This children's Bible has some great strengths, but the strengths do not overcome the sadness of the flat, boring, unfinished illustrations.
The Very Very Good:
The breadth of the stories covered! Most kids Bibles do not include this much OT, and rarely any NT after the Gospels. (Zondervan even sells a children’s Bible that skips any passion narrative. It ends with Jesus just being a nice teacher).
The concise storytelling! The text is just the biblical narrative told concisely and clearly. Exactly what children’s Bibles should be. Most kids Bibles today prattle on and on as if the author is bored with the Bible and assumes the reader must be too. Kids do not need their Genesis 1 to be "Well guess what? first everything was SUPER dark. Just like inside your cat's rectum. That's where POOP comes from, isn't that wild?!?! Then God made all the furries and the floofies, the wheezes and the woozes, and all the trees you need for building a tree house. Tree houses are great, I had a tree house when I was a kid. We would spend nights in it, and catch lightning bugs! Well God needed someone to catch all of His lightning bugs, so he made Adam and placed him in a non-specific location!"
Hyperlinks! The bottom of each story directs the reader to relates stories elsewhere, illustrating the beautiful design patterns of the biblical narrative.
The OK:
Children’s Bibles are not the place for idiosyncratic translations of liturgical texts. Communicate narrative and teaching faithfully (as Wright does so well here), but stick to the traditional Our Father. Children are learning to pray with the Church, with the Communion of Saints. Keep common prayer common. Wright's text mirrors the three fold imperative of Matthew's Greek, and that is great. I wish the traditional Our Father did that, sure. But common prayer is even more valuable.
Are there any children’s Bibles that do not repeat the legend of the “full up inn” (even multiple inns here!)? Luke's birth narrative tells the story of the Holy Family traveling to Joseph's hometown to stay with relatives Why would Joseph's family not find a place for him and pregnant Mary to stay? The upper guest room of the house is already occupied (Lk 2.7), so Joseph's relatives graciously find space for them in the cave beneath the house where the animals were keeping warm. Jesus is born surrounded by family (and the ox and donkey, of course). Luke's actual birth narrative would make a great story for a children's Bible.
Give children's Bibles robust sacraments! Like all children's Bibles, the text lacks Jesus' explanation of baptism in John 3 and his commentary on the Eucharist in John 6. Kids' love a sacramental world! Initiate them into the depth of the Church's sacraments.
But all things considered, the text of this children's Bible is head and shoulders, knees and toes above any other children's Bible currently on the market. Wright even correctly calls Jonah's submersible escort a fish. Though the illustrator still drew a whale 😩 (Jonah's unbelievably huge fish and unbelievably huge city and huge anger and huge response all point to God's huge mercy!).
The Illustrations:
Children deserve beautiful, moving, captivating art. The rich color palletes here are beautiful. But most illustrations have an unfinished quality about them. The characters are in the greatest story ever told, and they could not be more bored with what is going on around them. Faces hold little to no emotion, body language is kept to a minimal as well. There is no creative use of light and shadow to convey mystery or holiness (essential qualities to biblical illustrations), but flat literalism.
The best children's Bible illustrations are the ones that will fire up a child's imagination about these incredible events, events filled with the valleys of sadness and the heights of joy. The overwhelming weight of the glory of the God who is with us. The natively Christian art of iconography reflects all of this mystery and glory in its layered depth, and so many modern illustrators have captured the meditative essence of iconography in their own modern styles.