SLINGSHOT is the thrid book in the SPYCATCHER saga, the others being SPYCATCHER and SENTINEL. The author Matthew Dunn is a former SIS officer who spent five years in the espionage world. What sets him above the pack is the fact that he’s lived and breathed in the world he writes about, and his experience shows in what is possibly one of the most intriguing spy thrillers of 2013.
The novel kicks off in 1995 East Germany. With the Cold War closing down and the world on the brink of the 21st century, a group of American and Russian generals and intelligence officers gather in a dank military base. There, under the watchful eye of a former Stasi officer, they draw up a diplomatic agreement and war plan. This agreement, codenamed SLINGSHOT is unique, as unlike your average diplomatic agreement, its purpose is to help conduct genocide. Dunn keeps the target and true purpose of SLINGSHOT unrevealed till the end, using the questions on what its target is and its true purpose to help drive the novel forward. As the talks conclude, the Stasi officer throws in one final detail. In order to keep the agreement confidential, he arranges for the Stasi’s best assassin to kill any of the signatories of SLINGSHOT if they chose to make it public.
In the present day, Will Cochrane, the point man for a joint CIA/SIS venture called SPARTAN, is conducting an operation in Gdansk with a team of UK Special Forces personnel in order to ensure a defection from the Russian Federation goes off without a hitch. Unfortunately, the Russian foreign intelligence agency SVR has dispatched a hit squad, attempting to apprehend the defector. As a result, the operation falls apart with a massive and surprisingly realistic three way gunfight between the SVR, Polish internal intelligence and Cochrane’s team erupting through a Polish shipyard. Suddenly, a team of mercenaries arrive, gunning down most of the other operatives and making off with the defector to parts unknown. Before being forced to flee, Cochrane learns that the defector had in his possession a paper “that could kill”. The repercussions of this operation are felt in Langley Virginia and the German countryside. In Langley, a faction of the CIA led by one of the SLINGSHOT signatories begins to try and derail Cochrane’s search for the agreement permanently while in the German countryside, the former Stasi officer learns that one of the signatories plans to leak SLINGSHOT’S existence and begins to activate his contingencies to prevent it from happening.
What happens next through the course of the book is an epic four
way chess match across Europe between several extremely deadly spies trying to outwit and out-gun each other. A fantastic blend of melancholic Le’Carre like atmosphere, 2013 modernity and Vince Flynn level research, in SLINGSHOT, Dunn has created a modern spy novel with a dark, classic noir vibe which helps capture the emotional toll and solitude of spying while delivering realistic and brutal action throughout. Character-wise, SLINGSHOT is briliant, Cochrane, Dunn’s protagonist is a far more refined, tragic and tougher killer than the great Mitch Rapp ever was. Unlike Rapp however, Cochrane is played realistically with flaws which get him into trouble in his cut throat job and in SLINGSHOT, he faces the emotional roller coaster of having to protect his pacifist sister from being used as a pawn in the increasingly vicious fight over SLINGSHOT. Most of the other characters are great as well, the banter between the other members of the SPARTAN group is very entertaining and the SVR officer who’s Cochrane’s opposite number is a surprisingly fun character. But the one who steals the show is the Stasi assassin assigned to eliminate any whistle-blowers of SLINGSHOT. He’s a cross between the Terminator and Fredrick Forsyth’s Jackal. Meticulous, creative and always nails his man, there’s a scene near the end of the book which shows off these qualities in devastating fashion. As for the plot, it’s impressive. Who knew that you could make the Cold War relevant in 2013 like SLINGSHOT does? Dunn pulls it off in style with one of SLINGSHOT’S many underlying themes being “needlessly hunting for enemies” by using the SLINGSHOT agreement, a loose end of the Cold War as a metaphor for over-reaction to a current geopolitical issue (revealed near the end of the book). However, there are a few flaws with SLINGSHOT. Firstly, there is a small amount of noticeable, sometimes cringe worthy sentences scattered through the book, but they’re few in number. Secondly, the main antagonist is somewhat flat, a massive let down from Dunn’s previous novel SENTINEL which had a genuinely formidable and terrifying antagonist in the form of a Spetsnaz ALFA colonel. Thirdly, the big reveal of SLINGSHOT may be somewhat of an anti-climax to a few of you.
Overall, Matthew Dunn has grown as a novelist, getting noticeably better with each book. With SLINGSHOT, he blows the quality of his previous novels out of the water and crafts an elegant, modern spy thriller that’s highly tense, will wow you too the final chapter and leave you anticipating the next part of the SPYCATCHER saga.