Four unconnected stories loosely on the theme of being disconnected from family, whether through tragedy or mere physical separation.
The Excise Men – The story starts with River arriving in an early 18th-century coastal village in a setting reminiscent of TV serial The Smugglers. Despite the early similarity, however, it wastes no time in turning into a very different type of tale – a base-under-siege that sees the patrons of a pub menaced by apparently supernatural beings. This could very easily be a
Doctor Who
story, with River taking the Doctor’s role and the pub’s barmaid acting as the companion surrogate. Indeed, there’s really only one scene that plays into the differences that that implies… albeit that one scene does do it well. In addition to the sense of dread, there’s a mystery element around why the hostile entities are here in the first place, perhaps let down slightly by the answer proving to be a slight rehash of an established monster. Nonetheless, it all works as a standalone story, and the barmaid character does a good job as a one-off companion. 4 stars.
Harvest of the Krotons – On paper, this sounds like it should be a good one, featuring Jackie Tyler as it does. Here, she teams up with River to investigate a luxury health spa that fuses New Age crystal therapy with detox diets as the guests are encouraged to purify their ‘krotonic energy’. If that sounds like a comedy, then it mostly is, but it’s one that falls flat more often than not. There’s fun with Jackie naming B-list celebs from the 2000s (some of which will probably be a mystery to non-English listeners) and a few gags about the daftness of the Krotons’ look, but the blandness of the villains rather gets in the way. Interestingly, it’s more of a Jackie story than a River one, with the latter in the background for much of it. On the plus side, this allows for a subplot about her concern for Rose that fits well with how she is portrayed in the TV show. It’s Jackie Tyler as hero, and being a hero because of who she is, not despite it… and for some listeners, that may be all you need. 3.5 stars.
Dead Man Talking – River arrives at an isolated house where a grieving mother is trying to contact her dead son through a medium. It’s a nicely set-up story, with an atmosphere of post-war austerity as well as the obvious spooky nature of whatever it is (if anything) that the medium is communicating with. It’s a layered story, with themes of despair and loss alongside a desperate hope that may, or may not, be entirely futile. Is the supposed medium what he claims, when both fake and real ones exist in the
Doctor Who
universe? Why is River so interested anyway? It would spoilery to go any further into what happens, but it kept me engaged and is cleverly constructed with some good performances from the guest actors. 5 stars.
The Wife of River Song – The last story of the set is, unfortunately, rather confused. It’s set in a futuristic health spa where something has gone terribly wrong, a sort of base under siege where whatever is doing the besieging has already won. It’s notable, per the cover, for featuring River’s previous incarnation alongside her regular one, although it’s arguable how much is really done with this contrast. I could follow most of what was going on, but never had a clear picture of the setting or where we were supposed to be, which (at least for me) is a failing in an audio play. Perhaps it’s a case of it all being a bit too weird and not fully compensating for that. 2.5 stars.