like a 3.75
This one is definitely not representative of the best of Tursten's work -- that honor goes to The Torso, much more edgy and less chick-ish. However, I am always happy to read anything new by Tursten, one of my favorites among a dwindling list of Scandinavian crime writers I still read.
The Fire Dance splits time periods -- the first, from 1989-1990, when Irene has been with the department only a month. Her girls are very young, and husband Krister is grateful for his 30-hour/wk part-time job. A difficult case found its way into her lap when after three months, a young girl named Sophie Malmborg, possible witness to a fire at her home that killed a man, has been unwilling to speak for three months. Despite the best efforts of professionals, Sophie will not talk. Irene's boss, Sven Andersson, figures that since Irene is a woman with small children, she might have much more luck getting Sophie to say something. She gets plenty from all of the other people in Sophie's life, but Sophie still isn't talking. With no further clues, and with other cases coming up, the case goes cold, and life moves on. Flash forward to 2004 -- fifteen years after the house fire, Sophie is dead, after having disappeared for three weeks. Irene now has only very meager clues, but several suspects, and as was the case fifteen years earlier she's needed on another big case and time is growing short. In the meantime, things are happening on the home front that will require her attention.
Helene Tursten is always able to provide her armchair-detective readers with a solid mystery to ponder, and that is certainly the case in The Fire Dance. Irene must rely on the fifteen-year old unsolved case to make any headway in the present, and the way Tursten sets up this up case gives it kind of an eerie turn. She also does a fine job in conveying Irene's devotion both to the job and her family, and does so a way that never seems forced. I could do with less of the dog (I think I say that about every Irene Huss novel) and the emphasis on the food choices made by the vegan daughter, but otherwise, I appreciate this aspect of Tursten's series. While I didn't find it as edgy or as solid as her book The Torso, my favorite of the series, The Fire Dance still very much pleased my picky crime-fiction reader self. All I would say in the negative zone is that I would have loved to have seen less cute and more edge. But that's a personal thing.
Regular followers of this series will not be disappointed; probably not a good read for hardboiled, noir or cozy crime readers; more for those who enjoy solid police procedurals with a personal twist. As my list of favorite Scandinavian crime writers is dwindling, I'm am so happy to have found this series, and I'm even happier that Soho continues to publish them for American readers.