Volume review: 3.75/5
Series review: 4/5
This series’ emotional core is so strong, and I’m so thankful that this final confrontation's final stage hinges on just that.
The emotional me attached to this series after binging most of it in bursts wants to give this concluding volume a five out of five because that was emotional, satisfying, pretty smart way to bring everything together quickly, but I really do think another volume, or, at the very least, just a few chapters to really round out the post-organization stories (AND GIVE CLARE AN ACTUAL RESOLUTION TO HER CHARACTER DEVELOPMENT) would have brought this up to 5/5. The resolution was much to quick for my liking, especially considering how much this series values slow buildups and very long fights.
Where did the rest of the organization's leaders go? The only "resolution" we get on that front is the the man in black's decision to fade into obscurity when faced with two Claymores at his throat, but what about that MASSIVE plot-twist about the lands we know in this series functioning as a breeding-ground for yoma, in service to a larger continent's government's dastardly plans? Clearly, they failed, and couldn't the man in black simply return in preparation for a far more destructive threat from that group entity manipulating everything?
The core of this series' conflict has to do with what is unknown for the Claymores, and how the systems one might once trust are often actually the villains in disguise. A volume-long epilogue detailing these developments, even if it takes some flash-forwards, would have made this an all the more satisfying ending. Volume 28 could've continued with Clare and Raki meeting with Irene to discuss how to proceed in making sure that they've covered ALL their bases and truly understand the gravity of their effect on a core system operating in these lands. That's what is implied in the last panels, but there is just way too much unresolved for my liking.
In addition to a lack of loose ends being tied up, this series really struggles with how expansive its cast of characters is in comparison to its volume length, which I suppose is a pacing issue because 27 volumes is nothing to scoff at in terms of length. Clare functions as the conduit for the entire story because she is the protagonist...until the end of the Battle for the North. Now, I often appreciate when main characters are sidelined narratively for a while to boost a deuteragonist or supporting cast (and just the stakes in general), but Yagi just lets Clare disappear while, suddenly, Miria becomes the lead. I love Miria. She's one of my favorite characters. However, this transition between character leads is clunky and rushed. This series values the origins of its characters so much...why wasn't Miria set up as a foil to Clare from the beginning, or at least given a well-rounded origin in order to inspire a similar level of emotion as Clare's early-series development does?
Additionally, Clare's return culminating in being essentially possessed by her surrogate mother-figure Teresa was initially interesting to be in its reveal in the previous volume's final pages, but the concept of Teresa literally replacing Clare's body and consciousness as Clare's final form stifles and reduces the conclusion of Clare's character development MAJORLY. I felt miffed that she was basically robbed of a conclusion in favor of showing more badassery that we'd already experienced from Teresa early on in the series. This quite literally leaves Clare's entire revenge plot unresolved, despite it being her core motivation in life.
I really enjoy the skeleton of the rebellion arc, but its execution is flimsy and rushed to me. People flip-flop allegiances too quickly and the entire arc just raises more questions than it does reveal answers by its conclusion.
In a highly detailed, very emotionally charged fantasy series like this one with a MASSIVE ensemble cast and continent-spanning narrative, I need the loose ends to be tied up. Not all, but at least SOME. Despite the emotional core of the finale being well-formed, the actual narrative's resolution left me with too many questions to feel satisfied. This is something that I'm really remiss to admit because there is plenty of brilliance present in this series in its exploration of hatred and grief, gaining personal autonomy, destruction through misinformation, differing expressions of womanhood, and the path to redemption.
It's worth noting that the art itself is also fascinating to watch mature. I consistently enjoyed Yagi's subversive style considering that he was writing a story about mostly women for a shonen magazine. His portrayal of the spectrum of femininity is really refreshing, and despite this series having a lot of horror-based nudity, it (almost...) consistently felt tasteful. The creature designs also basically take LSD and amplify to beautiful yet horrifying monstrosities a bit of the way in to the story, and it was always super exciting seeing how Yagi would push his creativity further with the yoma each time. A minor quibble I have with this last fight is how boring and frankly silly the awakened being creature designs were in comparison to previous ones. The stakes felt reduced because of this, while previous confrontations with awakened beings had me genuinely reeling, unsure of who was going to survive because the artwork was just so precise and detailed and terrifying.
Despite struggling with the fact that this volume really only resolves the fight itself rather than the larger narrative, this is a very strong series sitting at a solid 4/5 for me, and I greatly enjoyed my time with it. I just wish I could inhabit Yagi's existence for some time to write a satisfying epilogue...
(How the hell this is going to be adapted for live action is totally beyond me without whatever studio producing it spending 52 billion on insanely complex CGI, but, wow, would I love to work on such an adaptation...this would also be an incredible RPG game...many thoughts...)
PS the anime's soundtrack absolutely rocks go listen to it