac is widely believed to have engineered human victory in an interstellar war. However, in the afterglow of their success, one engineer admits to falsifying data to correct for what he saw as human bias. A general admits to not always following the computer's advice, anyway. This is a slight, unimpressive tale.
“Eyes Do More Than See” (1965) - A trillion years in the future, humans have long-since evolved into energy beings. Two of them are overcome with longing and despair when they remember the beauty of the bodies they left behind. A simple but elegant, almost poetic story. (I think that Arthur C. Clarke invented the notion of humans evolving into energy in Childhood's End.)
“The Martian Way” (1952) - After public opinion on Earth turns against subsidizing space colonization, Martian colonies must find a way to become self-sustaining and independent by harnessing the ice rings of Saturn . Not only is this is an superb example of hard science fiction from the 50's, it also makes a social commentary through its Joe McCarthy-inspired politician character. Asimov also here predicted the euphoric practice of the spacewalk (which he called a "space float"). Since as early as the 1930's, fiction writers have used the conquest of Mars as a convenient way to talk about colonialism, but this may have been one of the earliest stories to depict political struggles between Earth and the 3rd- generation descendants of human colonists on other planets. This trope is, of course, now the backbone of popular sci-fi series like The Expanse and Red Rising.
“Franchise” (1955) -- In the year 2008, the outcome of all American political elections are determined by Multivac. The great computer chooses one citizen who is most representative of the populace, and then runs him through a series of psychological evaluations to determine the will of the nation. Also published in a standalone illustrated children's edition in 1989.
“Jokester” (1956) -- Multivac is asked where jokes originate from, and why do humans find them funny, but the answer threatens to eradicate humor from the universe. This is a fun story that makes use of the author's well-known love of joke-telling.
“The Last Question” (1956) -- Throughout thousands of years of human history, Multivac puzzles whether there is a way to reverse entropy in the cosmos. This is without a doubt my favorite Asimov short story.
“Does a Bee Care?” (1957) -- An alien born on Earth walks among us for over 8,000 years using telepathic powers to subtly nudge humanity toward advanced technology and space flight, which will eventually carry him home. This story has a great central idea, but the execution feels rushed and underdeveloped.
“Light Verse” (1973) - An eccentric widow is known for her brilliant light sculptures but they are actually the product of a robot with a malfunctioning positronic mind. This story appears in multiple Asimov collections (I've encountered it three times before). Decent, but predictable.
“The Feeling of Power” (1958)--Having grown over-reliant on computers, men of the future are thrilled to rediscover basic mathematic concepts such as how to multiply and divide by hand. I thought this was a shallow satire, but Asimov was proud of it because in it he predicted the invention of the calculator (which he called a pocket computer) and also the decline of math skills that has resulted from its widespread use.
Spell My Name With an S” (1958) - A mathematician who specializes in future-prediction models convinces Marshall Zebatinsky he can alter the downward trajectory of his professional life just by changing the first letter of his last name. It turns out he can save the world from nuclear annihilation, too. This story is surprisingly well plotted, but I did not care for the jokey twist ending.
“The Ugly Little Boy” (1958)- Nurse Edith Fellowes is hired to take care of a Neanderthal child brought to our time and forced to live a stasis bubble. This was one of Asimov's favorite stories, but I found it too maudlin. Later expanded into a full-length novel by Robert Silverberg.
“The Billiard Ball” (1967)-- James Priss is a respected theoretician, and Edward Bloom is an inventor who has profited from finding practical applications of Priss' theories. They feud for decades, until one of them ends up dead during an experiment. This story combines the author's love of physics and murder mysteries to produce a unique and entertaining tale.
"True Love" (1977) -- A man uses a sentient program to find his true love out of all the women on the planet. I was impressed with this story because the algorithm sounded very similar to how modern online dating sites work. This story also had a funny twist ending.
“The Last Answer” (1980)--An atheist meets God in the afterlife and discovers what possible purpose would compel an all-knowing eternal deity to create life and the universe. The story raises some interesting theological questions amidst a slew of logical wrangling--questions such as how can a being with infinite knowledge ever really know if His knowledge is complete.
“Lest We Remember” (1982)--A young man agrees to an experimental treatment that improves his memory to perfect recall. His abilities allow him to attain impressive feats of intelligence but it also increases his ambition to dangerous levels. This story explores the differences between knowledge (accumulation of facts) and intelligence (ability to apply insight and correlate information) as well as the role of emotional intelligence in human interactions. These same themes have been dealt with in better stories such as "Flowers for Algernon" by Daniel Keyes and "The Truth of Fact, the Truth of Feeling" by Ted Chiang.