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The Unknown Paul McCartney
Internationally acclaimed, knighted and immortalised in music's pantheon, Paul McCartney nevertheless remains one of the least fully appreciated of modern icons.
Throughout his career, McCartney has initiated and participated in projects that have taken him very far away from the kind of music associated with his career in The Beatles, in Wings, and as a solo artist. From as far back as the 1960s there have been experimental solo projects, both under his own name and incognito. These include the legendary 'Carnival of Light' sixties freak-out, the Percy Thrillington diversion in the 70s, techno, ambient and chill-out releases as The Fireman, pure noise performance art as well as less-publicised activity, much of which Ian Peel now reveals in depth in print for the first time.
What emerges is a unique, critical insight into an apparently over-familiar public figure - Paul McCartney, avant-garde musician.
Undertaking extensive research for this book, Ian Peel interviewed many of McCartney's intimate musical associates from this less-familiar side of his career, including:
Super Furry Animals - on their carrot chewing percussion and electronic sound collage collaborations.
Youth - the three-times BRIT-nominated producer speaks in depth for the first time ever on his two albums of techno ambient and chill-out recorded with McCartney as The Fireman.
Nitin Sawhney - on McCartney's first tentative steps into drum & bass, holed up in Sawhney's London bedsit.
Richard Hewson - breaks a 20-year silence on the Thrillington project and pseudonym.
David Vaughan - the renowned psychedelic artist and organiser of 60s 'happenings' airs his strong views on Carnival of Light, The Beatles' most legendary unreleased track.
Other interviewees include Yoko Ono, bassist Herbie Flowers, Gong's Daevid Allen, Frank Zappa's guitarist Mike Keneally, JJ Jeczalik (Art of Noise) and members of Wings.
Throughout his career, McCartney has initiated and participated in projects that have taken him very far away from the kind of music associated with his career in The Beatles, in Wings, and as a solo artist. From as far back as the 1960s there have been experimental solo projects, both under his own name and incognito. These include the legendary 'Carnival of Light' sixties freak-out, the Percy Thrillington diversion in the 70s, techno, ambient and chill-out releases as The Fireman, pure noise performance art as well as less-publicised activity, much of which Ian Peel now reveals in depth in print for the first time.
What emerges is a unique, critical insight into an apparently over-familiar public figure - Paul McCartney, avant-garde musician.
Undertaking extensive research for this book, Ian Peel interviewed many of McCartney's intimate musical associates from this less-familiar side of his career, including:
Super Furry Animals - on their carrot chewing percussion and electronic sound collage collaborations.
Youth - the three-times BRIT-nominated producer speaks in depth for the first time ever on his two albums of techno ambient and chill-out recorded with McCartney as The Fireman.
Nitin Sawhney - on McCartney's first tentative steps into drum & bass, holed up in Sawhney's London bedsit.
Richard Hewson - breaks a 20-year silence on the Thrillington project and pseudonym.
David Vaughan - the renowned psychedelic artist and organiser of 60s 'happenings' airs his strong views on Carnival of Light, The Beatles' most legendary unreleased track.
Other interviewees include Yoko Ono, bassist Herbie Flowers, Gong's Daevid Allen, Frank Zappa's guitarist Mike Keneally, JJ Jeczalik (Art of Noise) and members of Wings.
Kindle Edition
First published November 1, 2002
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Displaying 1 - 2 of 2 reviews
September 14, 2018
I am finding this book is pretty boring.
November 18, 2013
This is an odd and interesting reframing of McCartney as experimentalist and if the topic intrigues it's worth a read. The subject, however, has never been one to pontificate about his work (or much of anything else), and as a result Peel spends much of the book setting stages, discussing Cage, Eno, IDM and so on, and unfortunately getting more than a few facts wrong. But who else would even have dreamt up such a thesis? A flawed but still worthy contribution to Beatlelogy.
Displaying 1 - 2 of 2 reviews