In twintig jaar schreef Henry Kuttner, meestal samen met C.L. Moore, een reeks verhalen die tot de duurzaamste van de SF bleken te behoren. Vaak onder pseudoniem werkend, schreven zij subtiele kleine meesterwerken van inventiviteit en humor die zelden geëvenaard zijn en zelfs door de meest verwende kenners van de science fiction hoog gewaardeerd worden. In dit eerste overzicht zijn 12 verschillende verhalen bijeengebracht uit het complete werk van deze onvolprezen en succesvolle schrijvers, waaronder twee van Kuttners vermaarde wilde robotverhalen. - De ijzeren standaard (Lewis Padgett) - Mimsy waren de borogoven (Lewis Padgett) - Verbinding met morgen (Lewis Padgett) - De trotse robot (Lewis Padgett) - Maskerade - Een wild vermoeden (Henry Kuttner & C.L. Moore) - Wanneer de tak breekt (Lewis Padgett) - Tweehandige machine - De wereld is van mij (Lewis Padgett) - De Twonky (Henry Kuttner & C.L. Moore) - Niet kijken! - De stem van de kreeft
Henry Kuttner was, alone and in collaboration with his wife, the great science fiction and fantasy writer C.L. Moore, one of the four or five most important writers of the 1940s, the writer whose work went furthest in its sociological and psychological insight to making science fiction a human as well as technological literature. He was an important influence upon every contemporary and every science fiction writer who succeeded him. In the early 1940s and under many pseudonyms, Kuttner and Moore published very widely through the range of the science fiction and fantasy pulp markets.
Their fantasy novels, all of them for the lower grade markets like Future, Thrilling Wonder, and Planet Stories, are forgotten now; their science fiction novels, Fury and Mutant, are however well regarded. There is no question but that Kuttner's talent lay primarily in the shorter form; Mutant is an amalgamation of five novelettes and Fury, his only true science fiction novel, is considered as secondary material. There are, however, 40 or 50 shorter works which are among the most significant achievements in the field and they remain consistently in print. The critic James Blish, quoting a passage from Mutant about the telepathic perception of the little blank, silvery minds of goldfish, noted that writing of this quality was not only rare in science fiction but rare throughout literature: "The Kuttners learned a few thing writing for the pulp magazines, however, that one doesn't learn reading Henry James."
In the early 1950s, Kuttner and Moore, both citing weariness with writing, even creative exhaustion, turned away from science fiction; both obtained undergraduate degrees in psychology from the University of Southern California and Henry Kuttner, enrolled in an MA program, planned to be a clinical psychologist. A few science fiction short stories and novelettes appeared (Humpty Dumpty finished the Baldy series in 1953). Those stories -- Home There Is No Returning, Home Is the Hunter, Two-Handed Engine, and Rite of Passage -- were at the highest level of Kuttner's work. He also published three mystery novels with Harper & Row (of which only the first is certainly his; the other two, apparently, were farmed out by Kuttner to other writers when he found himself incapable of finishing them).
Henry Kuttner died suddenly in his sleep, probably from a stroke, in February 1958; Catherine Moore remarried a physician and survived him by almost three decades but she never published again. She remained in touch with the science fiction community, however, and was Guest of Honor at the World Convention in Denver in 198l. She died of complications of Alzheimer's Disease in 1987.
His pseudonyms include:
Edward J. Bellin Paul Edmonds Noel Gardner Will Garth James Hall Keith Hammond Hudson Hastings Peter Horn Kelvin Kent Robert O. Kenyon C. H. Liddell Hugh Maepenn Scott Morgan Lawrence O'Donnell Lewis Padgett Woodrow Wilson Smith Charles Stoddard
Fun and refreshing stories! Always love to read stories that are from a time without to many technology:). It creates very creative story's in my opinion.