The Glow is one of those popular urban horror novels from the ‘70s (see: The Sentinel or Harvest Home) that not only fell off the pop culture radar but also tapped into a really popular ‘70s fad: jogging.
The gist of the story goes like this: Pete and Jackie Lawrence are very successful young urban professionals—he’s an editor for Doubleday and she’s a dress buyer for Henri Bendel. They’re in need of a better located, larger apartment. While jogging in Central Park one morning Pete is robbed and three incredibly in shape senior citizen joggers come to his rescue. They invite him back to their apartment building to call the police—an incredibly located building that just so happens to have a large, gorgeous, available apartment at an unbelievable rent. Soon after, Pete and Jackie move in and befriend an elderly married trio of jogging enthusiasts who live in the building—the Jensens, the MacCraes, and the Goodmans—along with two equally young and physically fit couples—the Barnetts and the McDonalds. Life is good for Pete and Jackie in their new digs as they become as obsessed over jogging and healthy eating as their elderly neighbors. Then, one day the Barnetts disappear without a trace and the elderly neighbors seem even healthier and more fit than ever…
Unlike other readers, I didn’t find Pete and Jackie annoying characters—just pretentious in the manner that comes with a certain level of wealth. Although, there is a huge suspension of disbelief that such young, successful, intelligent individuals would be clueless to the events occurring around them and perfectly fine with the huge lack of boundaries their senior citizen neighbors demonstrate: showing up unexpectedly at their apartment at any given hour, blatant contempt for their eating and drinking habits, and brusque criticism of their hobbies, personal interests, and friends. When Jackie finally begins to express annoyance and suspicion Pete shrugs it off as Jackie not being “neighborly”.
I would wager, for the time, this novel was really creepy in a clever way by turning a fitness fad into something sinister. I recall reading my sister’s waterlogged hardback copy when I was twelve but I didn’t really “get” it and it wasn’t really that scary to me. Plus, I was just looking for sex scenes. Lol. However, neither the story itself nor the myriad pop culture references within aged very well (I highly suggest Googling all the pop culture references to give the story a bit more context and to have a fun trip through the past—some of the references I knew but most were not only new to me but also very interesting). It’s fairly obvious early on what the elderly joggers are up to, so the big reveal is more of how exactly are they pulling it off?
When the big reveal finally comes, it’s anti-climatic at best, full of so many deus ex machina situations, and leaves so many questions unanswered that it’s laughably implausible on every level. I mean, the lead villain spends close to twenty moustache twiddling pages explaining his devious dastardly plan. Also, the comparisons to Rosemary’s Baby other readers made is absolutely legit. Short of impregnating Jackie with the spawn of Satan, many of the situations, plot devices, and overall concept of The Glow are lifted directly from that novel—so much so that there’s even a brief callout to Ira Levin in a *wink wink* *nudge nudge* kind of way.
The Glow—like so many books from this era—is a quick and highly readable novel that cannot be viewed through the lens of today’s society. It’s rife with casual racism, homophobia, and misogyny (of the women are stupid and hysterical/men are smart and strong variety) which is surprising considering that Brooks Stanwood is the nom de plume of a husband/wife writing team. If you can get past that and you’re looking for a somewhat bizarre take on horror that’s also a fun time capsule of a long-gone era, then give it a try but I would highly recommend following this up with Rosemary’s Baby for a far superior take on charmingly sinister senior citizens.