This slim, elegant volume presents a concise selection of works by Dieter Roth (1930-1998)--who often spelled his name as Diter Rot--from 1965 to 1990. A genuinely experimental artist, Roth constantly embraced new forms and devised new ways of working, and this book reflects his creative openness and appetite for play. Its sampling of works ranges from the rubber-stamp works of the mid-1960s and the infamous chocolate sculptures of the late 1960s to the loose, expressionistic drawings of the 70s and 80s. Also included is a warm, informal essay by Daniel Spoerri, reprinted from a 1966 Roth exhibition catalogue, and the transcription of a 1970 discussion of one of Roth's works between Spoerri and a school class in Dusseldorf.
Daniel Spoerri was a Romanian-born Swiss visual artist and writer. Spoerri is best known for his "snare-pictures," a type of assemblage or object art, in which he captured a group of objects, such as the remains of meals eaten by individuals, including the plates, silverware, and glasses, all of which are fixed to the table or board, which is then displayed on a wall. He also is widely acclaimed for his book, Topographie Anécdotée* du Hasard (An Anecdoted Topography of Chance), a literary analog to his snare-pictures, in which he mapped all the objects located on his table at a particular moment, describing each with his personal recollections evoked by the object.