The BSC goes to Vermont on an improbable free, mandatory school trip. Mary Anne decides that since Logan can't go along on this mandatory trip she will spend her time making him a book of this trip. These girls and their darn book projects. But without the darn book projects we wouldn't have these Super Specials I love so much. So thanks overachieving BSC! I read this when I was nine.
Things I remember from reading this as a kid:
I learned the words "prerogative" and "mandatory" by reading this book. And I thought it was incredibly stupid that a school forced their students to go on a trip. And what kind of a school trip over state lines is free? Then, when I was in high school I went to a fancy private school in California, and we took a mandatory, free skiing trip for a week every January. The ski lessons were also mandatory. Also, the skiing. Also, the fifteen page research paper we were supposed to work on in the evenings. I remembered this BSC book, and I wondered why wasn't the Winter War made mandatory as well as the trip, and why were special projects only given for extra credit? Did the students of SMS really get a week of just hanging around, doing nothing, probably close to other school holidays such as Christmas, or MLK Day, or President's Day? The school I went to only had 40 kids in the entire high school, and there were at least 12 parent chaperones that came with us in addition to all our teachers. SMS seemed to have no parent chaperones, just teachers, and hundreds and hundreds of middle school students to keep track of.
Dawn and Mary Anne getting to a fight and firing each other as bunkies, which seemed immature, even to a nine year old.
The biggest reason why this book stands out so clearly in my mind is the Jessi story. Jessi has a lot of trouble connecting with Pinky, an eight year old kid who's staying at the lodge with her school. Their bus overturned on the way there and her foot is sprained so she needs indoor supervision, which Jessi provides. Pinky's angry, bossy, sarcastic comments remind Jessi of the racism she has faced in Stoneybrook, and she dismisses Pinky as a racist. She even mentions it to Mallory, who tells Jessi that "I really don't think that's the problem this time." Toward the end of the book Pinky apologizes for being mean to Jessi, and she seems genuinely sorry about it. Jessi remembers Pinky's classmates having problems with her, and Pinky's behavior issues with everyone, not just Jessi. Jessi is then bothered because she's afraid she is becoming prejudiced herself, seeing racism in every rude white person because of her past experiences. As a kid this blew my mind wide open. Could I, like Jessi, be quick to find prejudice every time things didn't go my way? On the other hand, there had been times in my young life that I had definitely experienced prejudice and racism, so I knew without a doubt that it existed, and that it often came from the people I least suspected. Is Jessi right to assume racism, or is should she try to be understanding, and not think everyone had a problem with her skin color? This was a truly worrying dilemma for me when I was eight or nine. How could I trust myself to navigate the world that was full of people who just didn't like me. . . or who didn't like me because I was Native? Was it fair of me to think every non-Native person who was mean or rude to me was probably a closet racist. . . or what it unfair that I was forced to think these things based on past experiences? I was crushed that we never heard another word about this in the series, and we never got to hear the conversation Jessi wanted to have with her family about this. As an adult. . .
Things I've considered since reading this as an adult:
I have even more mixed feelings about this than I did as a child. Why should Jessi feel she is in the wrong for thinking someone who treats her badly may be a racist? On the other hand it's a terrible way to go through life assuming everyone who doesn't like you, or who is rude to you is a racist. As an adult I'm actually a little angry that this issue was even brought up in a book written and edited by white people. White people simply do not understand those of us who deal with institutional racism. It's entirely possible that Pinky's parents speak rudely to black people, and order them around, and that although Pinky doesn't realize it, she has picked up their habits. She knows she's being mean (which is why she apologizes to Jessi) but she doesn't realize that had a white baby sitter be looking after her, she might add a please and thank you to her demands, and she might not take on such an angry tone. (I noticed that Pinky opens up about her fears to Dawn, a white girl.) I think if Jessi assumes racism, there's a good chance there is some form of racism there, especially since there is no mention in the story of Pinky being rude to Stacey, the baby sitter who helped her at the site of the bus crash. The trouble with this series is that the writers and editors assume that racism only exists in overt forms. For this reason I was bothered by Mallory's dismissal of Jessi's concerns about Pinky, especially since Mallory is usually pretty understanding about Jessi's problems with prejudice.
Once again a Super Special has made my head hurt thinking of the improbability of the cost. Several years after I left the fancy private school they stopped taking the high schoolers on the skiing trip because the school's insurance could no longer cover the cost of so many hormonal young adults running around a ski lodge (even though the size of the high school had gone down by then; the first class of graduates who didn't get to go skiing was only six students). I can't imagine taking 400 students, sixth to eighth grades from Connecticut to Vermont for a week. That's at least a four hour drive, probably made longer by winter weather (dangerous driving conditions in other words) over multiple state lines. I can see this trip being an extra curricular trip (one that costs money) for some of the school sports teams to compete against other schools. But why would you make an entire school go on this trip for no money in the middle of winter? It sounds like an insurance nightmare. And why are the only chaperones teachers? How are there not a bunch of pregnant teens in Stoneybrook after this trip? Never mind that it might be hard to sneak in and out of dorms at night (although there seem to be no teachers assigned to sleep in the dorms with the students) but the students are left entirely to their own devices during the day, and they have the run of a huge lodge with very little adult supervision. They are not made to take skiing or skating lessons. They are not required to check in with anyone. They could hitchhike to Canada for all the adults care. Stacey could have gotten it on with Pierre in the quiet secluded room they were sitting in alone when Mallory attempted to spy on them. If they hadn't caught her, maybe they would have. As it is the book makes constant references to "Stacey was nowhere to be found" and "She's been pretty scarce ever since Tuesday morning."
The other thing that was strange about the trip was the Winter War. I don't understand why you would bother having one if you're not making the kids participate. What if lots of students for the Red Team turn up at the contests, but almost none for the Blue Team? (Actually this did happen in the book, which makes it seem unfair that Kristy's team lost . . . even if she shouldn't have pushed Jay to enter the competition.) And why let Claudia judge one of the competitions when she's competing in other contests as a member of the Red Team? Also, the prize is said to be a free slice of pizza, which is the lamest thing I ever heard of, so I guess it might not be worth it to enter. But then, do you still get a free slice of pizza if you are on the winning side, but you didn't participate? Later in the series teachers and administration freak out over student participation in Spirit Week, and the whole town comes to blows over this stupid controversy. If you're that nuts about making students feel bad about not participating in Spirit Week, and put pressure on them to do so, then why is Winter War participation so loosy-goosy? It doesn't make sense.
Claudia's crush on her ski instructor is adorable. When she's in her thirties she will look back on herself and laugh in relief that Guy wasn't a creepy pedophile, but a regular twenty-something with an age appropriate wife and two young children, who had no designs on Claudia at all.
As a kid I thought Mary Anne's attitude about Logan was completely ridiculous. As an adult I understand it, but I do think it's weird. Why does Mary Anne completely lose herself just because Logan's not around? She seems too young to be so co-dependent. Also, why does she write a weird skit for children to perform about a girl breaking up with her boyfriend? Does she secretly want to break up with Logan already? Since her father isn't yet married to Dawn's mother the time when Mary Anne does break up with Logan is way in the future. And why does she miss him so much that she doesn't do anything else her whole trip but pine for him, if she subconsciously wants to break up with him? This whole story line is very, very strange.
Mallory is really annoying in this book, so much so that I'm surprised she had any friends left by the end of it. In many ways she was the only one who acted so out of character. Dawn makes a huge fuss about how she's not as independent and resilient as she thinks she is, but I feel like that's already been established. Maybe it was a revelation to her, but not to me. There is nothing unique and individual about Dawn. She is exactly what you would think a mean-spirited, moody, bossy, insecure teenage girl would be. Mary Anne acts exactly the way you would expect Mary Anne to act. I don't think of Mary Anne as being sensitive and understanding. I think she's often manipulative, and self-centered, exactly the way she acts with Dawn in this book. Kristy is weirdly competitive as she can be sometimes. Stacey thinks she's in love with a boy she just met who she will never mention again. (I thought it was hilarious that Stacey comes off sounding like a Victorian debutante in this book when she talks about being rude by only dancing with Pierre, so they are sure to trade partners every so often.) Mallory on the other hand has always seemed like a pretty calm person, but in this book she loses it on too many occasions. She makes much too big a deal about going to a dance, she tells Jessi that Pinky's racism is not "the problem this time", and she jumps to crazy conclusions about the people she spies on. When she finds one of her teachers crying in the bathroom why did her mind immediately go to assuming that it was because she has a crush on the vice-principal? Why did she instantly think the cook was trying to poison everyone when she just . . . saw him cooking? It's the most far-fetched thing. It would be one thing to come up with these outlandish stories if she was working on becoming the next Nora Roberts, or Sue Grafton, but she says that she wants to uncover truths and secrets about the people around her. Why? She does a terrible job at it. Stick to fiction Mallory.