What do you think?
Rate this book


440 pages, Hardcover
First published October 13, 2013
With Hugo returned the budgets, the accounts, the bills, the calculations, the sense of restrictions, the meals at home, tenderness, absence of fantasy, ennui, gloominess (he always errors in his calculations which makes our situation seem worse), talk of insurance, taxes, indulgence towards my stories, towards the smiles I gather from so many people, the forced lovemaking, the refuge from the sickness.
Becalmed. The sails no longer swollen by great winds.
I never desire him. I feel I must obey his will because he is good to me, because he has a right to me, because I want to give him what he needs as he gives me what I need. Also, I would like to find satisfaction at home. The asexual relation to Gore, which keeps me so erotically aroused, and the fact I do not desire anyone else, is hard to bear. I am filled with sensuality. So I will yield to Hugo. But my body bristles against him. I can't bear his eroticism, his preliminary caresses. I hasten his taking me because his caresses have the opposite effect they are intended to have. They make me bristle, and I want to cry out, "I don't want you!" That would break his life. I can't do it. So I will submit, close my eyes.
I think I am a little mad with feeling, with awareness, with obstacles. Create, Anaïs. Every word you wrote was always the golden key which opened the doors of your prison. The Lawrence book brought you Henry. The House of Incest Gonzalo. The Winter of Artifice John. It is your female chant for man, for the lover. Write. It is your ornament, your grace, your seduction, your chant for courting.
That is my own interest in writing, not to make a name, not to be exposed in libraries, or celebrated after death, but to create life, immediate life around me. I cannot go into new lives without my books. They are my boat and sail, my passport and map, my compass and telescope.
Success itself makes me sad because it is the story of having to prove your value, to convince, to assert. Just as I wanted to be protected without defending myself, to be loved without doubt of this love, to be treated as I treat others, and to have others see the potential me as I see their potential selves, none of this happened. I had to fight for everything, as if people in general were blind, deaf and dumb. My gratitude goes only to those who believed at first, without proof.
Anaïs, beware. Il faut savoir jouer. Il ne faut pas rêver. [...]
La petite Anaïs ne sait pas jouer.
[Anaïs, beware. One must know how to play. One must not dream. […]
Little Anaïs doesn’t know how to play.]
I can see the trees are beautiful—the vastness of the sky, the immense possibilities of love spreading out. I can see beyond fixation and obsession. How light I feel!
I found the only mature jeux possible—humour.
The great beauty of my life was that I lived out what others only talk about, or dream about, or analyze. I want to go on, living out the uncensored dream, the free unconscious.
Staff [her therapist] took the diary, and while I was uneasy, I didn't expect the remark he made. I expected a condemnation, a judgment, but not what he said: "You live in fantasy. You see things that are not there. You are inventing a world, not because of a conflict between fantasy and reality, but because of the fear of being rejected in the real world (of the father), of being inadequate."
No. Here I resisted. If what I write here is fantasy then my life itself is in danger. […] My fantasy world: Gore, the warmth I feel...unreal? The desire? The elation? Is it all unreal?
The evening of Hazel McKinley's party I met Rupert Pole, an actor who is Welsh and looks like Pinckard, but as soon as I saw his handsome face, I felt: Caution. Danger. He is probably homosexual. He spoke first, having heard I was Spanish. Ordinary remarks. We sat on the couch with a friend of his, discussing Schoenenberg, whom he had met in Hollywood. He intimated his belief of pacifism and mystical studies. Then people intervened.
I remember that as we talked we plunged deep, deep eyes into each other. The homosexual is passive, so I was surprised when I was getting ready to leave, Rupert came up and said “I would like to see you again.”
As I got up to go out with him, he embraced me. Once we began to kiss we could not separate. Desire, desire, desire, desire. His gestures are strong and romantic. Where did he learn to carry the woman to the couch? His long, long slender body. Lean. Lean and strong. His nervous, wiry, electric quality suits mine.
For ten days I thought my night with him would not be repeated.
He challenges my strength, my softness.
We never went out to dinner. We cooked here, together. He is active, capable, free. He travels on little money. He plays the guitar. He sings. He speaks Spanish. He prints to earn a living. He is healthy and beautiful and alive. […]
The children entered my womb seeking refuge and peace, and while I felt desire immediately, another part of me, the strong part, lay dormant, aroused only occasionally. But Rupert challenges this part of me. […]
He likes rhythm. His impulsiveness is a delight, his vehemence, his beauty. I suppose when I did not believe in my own beauty, I did not dare love beauty. […]
Life heals you if you allow it to flow, if you do not allow it to trap you.
Have I achieved freedom? Freedom? Freedom?
That no one should be able to destroy you, enslave you, paralyze you?
The Anaïs who writes here tonight is the same child Anaïs who could not believe in happiness. I write tonight to reassure myself that it is true and palpable. With words, I must touch this. […]
Touch, oh, touch this man of fire, who enters smiling, who throws off his coat, who is free and timeless, who comes with his guitar. We forget to make dinner, because he begins to kiss me, to kiss me, to kiss me, until we are in a frenzy. His mouth. It is he who kisses, takes, and every move is strong. […] I feel his sex against mine, the sexual act is so violent, each spurt of semen causing a tremor through his body, a somersault, and he puts me in such a frenzy that I feel as if I were not experiencing one orgasm or two, but hundreds of them. Frenzy! Frenzy! He comes twice without leaving me.
Rupert enjoys his food, enjoys his pipe, enjoys resting after dinner with his head on my breast, enjoys playing his guitar, enjoys singing.
Oh, god, he is a man, a sensual man, a romantic.
Wildly beautiful. Intense. Healthy.
I cannot believe it...
As he sits there singing warmly with color and power, playing the guitar he taught himself to play, with his beautiful face, his long, slender neck, his ruddy hands which are not delicate, but strong, the rich, warm tones of his skin, his beautiful teeth, I cannot believe it.
Has my charm brought me this?
For the first time, I allowed my joy to explode. I had been subdued, passive. I received him with effervescence, but not love, no words of love, for this is passion. How good it is to be so thoroughly caressed, to be caressed and kissed while I cook, to be caressed and kissed every moment.
He looks at Under a Glass Bell, which I finally decided to give to him, and like me, he reads one phrase and divines the rest. One phrase of my preface, and taking me in his arms, he rocks me and says: "But we need the dreamer! We need dreamers!"
After making love to exhaustion, he says, "You destroy me, you destroy me only to give birth to me again, each time a new man!"
Life again! Life!