Mannu Bhandari was born on April 3, 1931, in Bhanpura, Madhya Pradesh, India. She attended school in Ajmer and later she graduated from Calcutta University in 1949, followed by an M.A. degree in Hindi from the Banaras Hindu University in 1953. She is wife of famous Hindi writer Rajendra Yadav, with whom she co-wrote the book, Ek Inch Muskaan (A Little Smile).
In post independent Hindi literature many new women writers emerged and attracted the attention of readers and critics but after initial shining some of them did not make writing of their successful career. Many women writers have entered the arena of literary writing. Several highly talented writers have enriched Hindi literature with their creative writings. To name a few Usha Priyamvada, Malti Joshi, Dipti Khandelwal, Mridila Garg, Mannu Bhandari, Shubha Verma are some of the most accomplished contemporary Hindi women writers. Their writing reflect how modernism, contemporary social situations and currents and cross currents at life have molded their writing and subject matter as well as impact on them. Moreover these women writers have written about Indian women, their pains, conflicts, predicaments against the background of contemporary India. They have focused their attention not only on the outer situation and conflict but also on inner turmoil of modern women. In this reference writer like Mannu Bhandari deserves special attention. Her contribution to the world of fiction dates to the 6os. She has written in and experimented with varieties of genres of literature like the short story novel, political novel, literature for children, drama, screen play, and dialogues for film etc. Mannu Bhandari has also chaired the directorship of Premchand Srujanpith in Vikram University, Ujjian. In 2008 Mannu Bhandari was given for her autobiography Ek Kahani Yah Bhi the prestigious Vyas Sanmaan for year 2008, which is instituted by the K.K. Birala Foundation and given every year for outstanding literary work in Hindi authored by Indian citizens.
We all know this story. We have seen it in Abhimaan with Amitabh and Jaya. Man supports woman, encourages her to follow her dreams but doesn't know how to deal with the changed situation once she takes wings. There is envy of course, but there is also an unwillingness to adapt to changing gender roles. There is lack of preparation to deal with a society which goes from a cheering squad to a jeering mob. For a writer like Mannu Bhandari who is a master at the psychological analysis of her characters, this situation is a goldmine. Although in this book, the treatment remains on well established grounds (but then the discourse has moved much further along since the book was published).
In a sense, this play leads into her magnum opus Aapka Bunty.