Up next from Darth's Colossal Stack of Stuff is "The Sunken City," a 2022 novel by Tim Curran, horror writer extraordinaire. "The Sunken City" is a follow-up to "The Hive" and "The Spawning" (a.k.a. "Hive 2: The Spawning"). This fact is not advertised in the book's synopsis, making me wonder if the author intended this book to be a standalone story or part of a larger series. In any case, the book works by itself. The two Spawning books are difficult to find, and as far as I know, are only available in print for an exorbitant price.
Taking some cues from Michael Crichton's "Sphere" and Paul Anderson's "Event Horizon," "The Sunken City" is a paean to your favorite creepy, supernatural science fiction tales. Does Curran's take on the genre measure up to these other stories? Frankly, no - though I still enjoyed the ride.
My first quibble with "The Sunken City" is just how truncated the beginning of the story is. While you can follow the narrative's setup, you'll feel as if you're not privy to all the juicy details. Just what happened at Kharkov Station? Why didn't the author make more of this? My understanding is that these things were covered in one of the earlier novels, but I didn't read them. With the accelerated beginning of the book, the tension does not have adequate time to marinate. Instead, we get the author telling us that the sunken city is menacing and that we need to be very afraid; and then we're already off to the races.
Once you get settled into the book's rhythm, it's an enjoyable journey. "Sunken City" is very much a psychological horror piece, with a decidedly Lovecraftian bent. Author Curran evokes mood better than any other in the biz, and he brings his "A" game with "Sunken City." The prose is absolutely dripping with the hardboiled, foreboding patois of which Curran is the master. How he cultivates such menace through written word is beyond me, and I marvel at his talent.
The science angle is much less developed than in "Sphere." I found myself wanting to be more immersed in the trappings of the science habitat, but Curran's focus is more on the psychological and horror angles, and I can't really fault him for that. Despite its quick setup, the book is paced somewhat slowly, with a narrative that doesn't feel terribly tight. Things do accelerate during the last quarter or so of the book, with a positively manic ending sequence. I was a little afraid that the ending would leave me wanting for more, but Curran crafts an acceptable - if abrupt - ending.
The characters in "The Sunken City" are merely serviceable. The cast is small and exists as more of a tool to interact with the Old Ones than anything else. Some of the character's backstories are interesting, and the ways in which their pasts are used to torment them are compelling. However, the characterization doesn't have the sheen that I've seen in most other Curran novels.
'Nuff said. I enjoyed the novel, though it wasn't my favorite. At the end of the day, I was entertained, and that's really what matters. And I'll most definitely be back for more of Curran's work. I suspect you will be, too.