Book by Burt Shevelove and Larry Gelbart Introduction by Larry Gelbart "This brazenly retro Broadway musical, inspired by Plautus, is as timeless as comedy itself." -Vincent Canby, The New York Times "The most urbane and literate musical comedy text ever conceived." -John Simon, New York magazine
Stephen Joshua Sondheim was an American musical and film composer and lyricist, winner of an Academy Award, multiple Tony Awards (seven, more than any other composer), multiple Grammy Awards, and a Pulitzer Prize. He has been described as the Titan of the American Musical.
His most famous scores include (as composer/lyricist) A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and Assassins, as well as the lyrics for West Side Story and Gypsy. He was president of the Dramatists Guild from 1973 to 1981.
Sondheim's first Broadway show for which he did lyrics and music. It isn't a score I revisit very often, mainly because it just isn't great. The only songs that have managed to have any legacy outside of the show and usually the only numbers I listen to are Comedy Tonight and Everybody Ought To Have A Maid. I don't think anybody would call this a great Sondheim show but it is a nice document of what he was doing before he became the grand seigneur of musical theatre.
I had seen the play at least once and the movie several times...and of course enjoyed them. I didn't expect the humor to come through so much in the written form. I was so wrong. I occasionally chuckle when reading my daily fare...but this book actually had me in belly laughs that were so prolonged that it began to be painful. Maybe I was just in the right mood to receive the comedy...but I highly recommend that everyone give this short read a try. The story involves a slave during the Roman Empire period trying to gain his freedom by providing his master's son the woman he is in lust with. Only problem is that the woman lives in the bordello next door...and she has already been bought by someone else who is coming to get her soon. In the meanwhile, the Master, thinks that the girl is the new maid...who he intends to take advantage of. Add in a large dose of characters taking on the identities of others... the master's wife returning to also mis-read events and the general hectic series of machinations by the slave and hilarity not just ensues...but romps all over the place.
This show is a classic, and while some may think it has aged badly, the truth is that it remains so solidly itself while being so entirely flexible that it really can't age at all- meaning it's the best kind of classic there is. But truly, the content is so wacky that one can cast ANYONE in this play, chuck realism out the window the same way historical accuracy was, and that's its charm (along with the fun Sondheim score). All you need is truly need his hysterical actors with good timing, and lots of sheets and doors.
Oh, yikes, this is dated, but I still think at the core it is very funny. Pseudolus has so many good bits, and I love how different the setting is from anything else in musical theater. It's too bad that the women are all dim, or shrewish, or sex objects, and not deeply involved in the story.
Even a lesser Sondheim score has real gems (who doesn't love Comedy Tonight?) I would hate a steady diet of shows like this in the theater, but as a balance to other fare, this is still very much worth producing.
This is a wonderfully dumb and hilarious musical. Some bits are pretty dated and not all of the music is steller (Comedy Tonight being the only song I can actually remember two days after finishing it), but for two sacred hours Sondheim got my brain to forget about the election, the depressingly warm November, and *gestures broadly at everything*. That is an achievement and for that I thank him. Excited to eventually see his other works
I actually did this as a performance at my college. I played Philia. I still love the story and plot. The music is wonderful and I highly recommend listening if you have interest in this story.
I recently really enjoyed a live production, but I’m not sure that was due to the writing particularly as Sondheim was still green writing this one. But very fun idea!
An amusing foray into the musicals of the 1960s. My issues with this play are less about my opinion of the book and more about my opinion of 1960s musicals. It seems that they are often safe, catchy, a little cheeky, but mostly they are meant to evoke joy and entertainment from the audience, rather than a serious statement. When I read this book, I felt as though the actual application of the text itself was more about getting the play done in many respects rather than making it good. That said, after two years and close to 1000 performances, it managed to sell tickets - furthermore, it has been revived many, many times over the decades since. It is cute, it is fun, but it doesn't make a statement. The origins of the text, Plautus, is skewed with the modern sensibilities of the theater, and it seems as though it may have worked for 1960s audiences, but today is a little weird and cumbersome. The value of the text is all in the way it is performed in the individual theaters that produce it, and I think that is where the beauty lies, rather than the text itself. To conclude, I think that if Plautus' audiences were to see their favorite characters in this new context, even they would be confused; but it would probably end with a plausible understanding and enjoyable feeling regardless of their confusion. Yes. A few funny things happen on the way to the forum, but they are awkward and rely on subtext at times. In the hands of the right director, the show could be a real hoot.
VERY loosely based on the comic plays of the Roman Plautus, Larry Gelbart's vaudvillian adaptation can be hillariously funny. Stephen Sondheim's lyrics and music often stand in odd counterpoint to the style of the libretto, offering disonant melodies and lyrics which are often to clever for the uneducated slaves and hypocritical masters who sing them. Still in all, it is a fast-paced farce that can easily be used in a curriculum as a modern adaptation of a classic style.
If you like a play on words, silly humor, and just plain hilarity, then get yourself a copy of A Funny Thing Happened on the Way to the Forum. Be sure to have wiki close by, for those a Greek and Roman names, as nothing is by chance in this freaking funny play. Read the intro too, good info to have before the curtain rises. Thanks D, we are on the same page as usual :)
A quick romp into hilarity; from slapstick to political in-correctness. I play Domina. I ordered you to come see me in it on May 6-7, 2011! Did you forget? Well, you can read the play, then...
I love reading theater scripts that provide incite into the writing of the script as well. The script here is very funny, which I already knew, so I wanted a little back story as well.
My son will be playing Hero in a school production of this so I had to track it down and read it first. It is quite humorous and I look forward to seeing a life production of it.