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Uglies #1
Ugly - Verlier nicht dein Gesicht
Tally kann ihren 16. Geburtstag kaum erwarten, denn dann steht die für alle vorgesehene Schönheitsoperation an. Sie wird von einer Ugly zur Pretty werden, in New Pretty Town leben und keine Sorgen mehr haben. Tallys Freundin Shay dagegen sträubt sich gegen die Operation. Sie will nicht, dass andere über sie bestimmen. Als Shay flüchtet, lernt auch Tally die hässliche Seite der Pretty-Welt kennen. Denn die Behörden stellen sie vor eine furchtbare Wahl ...
432 pages, Paperback
First published February 8, 2005
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418608 people want to read
About the author
Scott Westerfeld
89 books21.3k followersScott Westerfeld is a New York Times bestselling author of YA. He is best known for the Uglies and Leviathan series. His current series, IMPOSTORS, returns to the world of Uglies.
The next book in that series, MIRROR'S EDGE, comes out April 6, 2021.
The next book in that series, MIRROR'S EDGE, comes out April 6, 2021.
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Displaying 1 - 30 of 29,478 reviews
July 26, 2009
I need to never run into Scott Westerfeld down a dark alley, or during a Civil War reenactment, or at Charlton Heston's house, or wherever. My deep desire not to be arrested for murder would have an epic battle with my need to reach for a weapon when I see his stupid face. In all fairness, as you see, I coughed up three stars for this book, so I will clarify that my empty threatening is really directed toward Pretties and Specials (books two and three in this series). I'm posting this review on the link for the first book in the hopes that it will inspire people to put this book on their list of books never to read. If you read this book there is the danger that you may want to continue with the series, but trust me, you
really
don't.
In listing what I don't like about this series, I'll start with EVERYTHING from the characters to the plot to the worldview that I imagine would inspire a story of this kind of depth and breadth of ambivalence. The premise of Uglies is that in the future when kids reach puberty, they all have mandatory plastic surgery to turn their bodies into a perfect standard of beauty based on human brain reactions to visual stimulus. Unfortunately (and this is a slight spoiler, so my apologies, but it really is an element that is pretty obvious from page one, though not clearly stated until later), when the kids are having the surgeries to make them pretty, the surgeons change their brains, too, to determine their decision-making abilities, capacity for independent thought, and even sense response. Basically, the pretty surgery makes most people stupid, unless the occupation that the government determines for them requires intelligence. So far so good - it's your basic government-takeover dystopia. Yes, kids, if you let the government give you free health care checkups, it's only a small step to the day they start chopping up your brain.
Luckily, said ugly teens (particularly our protagonist, Tally, through her bff, Shay) discover that if they flee to the wilderness, they will be able to live a life of freedom and romance. Oh, what's that? Did I say "romance"? Thanks again Jean-Jacques Rousseau, Percy Bysshe Shelley, Ralph Waldo Emerson, et al. Sometimes when characters go out into the wilderness . . . I don't even know. Does the phrase "it's been done" even begin to cover my feelings on that topic? Thus begins the cat-fight between Tally and Shay that is the uniting thread of this entire series. You see, there is a wilderness boy (imagine my surprise), who is quite a catch even though he's "ugly", and there's some jealousy and betrayal and kick-ass hoverboarding. You get the idea.
Let me clarify the problems I have listed so far:
1. Suspicion of the city, using a retreat to the wild as the solution to social ills. It's a tired premise.
2. Cattiness of the female protagonist and portraying the central female character as mostly driven by her current crush and competition with other women. That is a huge pet peeve of mine.
Those, however, are small, forgivable wrongs compared to the basic disingenuousness of the moral arguments Westerfeld makes. While he on one level criticizes the idea of basing society on a hierarchy of physical looks, the characters repeatedly interact within that hierarchy, calling each other "pretty" and "ugly" at every turn and defining "pretty" people very specifically. Even the repetition of the words "ugly" and "pretty" undercuts any message Westerfeld might have against pigeonholing people. I found myself seeing people in the grocery store and evaluating whether they met the "evolutionary definition" of pretty as according to this series. It's creepy and annoying. Westerfeld can be as showy as he wants about how it is limiting to judge people based on their appearance, but I argue that he is actually encouraging that same shallow judgment if only by instruction and repetition. For example, it's like saying, "kids, don't shoplift, but here's how to shoplift if you ever want to do it. And here's a catchy shoplifting song to sing with your group of friends, who really should have a name. Hey, we could call you guys the 'shoplifting gang'! Don't shoplift, though." What's the real message there? Ultimately, the arguments of the government that requires the pretty surgeries, also, make a lot of sense in the stories. The surgeries solve anorexia, bring world peace, and save the environment. Plastic surgery sounds fun, too, and Westerfeld literally makes no compelling arguments against body alteration. At the same time, I'm left feeling that Westerfeld thinks it is a bad idea, though he is not convincing.
If Westerfeld's discussion of body image wasn't enough of a travesty, the point in this series where this backwards arguing makes me want to wipe him off the face of the planet is when he introduces cutting. By "cutting" I'm not talking about skipping school. If you are not familiar with cutting, it is a form of self-mutilation that has been growing in popularity with teenagers over the past few years (I'm going to go ahead and say it's been growing in popularity since 2006, when the book Specials was published). In Specials, our catty female protagonist and her buddies discover that by slicing up their arms, they experience a particularly satisfying high, and all of their senses are strengthened. Ultimately, they randomly decide that this is a bad idea, but Westerfeld only implies their reasoning for that decision, and again I'm left with the feeling that probably everyone should be a cutter because in the context of the story it's pretty badass. I think that was the point where I started yelling and throwing things around my house.
Unfortunately, some parts of these stories are actually engaging (not seriously engaging, but passably), and for a while I wanted to find out what happened to everyone, even while I wanted to burn the author's house down. The truly unforgivable wrongs are his wolf-in-sheep's-clothing discussions of teen body image and self-mutilation issues. His characters never develop deep self-respect or intelligent motivation for their actions, and even when their decisions seem healthy, Westerfeld makes a better argument for the unhealthy decisions. Now I realize that I didn't even talk about the uber-annoying slang language he develops for the Pretties and Specials. I'll just say that these books are not "bubbly" and leave it at that.
In listing what I don't like about this series, I'll start with EVERYTHING from the characters to the plot to the worldview that I imagine would inspire a story of this kind of depth and breadth of ambivalence. The premise of Uglies is that in the future when kids reach puberty, they all have mandatory plastic surgery to turn their bodies into a perfect standard of beauty based on human brain reactions to visual stimulus. Unfortunately (and this is a slight spoiler, so my apologies, but it really is an element that is pretty obvious from page one, though not clearly stated until later), when the kids are having the surgeries to make them pretty, the surgeons change their brains, too, to determine their decision-making abilities, capacity for independent thought, and even sense response. Basically, the pretty surgery makes most people stupid, unless the occupation that the government determines for them requires intelligence. So far so good - it's your basic government-takeover dystopia. Yes, kids, if you let the government give you free health care checkups, it's only a small step to the day they start chopping up your brain.
Luckily, said ugly teens (particularly our protagonist, Tally, through her bff, Shay) discover that if they flee to the wilderness, they will be able to live a life of freedom and romance. Oh, what's that? Did I say "romance"? Thanks again Jean-Jacques Rousseau, Percy Bysshe Shelley, Ralph Waldo Emerson, et al. Sometimes when characters go out into the wilderness . . . I don't even know. Does the phrase "it's been done" even begin to cover my feelings on that topic? Thus begins the cat-fight between Tally and Shay that is the uniting thread of this entire series. You see, there is a wilderness boy (imagine my surprise), who is quite a catch even though he's "ugly", and there's some jealousy and betrayal and kick-ass hoverboarding. You get the idea.
Let me clarify the problems I have listed so far:
1. Suspicion of the city, using a retreat to the wild as the solution to social ills. It's a tired premise.
2. Cattiness of the female protagonist and portraying the central female character as mostly driven by her current crush and competition with other women. That is a huge pet peeve of mine.
Those, however, are small, forgivable wrongs compared to the basic disingenuousness of the moral arguments Westerfeld makes. While he on one level criticizes the idea of basing society on a hierarchy of physical looks, the characters repeatedly interact within that hierarchy, calling each other "pretty" and "ugly" at every turn and defining "pretty" people very specifically. Even the repetition of the words "ugly" and "pretty" undercuts any message Westerfeld might have against pigeonholing people. I found myself seeing people in the grocery store and evaluating whether they met the "evolutionary definition" of pretty as according to this series. It's creepy and annoying. Westerfeld can be as showy as he wants about how it is limiting to judge people based on their appearance, but I argue that he is actually encouraging that same shallow judgment if only by instruction and repetition. For example, it's like saying, "kids, don't shoplift, but here's how to shoplift if you ever want to do it. And here's a catchy shoplifting song to sing with your group of friends, who really should have a name. Hey, we could call you guys the 'shoplifting gang'! Don't shoplift, though." What's the real message there? Ultimately, the arguments of the government that requires the pretty surgeries, also, make a lot of sense in the stories. The surgeries solve anorexia, bring world peace, and save the environment. Plastic surgery sounds fun, too, and Westerfeld literally makes no compelling arguments against body alteration. At the same time, I'm left feeling that Westerfeld thinks it is a bad idea, though he is not convincing.
If Westerfeld's discussion of body image wasn't enough of a travesty, the point in this series where this backwards arguing makes me want to wipe him off the face of the planet is when he introduces cutting. By "cutting" I'm not talking about skipping school. If you are not familiar with cutting, it is a form of self-mutilation that has been growing in popularity with teenagers over the past few years (I'm going to go ahead and say it's been growing in popularity since 2006, when the book Specials was published). In Specials, our catty female protagonist and her buddies discover that by slicing up their arms, they experience a particularly satisfying high, and all of their senses are strengthened. Ultimately, they randomly decide that this is a bad idea, but Westerfeld only implies their reasoning for that decision, and again I'm left with the feeling that probably everyone should be a cutter because in the context of the story it's pretty badass. I think that was the point where I started yelling and throwing things around my house.
Unfortunately, some parts of these stories are actually engaging (not seriously engaging, but passably), and for a while I wanted to find out what happened to everyone, even while I wanted to burn the author's house down. The truly unforgivable wrongs are his wolf-in-sheep's-clothing discussions of teen body image and self-mutilation issues. His characters never develop deep self-respect or intelligent motivation for their actions, and even when their decisions seem healthy, Westerfeld makes a better argument for the unhealthy decisions. Now I realize that I didn't even talk about the uber-annoying slang language he develops for the Pretties and Specials. I'll just say that these books are not "bubbly" and leave it at that.
May 25, 2011
So my wife and I occasionally swap books which may seem a little kooky. However, you have to keep things spicy when you’ve been married as long as we have and since nipple showers with hot candle wax make me break out into shouts of “FUCKARELLA THAT HURTS” we needed some alternative sizzle. So she hooks me up with this little philly of a novel while I matched her with The Lies of Locke Lamora.
Well…my wife loved the book I set her up with….as I knew she would because it is all over awesome. Of course, I will admit I was a tick jealous when I would look over and she her lying on the bed heart throbbing on Locke Lamora with a wistful smile on her face. That used to be me...I miss you Locke.
As for me, I didn’t find a love connection with this book. Don’t get me wrong, I think the story has some wonderful qualities that I can respect it but there wasn’t going to be a “let’s do this again sometime” in our future. However, even though I didn’t go all Lamar and Chloe on this book, I do still owe my wife a HUGE debt of gratitude. Why you ask? Because if she wanted to be a nasty ms she could have chosen for me to read Twilight which would have caused me all kinds of trauma. Honey….you are just too good to me.
Anyway, there have been so many other excellent reviews of this book that detail the plot that I will just give a brief synop before telling you what I think. The story involves a future dystopia in which everyone, at age 16, is radically transformed using extreme plastic surgery to become “pretty”…..kinda like The OC. The theory is that by removing all distinctions based on physical appearance, you will also remove the jealousy and bias from society and make everyone sunny and sexy. I thought for the most part that it was an excellent way to exploring themes of youthful angst about fitting in and larger issues social conformity.
While not as good as other YAs I’ve read, I thought that the world envisioned by the story was fresh and promising and fit within the framework of the novel. In other words…I thought it worked. I also thought that as the story unfolded and we learned more about the TRUTH behind the society and the real purpose for the transformative surgery, the story became a lot more interesting.
That said, there are two main reasons why I couldn’t rate this higher than I did. First, the pace was much too turtle-like for me and events seemed to take way too long to wrap up. It just made it impossible for me to slip into the story. However, the biggest chunky in the punch bowl for me was the main character, Tally, who I found annoying. She drove me completely cranky for most of the book and it is tough to find win if the main biddy is giving you a case of the grumps.
However, to her credit, Tally did begin to redeem her image towards the tail of the book and there are preliminary indications that she may upgrade into a more compelling protag in the subsequent novels. However, in this one, she was lugging around a minus sign more often than not.
So, overall, excellent back-story and interesting world building give me some reason to think that the sequels might be worth a gander at some point. I just pray to George Burns that Tally can grow out of her “bugging me phase” and that the pace could hit the accelerator in subsequent installments.
On final comment that probably affected my feelings about this book. I recently read an incredibly powerful short story called Ponies: A Tor.Com Original that covered many of the themes in this book. That story was only TWO PAGES long and yet conveyed a MUCH MORE POWERFUL message. Just my opine.
2.0 to 2.5 stars.
Well…my wife loved the book I set her up with….as I knew she would because it is all over awesome. Of course, I will admit I was a tick jealous when I would look over and she her lying on the bed heart throbbing on Locke Lamora with a wistful smile on her face. That used to be me...I miss you Locke.
As for me, I didn’t find a love connection with this book. Don’t get me wrong, I think the story has some wonderful qualities that I can respect it but there wasn’t going to be a “let’s do this again sometime” in our future. However, even though I didn’t go all Lamar and Chloe on this book, I do still owe my wife a HUGE debt of gratitude. Why you ask? Because if she wanted to be a nasty ms she could have chosen for me to read Twilight which would have caused me all kinds of trauma. Honey….you are just too good to me.
Anyway, there have been so many other excellent reviews of this book that detail the plot that I will just give a brief synop before telling you what I think. The story involves a future dystopia in which everyone, at age 16, is radically transformed using extreme plastic surgery to become “pretty”…..kinda like The OC. The theory is that by removing all distinctions based on physical appearance, you will also remove the jealousy and bias from society and make everyone sunny and sexy. I thought for the most part that it was an excellent way to exploring themes of youthful angst about fitting in and larger issues social conformity.
While not as good as other YAs I’ve read, I thought that the world envisioned by the story was fresh and promising and fit within the framework of the novel. In other words…I thought it worked. I also thought that as the story unfolded and we learned more about the TRUTH behind the society and the real purpose for the transformative surgery, the story became a lot more interesting.
That said, there are two main reasons why I couldn’t rate this higher than I did. First, the pace was much too turtle-like for me and events seemed to take way too long to wrap up. It just made it impossible for me to slip into the story. However, the biggest chunky in the punch bowl for me was the main character, Tally, who I found annoying. She drove me completely cranky for most of the book and it is tough to find win if the main biddy is giving you a case of the grumps.
However, to her credit, Tally did begin to redeem her image towards the tail of the book and there are preliminary indications that she may upgrade into a more compelling protag in the subsequent novels. However, in this one, she was lugging around a minus sign more often than not.
So, overall, excellent back-story and interesting world building give me some reason to think that the sequels might be worth a gander at some point. I just pray to George Burns that Tally can grow out of her “bugging me phase” and that the pace could hit the accelerator in subsequent installments.
On final comment that probably affected my feelings about this book. I recently read an incredibly powerful short story called Ponies: A Tor.Com Original that covered many of the themes in this book. That story was only TWO PAGES long and yet conveyed a MUCH MORE POWERFUL message. Just my opine.
2.0 to 2.5 stars.
January 7, 2026
In Tally Youngblood's society, everyone obtains absolute physical perfection - the perfect skin, hair, eyes, literally everything. At least, after you turn sixteen and undergo the right operations.
“In a world of extreme beauty, anyone normal is ugly.”
Tally, at age 15, is an Ugly right now but after her birthday, she will get to become Pretty. She can then move out of the Ugly Dorms and into New Pretty Town. It's all she wants.
After all, who in their right mind would choose to remain Ugly?
All she has to do is wait to turn 16. With all of Tally's friends already Pretty and living in New Pretty Town, it's shaping up to be a very long, boring summer.
Enter Shay, another Ugly, who Tally meets during one particularly wicked trick (Tally grabbed a bungee vest and dived off a Pretty building).
Shay has the same birthday as Tally and for a while the two of them spend all of their time together.
Then, Shay comes to Tally with a wild story. There are people, "Smokies," who live outside of their city and would rather remain Ugly than turn Pretty.
“...I want those perfect eyes and lips, and for everyone to look at me and gasp. And for everyone who sees me to think Who's that? and want to get to know me, and listen to what I say."
"I'd rather have something to say.”
It's absolutely insane (by Tally's standards).
A few days before their birthday, Shay takes off to find the Smokies, leaving Tally to go through the operation along. Only, on the day of the operation...Tally finds herself barred.
She must lead the Specials (aka Special Circumstances, aka the police task force) to the Smokies or she will never turn Pretty.
So, armed with nothing but dehydrated food, water purifier, hover board and a sleeping bag - she sets off to become the Judas Goat.
She's waited all her life to become Pretty - there's no way she wants to be stuck with her Ugliness forever.
Only, along the way she finds friends in unexpected places, she learns things about herself that she never thought possible and discovers something far more horrifying about the Pretties than she could ever have imagined.
"Your personality - the real you inside - was the price of beauty."
/blockquote> And the overconfident Specials are going to get more than they bargained for.Rereading this one as an adult really made this one pop in my mind. It definitely passed the test of time.
“Maybe they didn't want you to realize that every civilization has its weakness. There's always one thing we depend on. And if someone takes it away all that's left is some story in a history class.”
The only thing that bugged me was that this one did manifest one of my pet peeves. Namely, the tension is motivated and maintained by people keeping secrets. It's just - why can't they communicate??? (Oh yeah, it's cause then there wouldn't be anything to drive the plot anymore.)
Audiobook Comments
Well-read by Emma Tremaine. The guy voices sounded a bit weak but it was still a great one to listen to!
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September 24, 2017
Nope, couldn’t finish it. Sigh. I thought I was going to like this one. It started off fine and all. And then everything fell apart. Yes, that dramatic.
Am I the only one who was deeply offended by this piece of crap ? This book is wrong, wrong, wrong.
The writing itself isn’t particularly… well, isn’t anything really. But this is supposed to be a book about beauty with a big B and the writing doesn’t do justice to the theme. I’d even call it Ugly. The characters are stereotyped. Tally is a brainwashed moron. Okay, she was raised to believe the ideology of her country but she cannot think by herself. She wonders whether to betray the Smoke, the rebellious uglies, and you know what helps her make the right decision? A boy. Woohoo, thank God he was there, with his adorable crooked smile, his sweet kisses, and his handmade leather shoes, otherwise I really would have thought that she was an immoral bitch. This also means that the fate of an entire city depends of the hormonal state of our young hero. DUDE!
The boy himself is… phew, of course he thinks Tally is beautiful, special, strong, smart, unlike anyone else when she is, in fact, so flat that I could surf on her back. In fact, she’s “the only one who truly understands”. Pleaaaaaase. He was raised to be a very careful, and independent thinker, but he falls for the first pair of boobs he encounters and turns out to be a spy. Good job.
Shay was the best character until Westerfeld reduced her to some stupid, vapid girl. She, who expressed interesting and deep (as much deep as this book can be) thoughts became a giggling, naïve, brainless chick whose only interest is, of course, the boy with the handmade leather shoes.
Anyway, let’s move on to the real problem. The content has almost nothing to do with the premise. The book is full of ecologist propaganda. Westerfeld keeps telling us how bad, bad, BAD things we, humans, are. He calls our generation the Rusties. Isn’t that nice? He criticizes everything we do. Oh, wait, no, he praises the invention of the Roller Coaster! We’re bad because we use metal, we’re bad because we’re savages who eat animals and because we “killed every living thing”. Well apparently not, because there are a lot of forests and flowers despite our destructive frenzy.
I was going to quote some passages but the words are so offensive I just can’t. We’re freaks, we’re ugly, and we’re wrong. This must not be the message intended but it’s all I got from this book. It’s like Westerfeld wants us to go back to some primitive way of life. He doesn’t criticize our mistakes, he condemns progress. He’s not warning us, he’s trying to shove his dogma down our throats. He’s telling us “I’m right, you should believe me, because I detain the truth.” I deeply love nature and also fear for its future, but I want to believe that mankind has an equal capacity for creation and destruction, for beauty and ugliness, for right and wrong. It’s depressing to read about how hopeless we are. Westerfeld lacks delicacy, neutrality. He’s not objective.
“Nature, at least, didn’t need an operation to be beautiful. It just was.” How about us? Aren’t we part of nature? Aren’t we beautiful, then, the way we are? For Westerfeld, this is Nature versus Mankind. He takes us apart from it, he draws a line between the Earth and our species. I believe that everything that lives on Earth is connected, that we’re a part of a whole. If you really want to write about nature and man, you shouldn’t make them opposite. Instead, look for what makes us part of the earth, what connects us to the rest of the world, the plants, the animals. We are a part of this planet, we are nature and culture. I believe that it is where lies the true beauty of our condition. I want to believe that some of us can see that, that we will realize how important nature is, not because it just feeds us or that flowers are pretty, but because we are one with it.
The plot itself is weak. I don’t understand what the real issue of the book is. The government doesn’t look threatening. I didn’t feel the pressure I felt in The Hunger Games, for example. I I don’t understand what the Smokies are doing, what is their purpose, I have no empathy for them or any of the characters. Everything is very confusing. Westerfeld wants to talk about free thinking, nature, man, beauty, but he doesn’t do it well.
Also, I may not be an expert about economics but it seems to me that without a financial system, a country cannot work. In the Pretties society, no one pays for anything, and Tally is shocked when she learns that at the Smoke, people have to give to receive. So, yeah, it made me frown.
Am I the only one who was deeply offended by this piece of crap ? This book is wrong, wrong, wrong.
The writing itself isn’t particularly… well, isn’t anything really. But this is supposed to be a book about beauty with a big B and the writing doesn’t do justice to the theme. I’d even call it Ugly. The characters are stereotyped. Tally is a brainwashed moron. Okay, she was raised to believe the ideology of her country but she cannot think by herself. She wonders whether to betray the Smoke, the rebellious uglies, and you know what helps her make the right decision? A boy. Woohoo, thank God he was there, with his adorable crooked smile, his sweet kisses, and his handmade leather shoes, otherwise I really would have thought that she was an immoral bitch. This also means that the fate of an entire city depends of the hormonal state of our young hero. DUDE!
The boy himself is… phew, of course he thinks Tally is beautiful, special, strong, smart, unlike anyone else when she is, in fact, so flat that I could surf on her back. In fact, she’s “the only one who truly understands”. Pleaaaaaase. He was raised to be a very careful, and independent thinker, but he falls for the first pair of boobs he encounters and turns out to be a spy. Good job.
Shay was the best character until Westerfeld reduced her to some stupid, vapid girl. She, who expressed interesting and deep (as much deep as this book can be) thoughts became a giggling, naïve, brainless chick whose only interest is, of course, the boy with the handmade leather shoes.
Anyway, let’s move on to the real problem. The content has almost nothing to do with the premise. The book is full of ecologist propaganda. Westerfeld keeps telling us how bad, bad, BAD things we, humans, are. He calls our generation the Rusties. Isn’t that nice? He criticizes everything we do. Oh, wait, no, he praises the invention of the Roller Coaster! We’re bad because we use metal, we’re bad because we’re savages who eat animals and because we “killed every living thing”. Well apparently not, because there are a lot of forests and flowers despite our destructive frenzy.
I was going to quote some passages but the words are so offensive I just can’t. We’re freaks, we’re ugly, and we’re wrong. This must not be the message intended but it’s all I got from this book. It’s like Westerfeld wants us to go back to some primitive way of life. He doesn’t criticize our mistakes, he condemns progress. He’s not warning us, he’s trying to shove his dogma down our throats. He’s telling us “I’m right, you should believe me, because I detain the truth.” I deeply love nature and also fear for its future, but I want to believe that mankind has an equal capacity for creation and destruction, for beauty and ugliness, for right and wrong. It’s depressing to read about how hopeless we are. Westerfeld lacks delicacy, neutrality. He’s not objective.
“Nature, at least, didn’t need an operation to be beautiful. It just was.” How about us? Aren’t we part of nature? Aren’t we beautiful, then, the way we are? For Westerfeld, this is Nature versus Mankind. He takes us apart from it, he draws a line between the Earth and our species. I believe that everything that lives on Earth is connected, that we’re a part of a whole. If you really want to write about nature and man, you shouldn’t make them opposite. Instead, look for what makes us part of the earth, what connects us to the rest of the world, the plants, the animals. We are a part of this planet, we are nature and culture. I believe that it is where lies the true beauty of our condition. I want to believe that some of us can see that, that we will realize how important nature is, not because it just feeds us or that flowers are pretty, but because we are one with it.
The plot itself is weak. I don’t understand what the real issue of the book is. The government doesn’t look threatening. I didn’t feel the pressure I felt in The Hunger Games, for example. I I don’t understand what the Smokies are doing, what is their purpose, I have no empathy for them or any of the characters. Everything is very confusing. Westerfeld wants to talk about free thinking, nature, man, beauty, but he doesn’t do it well.
Also, I may not be an expert about economics but it seems to me that without a financial system, a country cannot work. In the Pretties society, no one pays for anything, and Tally is shocked when she learns that at the Smoke, people have to give to receive. So, yeah, it made me frown.
March 2, 2018
I’ve only seen one episode of The Twilight Zone. In this episode, a woman undergoes a battery of surgeries to look normal. At the end of the episode, viewers learn that this latest surgery has failed: the woman is still hideous. Except that to the audience she is beautiful. Online research led me to another episode where teenagers are surgically altered to live longer and conform to a unified standard of beauty (based on a limited number of acceptable “models”). “Uglies,” Scott Westerfeld’s dystopic novel, plays similar games of perception.
The novel starts with Tally Youngblood a fifteen-year-old girl desperately waiting for her sixteenth birthday when she will be reunited with her best friend and, more importantly, when she will finally be pretty.
“Uglies” is set in the distant future after a mysterious global catastrophe precipitated changes to the foundations of what readers would call modern society. Fearful of war and violence cities now operate as independent states (think Renaissance Italy as opposed to contemporary Italy). Isolated and self-sufficient, the cities have agreed to certain standards for the greater good.
New technology ensures that citizens never want for food or luxury items, weapons of any kind are largely illegal, and at the age of sixteen everyone undergoes a series of extreme surgeries to better conform to societal standards of beauty. The logic being that, since humans are preconditioned to respond to certain visual cues in each other already (big eyes are non-threatening, a clear complexion and good teeth indicate that a person is healthy), applying these beauty standards will reduce conflict and create a more harmonious society.
But in a world where everyone is movie-star-gorgeous (oldies like Rudolph Valentino and Greta Garbo are considered “natural pretties”), normal people are so not pretty. In short, they’re ugly.
Things change for Tally when she meets Shay, another Ugly girl, who wants to run away before the operation to a place called The Smoke where people can live like “Rusties” (that would be us basically) in the wilderness without any surgery. As the novel progresses, and Special Circumstances (a government agency) coerces Tally into finding The Smoke for them, Tally is forced to choose what means more: friendship or beauty?
As the plot might suggest, this is a science fiction novel. Just to be clear, the real difference between sci-fi and fantasy is that the technology in science fiction novels could conceivably work if someone ever built it (dragons, most likely, are never going to be genetically engineered so they’re a good indicator of a fantasy novel). At times this leads to more explanation of, say, hoverboard mechanics in the novel than is strictly necessary to the plot but the rest of the book makes up for this small shortcoming.
What makes "Uglies" great, besides how it looks at cultural values, is Westerfeld’s use of language. The novel is not pretentious or brash. Instead, Westerfeld creates a narrative voice that is really unique—especially for a sweeping sci-fi saga like the Uglies trilogy. The novel opens with Tally observing that “The early summer sky was the color of cat vomit.” That is not, it is fair to say, a typical opening for any novel. Yet Westerfeld moves from that observation seamlessly into the story.
This book is the first in the Uglies trilogy (followed by “Pretties” and “Specials”) which focuses on Tally and her city. The scope of each book can largely stand alone, but to get the full story it’s best to read the entire trilogy. Additionally, Westerfeld released a companion book to the trilogy last year called “Extras” which is set a few years after the trilogy with different main characters.
“Uglies” is simultaneously funny and frightening, showing how overvalued beauty can be while illustrating how Tally’s world has been conditioned to believe there’s no other way to live. The sections where Westerfeld describes the Rusty Ruins and the end of that era are particularly haunting (and eerily reminiscent of the History Channel’s recent documentary “Life After People”).
Sci-fi book discussions often bring up a writer’s “world building” in reference to how well a writer creates their alternate universe. Westerfeld’s world is built really well. The cities have their own culture, the characters their own slang, but Westerfeld manages to bring in enough references to our own contemporary culture that it’s easy for readers to believe Tally’s world is built on the ruins of our own.
You can find this review and more on my blog Miss Print
The novel starts with Tally Youngblood a fifteen-year-old girl desperately waiting for her sixteenth birthday when she will be reunited with her best friend and, more importantly, when she will finally be pretty.
“Uglies” is set in the distant future after a mysterious global catastrophe precipitated changes to the foundations of what readers would call modern society. Fearful of war and violence cities now operate as independent states (think Renaissance Italy as opposed to contemporary Italy). Isolated and self-sufficient, the cities have agreed to certain standards for the greater good.
New technology ensures that citizens never want for food or luxury items, weapons of any kind are largely illegal, and at the age of sixteen everyone undergoes a series of extreme surgeries to better conform to societal standards of beauty. The logic being that, since humans are preconditioned to respond to certain visual cues in each other already (big eyes are non-threatening, a clear complexion and good teeth indicate that a person is healthy), applying these beauty standards will reduce conflict and create a more harmonious society.
But in a world where everyone is movie-star-gorgeous (oldies like Rudolph Valentino and Greta Garbo are considered “natural pretties”), normal people are so not pretty. In short, they’re ugly.
Things change for Tally when she meets Shay, another Ugly girl, who wants to run away before the operation to a place called The Smoke where people can live like “Rusties” (that would be us basically) in the wilderness without any surgery. As the novel progresses, and Special Circumstances (a government agency) coerces Tally into finding The Smoke for them, Tally is forced to choose what means more: friendship or beauty?
As the plot might suggest, this is a science fiction novel. Just to be clear, the real difference between sci-fi and fantasy is that the technology in science fiction novels could conceivably work if someone ever built it (dragons, most likely, are never going to be genetically engineered so they’re a good indicator of a fantasy novel). At times this leads to more explanation of, say, hoverboard mechanics in the novel than is strictly necessary to the plot but the rest of the book makes up for this small shortcoming.
What makes "Uglies" great, besides how it looks at cultural values, is Westerfeld’s use of language. The novel is not pretentious or brash. Instead, Westerfeld creates a narrative voice that is really unique—especially for a sweeping sci-fi saga like the Uglies trilogy. The novel opens with Tally observing that “The early summer sky was the color of cat vomit.” That is not, it is fair to say, a typical opening for any novel. Yet Westerfeld moves from that observation seamlessly into the story.
This book is the first in the Uglies trilogy (followed by “Pretties” and “Specials”) which focuses on Tally and her city. The scope of each book can largely stand alone, but to get the full story it’s best to read the entire trilogy. Additionally, Westerfeld released a companion book to the trilogy last year called “Extras” which is set a few years after the trilogy with different main characters.
“Uglies” is simultaneously funny and frightening, showing how overvalued beauty can be while illustrating how Tally’s world has been conditioned to believe there’s no other way to live. The sections where Westerfeld describes the Rusty Ruins and the end of that era are particularly haunting (and eerily reminiscent of the History Channel’s recent documentary “Life After People”).
Sci-fi book discussions often bring up a writer’s “world building” in reference to how well a writer creates their alternate universe. Westerfeld’s world is built really well. The cities have their own culture, the characters their own slang, but Westerfeld manages to bring in enough references to our own contemporary culture that it’s easy for readers to believe Tally’s world is built on the ruins of our own.
You can find this review and more on my blog Miss Print
June 15, 2023
3.5 W sumie bawiłam się przednio
December 21, 2019
ive read this book/series a handful of times over the past decade or so and have somehow never written a review for it. time to fix that.
although some of my feelings have changed as ive gotten older, its impossible to get rid of the strong feeling of nostalgia this evokes each time i pick up the book.
what drew me to this story when i was a teenager still remains as an adult. i love how this personifies the notion that true beauty is who you are as a person, not what you look like. yes, this is done superficially with classic early 2000s dystopian drama, but the idea still stands. i think this is an important topic in YA culture - one i definitely needed back than and still does good now.
so the 5 stars remain, if for sentimentality alone.
↠ 4.5 stars
although some of my feelings have changed as ive gotten older, its impossible to get rid of the strong feeling of nostalgia this evokes each time i pick up the book.
what drew me to this story when i was a teenager still remains as an adult. i love how this personifies the notion that true beauty is who you are as a person, not what you look like. yes, this is done superficially with classic early 2000s dystopian drama, but the idea still stands. i think this is an important topic in YA culture - one i definitely needed back than and still does good now.
so the 5 stars remain, if for sentimentality alone.
↠ 4.5 stars
August 5, 2021
it's the way this book had a death grip on middle schoolers everywhere, for me.
also i was absolutely pretending that i would have been, like, an anti-plastic surgery rebel if i existed in this world, where in actuality i would have been 100% team sculpt my bones and change my face and implant a hoverboard into my ankles or whatever.
in fact, on the off chance that this series was a test put out into the minds of 13 year olds by the government, write me down as "pro authoritarian government changing my thoughts so i'm bubbly and happy all the time."
ignorance truly is bliss.
part of a series i'm doing where i review books i read a long time ago and try to access the mind of preteen me.
also i was absolutely pretending that i would have been, like, an anti-plastic surgery rebel if i existed in this world, where in actuality i would have been 100% team sculpt my bones and change my face and implant a hoverboard into my ankles or whatever.
in fact, on the off chance that this series was a test put out into the minds of 13 year olds by the government, write me down as "pro authoritarian government changing my thoughts so i'm bubbly and happy all the time."
ignorance truly is bliss.
part of a series i'm doing where i review books i read a long time ago and try to access the mind of preteen me.
March 25, 2012
Do you know that feeling, when you really want to punch a character in the face? Well, Tally Youngblood, you must be grateful that I can't see your face.
Now I should stop the rant... the book itself was a quick read, but I don't get the hype. Enjoyable, yes. Good, not that much. I'm not really sure if I'll ever finish this series. Maybe one day if I'm actually bored.
Now I should stop the rant... the book itself was a quick read, but I don't get the hype. Enjoyable, yes. Good, not that much. I'm not really sure if I'll ever finish this series. Maybe one day if I'm actually bored.
October 6, 2024
pre-read
i hate dystopian
anyways, 1 star prediction 🤗
post-read
not as bad as anticipated but still pretty bad. boring, vapid, and lacking substance.
there’s a severe absence of creativity. like “uglies”, “pretties”, “littlies”, “UGLYVILLE” I kid you not, that’s the name of the town the uglies live in. crazy right? like at least try my guy.
I fear to encounter scott irl.
i hate dystopian
anyways, 1 star prediction 🤗
post-read
not as bad as anticipated but still pretty bad. boring, vapid, and lacking substance.
there’s a severe absence of creativity. like “uglies”, “pretties”, “littlies”, “UGLYVILLE” I kid you not, that’s the name of the town the uglies live in. crazy right? like at least try my guy.
I fear to encounter scott irl.
June 11, 2018
Parts of it I'm obsessed with, other parts I think I'm a little too old for.
That said, here I am picking up another teen-fiction. I am in denial. I'll be 60 and still reading teen fictions.
That said, here I am picking up another teen-fiction. I am in denial. I'll be 60 and still reading teen fictions.
December 28, 2007
Three hundred years after an apocalyptic-sized disaster that reshaped the world, Tally is about to turn 16 and pretty. In her contained, isolated, self-sufficient city - just like all the other contained, isolated, self-sufficient cities - the operation to make her pretty will be intensive, extreme and, as far as she and everyone else alive is concerned, absolutely worth it. Once she's pretty, she'll go to live across the river in New Pretty Town and party the nights away, loved by all.
It's a shock to her, then, to find that her friend Shay doesn't want to be pretty, and doesn't think she's ugly now. Of course she's ugly - everyone's ugly before the operation. But Shay runs away to the mysterious, secretive Smoke where her friend David awaits, leaving Tally a set of cryptic directions in case she changes her mind and decides to go too. But Tally has no intention of running away: turning pretty is all she wants, so she can be with her friend Peris again across the river, and be noticed and listened to because beautiful people cannot be ignored.
But on the day of her own operation, she is taken instead to Special Circumstances, where cruel pretties with lethal reflexes bring her to Dr. Cable. They want to know about Shay and the Smoke and where it is located, but Tally keeps her promise not to tell. Even when Dr. Cable tells her she won't get the operation and be turned pretty until she does what they ask, she does not yield. Not until Peris unexpectedly visits her in Uglyville, and reminds her of the promise she made him, that she would be with him again, a promise that predates the one she made Shay. Latching onto this ray of hope - for she doesn't want to stay ugly the rest of her life - Tally is sent to spy for Special Circumstances and give them the location of the Smoke by sending a transmission via a heart pendant given her by Dr. Cable.
When she arrives, though, it's not that simple. Yes, the people are all ugly, and that takes a while to get used to. But there's something else about them, something sharp and clear at odds with the vacuousness of all the pretties she's ever known, including her own parents. And then there's David, who was born in the Smoke and is definitely not pretty ... but who teaches her that she's beautiful because of who she is, not what she looks like.
I really enjoyed this book. It reminded me a lot of Isobelle Carmody's books, her heroines especially, and also Ellie from John Marsden's Tomorrow series, and a host of others. She's a quick thinker, afraid yet brave, resourceful and caring, faced with a choice no one at sixteen would want to have to make. The writing style is clear and descriptive without wasting a word, the characters deftly portrayed. While the themes and messages of the book may not be subtle - nor are they meant to be, since we're talking about the structure of their world here - there are depths to the concept, and nothing's black-and-white. There are also little digs about our own lifestyle (we are the "Rusties" in the book - because what's left of our cities are just rusty ruins), about how we clear-fell forests and waste resources and genetically modify plants. The entire concept could have fallen flat on its face for being too contrived and as superficial as the operation itself, but Westerfeld holds it all together with a great heroine in Tally, a dark sci-fi underworld beneath the glitter and party fun, and an examination into what price we really want to pay for the things we hold most dear.
It's a shock to her, then, to find that her friend Shay doesn't want to be pretty, and doesn't think she's ugly now. Of course she's ugly - everyone's ugly before the operation. But Shay runs away to the mysterious, secretive Smoke where her friend David awaits, leaving Tally a set of cryptic directions in case she changes her mind and decides to go too. But Tally has no intention of running away: turning pretty is all she wants, so she can be with her friend Peris again across the river, and be noticed and listened to because beautiful people cannot be ignored.
But on the day of her own operation, she is taken instead to Special Circumstances, where cruel pretties with lethal reflexes bring her to Dr. Cable. They want to know about Shay and the Smoke and where it is located, but Tally keeps her promise not to tell. Even when Dr. Cable tells her she won't get the operation and be turned pretty until she does what they ask, she does not yield. Not until Peris unexpectedly visits her in Uglyville, and reminds her of the promise she made him, that she would be with him again, a promise that predates the one she made Shay. Latching onto this ray of hope - for she doesn't want to stay ugly the rest of her life - Tally is sent to spy for Special Circumstances and give them the location of the Smoke by sending a transmission via a heart pendant given her by Dr. Cable.
When she arrives, though, it's not that simple. Yes, the people are all ugly, and that takes a while to get used to. But there's something else about them, something sharp and clear at odds with the vacuousness of all the pretties she's ever known, including her own parents. And then there's David, who was born in the Smoke and is definitely not pretty ... but who teaches her that she's beautiful because of who she is, not what she looks like.
I really enjoyed this book. It reminded me a lot of Isobelle Carmody's books, her heroines especially, and also Ellie from John Marsden's Tomorrow series, and a host of others. She's a quick thinker, afraid yet brave, resourceful and caring, faced with a choice no one at sixteen would want to have to make. The writing style is clear and descriptive without wasting a word, the characters deftly portrayed. While the themes and messages of the book may not be subtle - nor are they meant to be, since we're talking about the structure of their world here - there are depths to the concept, and nothing's black-and-white. There are also little digs about our own lifestyle (we are the "Rusties" in the book - because what's left of our cities are just rusty ruins), about how we clear-fell forests and waste resources and genetically modify plants. The entire concept could have fallen flat on its face for being too contrived and as superficial as the operation itself, but Westerfeld holds it all together with a great heroine in Tally, a dark sci-fi underworld beneath the glitter and party fun, and an examination into what price we really want to pay for the things we hold most dear.
July 9, 2008
I remember my initial disappointment when Scott Westerfeld switched from adult sf to YA fiction. How could he do this to me? I liked his books, but I don't wanna read a dopey YA novel!
I'd read in an interview that it was mostly a financial decision--the YA market has exploded, and that's where the money is right now. How can you fault a guy for trying to make a living?
As a junior high Language Arts teacher, it's impossible not to notice that Westerfeld's first YA series has done extremely well. I guess it's time I checked it out for myself.
Well, after the first section of the novel, I can understand why Uglies has been a hit with the YA crowd--it's a fun, easy read. While Westerfeld hasn't completely dumbed down his writing, it is certainly much more accessible than his adult novels. Tally is a likeable teenager that the readers will identify with, and her plights are standard ones, considering the world she inhabits.
Yes, it takes some suspension of disbelief to accept the premise that all people are given massive plastic surgery and made "pretty" at the age of 16. But if you are willing to accept the premise, the rest of the world makes sense.
Tally wants to be pretty, as do all teens in this world. But she's a mischievous girl and loves to play pranks and pull tricks. When she meets up with Shay, a fellow prankster, her world is turned upside down. Shay introduces her to a world where people don't consider being pretty the ultimate goal, and when Shay runs away, choosing NOT to be made pretty, Tally is led down a road that will completely alter how she sees herself and the world around her.
Westerfeld has created a good old-fashioned coming of age tale in a sf world. Sure it's a YA novel, but that's ok. We need to create another generation of sf readers. It might be a bit of an easy read for a more sophisticated (ie. old) reader like myself, but it was still enjoyable. The book is in fact the first of a trilogy, but it is possible to read the first novel by itself. Sure, the story continues, but Westerfeld does give the first book a sense of closure.
I think the YA market is lucky to have Westerfeld. I hope he continues to have great success. And maybe someday, he'll write adult novels for his growing legion of YA fans.
I'd read in an interview that it was mostly a financial decision--the YA market has exploded, and that's where the money is right now. How can you fault a guy for trying to make a living?
As a junior high Language Arts teacher, it's impossible not to notice that Westerfeld's first YA series has done extremely well. I guess it's time I checked it out for myself.
Well, after the first section of the novel, I can understand why Uglies has been a hit with the YA crowd--it's a fun, easy read. While Westerfeld hasn't completely dumbed down his writing, it is certainly much more accessible than his adult novels. Tally is a likeable teenager that the readers will identify with, and her plights are standard ones, considering the world she inhabits.
Yes, it takes some suspension of disbelief to accept the premise that all people are given massive plastic surgery and made "pretty" at the age of 16. But if you are willing to accept the premise, the rest of the world makes sense.
Tally wants to be pretty, as do all teens in this world. But she's a mischievous girl and loves to play pranks and pull tricks. When she meets up with Shay, a fellow prankster, her world is turned upside down. Shay introduces her to a world where people don't consider being pretty the ultimate goal, and when Shay runs away, choosing NOT to be made pretty, Tally is led down a road that will completely alter how she sees herself and the world around her.
Westerfeld has created a good old-fashioned coming of age tale in a sf world. Sure it's a YA novel, but that's ok. We need to create another generation of sf readers. It might be a bit of an easy read for a more sophisticated (ie. old) reader like myself, but it was still enjoyable. The book is in fact the first of a trilogy, but it is possible to read the first novel by itself. Sure, the story continues, but Westerfeld does give the first book a sense of closure.
I think the YA market is lucky to have Westerfeld. I hope he continues to have great success. And maybe someday, he'll write adult novels for his growing legion of YA fans.
October 11, 2025
#1 Uglies - ★★★★★
#2 Pretties - ★★★★★
#3 Specials - Not read yet
A world where you are an ugly until your sixteenth birthday. And then, you undergo a surgery and you become pretty. And life is perfect. Except, maybe it isn’t.
This is one of those books where you visualise a world in so many details, and feel like you’ve lived there all your life. Also a book that captures society for what really is. A very pleasant and enjoyable read.
I received this book as a birthday gift. Have a look at my birthday book haul on my blog.
Uglies is the first book from the series by Scott Westerfeld. A dystopian world about ”uglies” and ”pretties”. A world in which society is split between beauty. A place where the ”uglies” are separated from the real world until they do a surgery and become pretties. Then, they grow up and join the world of pretties, where they are allowed to do everything they weren’t allowed before. They attend parties and have fun, and they don’t worry about anything.
Tally is about to turn sixteen, and she can’t wait to become pretty. All her friends have already turned pretty before her, and she is excited to join them in this marvellous world. But just weeks before her birthday, she becomes friends with Shay, who is not so sure whether she wants to become a pretty.
When her friend runs away and escapes the operation, Tally has a choice: find Shay and bring her back, or never turn pretty at all. And when Tally goes after Shay, she discovers that the world she believed in, might not be the real one…
I absolutely loved this book with all my heart. A beautiful world forming, an interesting scenario, great plot and interesting characters. I enjoyed reading about the world, how the author put the society together, and how it all worked out.
The characters were not as engaging as I would hope them to be. Even though you felt for them, you couldn’t connect a lot. Just a little bit, enough to make you wonder what will happen next. It was enough for me to keep turning page after page in the middle of the night.
The world the author created and the way the society works in this book is incredible. The ”uglies” and ”pretties” subject will always be matter of a discussion. And at the end of the day, it doesn’t really matter if your face has imperfections. It doesn’t matter how you look like. People love other people for who they are inside out, for the friendships, for the moments spent together, and for how they make them feel.
Another thing I loved was the subject of protecting the nature. I loved the little moments and theories of destroying a certain plant for a better tomorrow for all the rest of the plants.
‘’Nature, at least, didn’t need an operation to be beautiful. It just was.’’
An amazing book, a world where you can visualise every single detail, even though you’ve never been there. A dystopian society and a battle between brains and beauty. I enjoyed it so much and I can’t wait to read the rest of the series.
I strongly recommend it to all of you, my friends!
A question for you all – Would you do the pretty surgery or not?
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#2 Pretties - ★★★★★
#3 Specials - Not read yet
A world where you are an ugly until your sixteenth birthday. And then, you undergo a surgery and you become pretty. And life is perfect. Except, maybe it isn’t.
This is one of those books where you visualise a world in so many details, and feel like you’ve lived there all your life. Also a book that captures society for what really is. A very pleasant and enjoyable read.
I received this book as a birthday gift. Have a look at my birthday book haul on my blog.
Uglies is the first book from the series by Scott Westerfeld. A dystopian world about ”uglies” and ”pretties”. A world in which society is split between beauty. A place where the ”uglies” are separated from the real world until they do a surgery and become pretties. Then, they grow up and join the world of pretties, where they are allowed to do everything they weren’t allowed before. They attend parties and have fun, and they don’t worry about anything.
Tally is about to turn sixteen, and she can’t wait to become pretty. All her friends have already turned pretty before her, and she is excited to join them in this marvellous world. But just weeks before her birthday, she becomes friends with Shay, who is not so sure whether she wants to become a pretty.
When her friend runs away and escapes the operation, Tally has a choice: find Shay and bring her back, or never turn pretty at all. And when Tally goes after Shay, she discovers that the world she believed in, might not be the real one…
I absolutely loved this book with all my heart. A beautiful world forming, an interesting scenario, great plot and interesting characters. I enjoyed reading about the world, how the author put the society together, and how it all worked out.
The characters were not as engaging as I would hope them to be. Even though you felt for them, you couldn’t connect a lot. Just a little bit, enough to make you wonder what will happen next. It was enough for me to keep turning page after page in the middle of the night.
The world the author created and the way the society works in this book is incredible. The ”uglies” and ”pretties” subject will always be matter of a discussion. And at the end of the day, it doesn’t really matter if your face has imperfections. It doesn’t matter how you look like. People love other people for who they are inside out, for the friendships, for the moments spent together, and for how they make them feel.
Another thing I loved was the subject of protecting the nature. I loved the little moments and theories of destroying a certain plant for a better tomorrow for all the rest of the plants.
‘’Nature, at least, didn’t need an operation to be beautiful. It just was.’’
An amazing book, a world where you can visualise every single detail, even though you’ve never been there. A dystopian society and a battle between brains and beauty. I enjoyed it so much and I can’t wait to read the rest of the series.
I strongly recommend it to all of you, my friends!
A question for you all – Would you do the pretty surgery or not?
Blog | Facebook | Twitter | Instagram | Pinterest
August 29, 2024
5/5 ★'s
I haven't read this book for almost 15 years! I saw it in a local bookstore and had to pick it up. I've been wanting to reread it for a long time actually.
My reread was a huge success. I think this story has lots of areas to get young readers thinking outside of the box, it has easy language, and it's honestly just a genuinely interesting topic.
This is a world (or city in the world) where once you turn sixteen you receive an operation that turns you into a "pretty". All this entails is unknown, but you do know this: you will live a lavish lifestyle, have the best parties, and be stunningly beautiful.
Some kids don't believe in this operation. That is where things truly launch off. What will they do? Do they have any other option?
Basically, everyone in this society appears extremely brainwashed. They view "old" civilization (ours) as barbaric and teach you as a child that the way around that lifestyle is the operation.
I found it just as interesting as when I first read it as a kid. If this is one of those books you used to love too, I would say give it a reread stat! And if you've never read it before and want to read something Y/A, but still loaded with fascinating story, give it a shot!
I haven't read this book for almost 15 years! I saw it in a local bookstore and had to pick it up. I've been wanting to reread it for a long time actually.
My reread was a huge success. I think this story has lots of areas to get young readers thinking outside of the box, it has easy language, and it's honestly just a genuinely interesting topic.
This is a world (or city in the world) where once you turn sixteen you receive an operation that turns you into a "pretty". All this entails is unknown, but you do know this: you will live a lavish lifestyle, have the best parties, and be stunningly beautiful.
Some kids don't believe in this operation. That is where things truly launch off. What will they do? Do they have any other option?
Basically, everyone in this society appears extremely brainwashed. They view "old" civilization (ours) as barbaric and teach you as a child that the way around that lifestyle is the operation.
I found it just as interesting as when I first read it as a kid. If this is one of those books you used to love too, I would say give it a reread stat! And if you've never read it before and want to read something Y/A, but still loaded with fascinating story, give it a shot!
September 16, 2024
Reading this book felt like trying to start a fire with wet noodles.
September 24, 2020
Things become quite one-sided (or one-dimensional) in this YA dystopian yarn that imagines stuff in a... half-assed kind of way (repressive governing scientists: too uninteresting an antagonist, a teenaged character with absolutely zero references to the parental unit, scant description/character development...) presenting tropes for the new young'uns (and hopeful lifelong readers) to gawk at but offering nothing much too pleasant for the reader that's more enthralled by the complexities of that OTHER YA epic, "Hunger Games," if at all. I mean, why does pretty=superficial, ugly=raw? Why can't pretty people also be good (thanks for corrupting my brain, Disney!)... It's... Its just too... vapid. Yeah. And it really doesn't quite pick up til the third act (page 270 or about). & it doesn't stand on its own, but requires for the rest to follow to be read (I'd rather go... run outside!) to assemble something even somewhat, ya know, SOMEthing...
Eh. Sigh.
My exploration unto this terrain seems to be at its ultimate, most dissatisfied conclusion....
Eh. Sigh.
My exploration unto this terrain seems to be at its ultimate, most dissatisfied conclusion....
September 17, 2020
I loved this book for what it is: a reminder of my childhood and a beautiful story about accepting yourself for who you are. RTC.
- - -
THIS JUST IN: SCOTT WESTERFELD IS WRITING FOUR NEW NOVELS IN THE UGLIES WORLD AND IT IS LIKE MY CHILDHOOD HAS BEEN BROUGHT BACK TO LIFE. IT IS GOING TO BE CALLED IMPOSTORS AND COMES OUT SEPTEMBER 11TH AND MY LITTLE HIGH SCHOOL HEART IS BEATING AGAIN I REPEAT BEATING AGAIN.
REREADING THIS NOW AND THEN I WILL TELL YOU GUYS HOW MUCH I STILL ABSOLUTELY LOVE IT.
SLDFJEROIGHNWSFCMJGNHEAJFSFAJSDFHG!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
- - -
THIS JUST IN: SCOTT WESTERFELD IS WRITING FOUR NEW NOVELS IN THE UGLIES WORLD AND IT IS LIKE MY CHILDHOOD HAS BEEN BROUGHT BACK TO LIFE. IT IS GOING TO BE CALLED IMPOSTORS AND COMES OUT SEPTEMBER 11TH AND MY LITTLE HIGH SCHOOL HEART IS BEATING AGAIN I REPEAT BEATING AGAIN.
REREADING THIS NOW AND THEN I WILL TELL YOU GUYS HOW MUCH I STILL ABSOLUTELY LOVE IT.
SLDFJEROIGHNWSFCMJGNHEAJFSFAJSDFHG!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
May 11, 2009
"Uglies" is about Tally Youngblood, who is about to turn sixteen, much to her liking. This is a futuristic novel, and when you turn sixteen you get an operation to make you "pretty". What being pretty means is that you have all your bones taken and ground, your skin re-sized and your whole entire body is basically re-done. Like a huge surgery. The thing is, during her wait to turn sixteen (Tally was the youngest in her group of friends) she meets a girl named Shay, who doesn't want to get the operation. This doesn't make sense to Tally, because ever since she was little she has been told that she was ugly and she herself has accepted it. Shay leaves in the end to go to the Smoke, a place where runaway Uglies stay, and here's the initiating event in the book. Although Tally doesn't go with Shay, the city's Specials, who are like the police offers that keep thing in check, tell Tally that unless she brings Shay back to the city, then she won't get the operation.
I read this book last year and wanted to review it earlier, but was afraid I wouldn't remember everything and not get it done right. What a good thing that I got to read it in school. This was definitely one of the better books that school has provided me with, and reading it the second time was just as great as reading it the first time. Scott Westerfeld describes everything so vividly without going overboard, and the entire theme and message of the book really connected with me, especially in the society we live in today. You must read this book!
I read this book last year and wanted to review it earlier, but was afraid I wouldn't remember everything and not get it done right. What a good thing that I got to read it in school. This was definitely one of the better books that school has provided me with, and reading it the second time was just as great as reading it the first time. Scott Westerfeld describes everything so vividly without going overboard, and the entire theme and message of the book really connected with me, especially in the society we live in today. You must read this book!
September 9, 2015
Seeing this book always popping up every time I searched for best YA novels, I knew I just HAD to read this. I've been actually saving this trilogy for a special reading occasion because I am really into dystopians and discovering this series was written even before the Hunger Games, I expected that I will be more than impressed. Sad to say, the book did not meet my expectation. Sure, the concept is cute- every one at the age of 16 gets operated on to become pretty while every body else is considered ugly, that's something to look forward to. Unfortunately, the plotting of the story is too linear with the introduction taking up most of content. My, I've already read 200 pages and I still felt like I was still reading unnecessary backgrounds and introductions.
The slight bumps of the story only take place when it's almost finished and I'm sure any dystopian novel written that way cannot be properly appreciated. For me, any dystopian novel should start and end with an explosion- something captivating that will hook the readers up from beginning till finale. I'm afraid that even if I want to know what happens to Tally and David in the story, I think I'm going to just have to rely on online summaries of the succeeding books because I wouldn't want to go through another agony of reading so many pages mostly wasted on unnecessary details.
I’ll give a merit to this book though. I think the hoverboards are cool. They make me imagine of green goblin’s ride. :)
March 21, 2019
2.5/5 stars. Great idea, poor execution.
I was listening to the audiobook so I don’t know if the reading experience is any different but I found certain chapters in this fairly boring to get through. Story was creative, main character really annoying and the writing okay. Won’t be reading the next one anytime soon.
I was listening to the audiobook so I don’t know if the reading experience is any different but I found certain chapters in this fairly boring to get through. Story was creative, main character really annoying and the writing okay. Won’t be reading the next one anytime soon.
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December 28, 2016DNF - No. Just no.
August 29, 2018
Reviews can be found at: www.booknerdtan.wordpress.com
3.5
I absolutely love diving into dystopian worlds and this is a YA series I have been meaning to start for years just never got round to it - so happy I finally have!
Tally has grown up in a society where you are made to believe that you're ugly. As soon as you turn 16, however, you're given the rights to an operation to turn you from an 'ugly' to a 'pretty' and Tally cannot wait for this day. Things take a slight turn when Tally's friend Shay doesn't want to become pretty and runs away to The Smoke. Tally is faced with a difficult decision which only becomes harder as she gets to know the people in The Smoke and her views about becoming pretty are questioned.
I got sucked into this world pretty quick and managed to finish it in no time. I loved the way Westerfeld described the world; descriptive and vivid, but not too descriptive that you get bored and I loved the parallels of our society that were incorporated in the story.
The writing, and Tally, can get a bit tiresome during the first half of the book; there's only so much of her repeating that she can't wait to become 'pretty' without it starting to grate on you. There's only so much you can read about a teenage girl wanting to become 'pretty' because that's when you have all the fun without wanting to slap her. Having said that thought, despite Tally being the most suggestable character ever (annoying) at least towards the last half of the book you can see her character developing for the better which leaves me with hope for the rest of the series.
The only other thing that slightly let the story down for me was the romance that developed - it kind of left a bitter tast. I felt like it was the perfect opportunity for a strong female friendship to develop and Tally kinda throws in her friendship with her best friend extremely quickly. Meh.
Overall though this book had me hooked and I wanna jump back into the world asap. I bought the following books in the series immediately after finishing and I can't wait to find how Tally and the story progess.
3.5
I absolutely love diving into dystopian worlds and this is a YA series I have been meaning to start for years just never got round to it - so happy I finally have!
Tally has grown up in a society where you are made to believe that you're ugly. As soon as you turn 16, however, you're given the rights to an operation to turn you from an 'ugly' to a 'pretty' and Tally cannot wait for this day. Things take a slight turn when Tally's friend Shay doesn't want to become pretty and runs away to The Smoke. Tally is faced with a difficult decision which only becomes harder as she gets to know the people in The Smoke and her views about becoming pretty are questioned.
I got sucked into this world pretty quick and managed to finish it in no time. I loved the way Westerfeld described the world; descriptive and vivid, but not too descriptive that you get bored and I loved the parallels of our society that were incorporated in the story.
The writing, and Tally, can get a bit tiresome during the first half of the book; there's only so much of her repeating that she can't wait to become 'pretty' without it starting to grate on you. There's only so much you can read about a teenage girl wanting to become 'pretty' because that's when you have all the fun without wanting to slap her. Having said that thought, despite Tally being the most suggestable character ever (annoying) at least towards the last half of the book you can see her character developing for the better which leaves me with hope for the rest of the series.
The only other thing that slightly let the story down for me was the romance that developed - it kind of left a bitter tast. I felt like it was the perfect opportunity for a strong female friendship to develop and Tally kinda throws in her friendship with her best friend extremely quickly. Meh.
Overall though this book had me hooked and I wanna jump back into the world asap. I bought the following books in the series immediately after finishing and I can't wait to find how Tally and the story progess.
Read
August 13, 2024i smell an upcoming re-read !!
i read the first two books in the series but never got around to the third or fourth so this time around i think i'll read all four & see if the series is as good as i remember the first two being (bear with me bcs i was in fifth grade the last time i read this)
&&& i'll write a real review once i re-read it 😍😍
i read the first two books in the series but never got around to the third or fourth so this time around i think i'll read all four & see if the series is as good as i remember the first two being (bear with me bcs i was in fifth grade the last time i read this)
&&& i'll write a real review once i re-read it 😍😍
February 6, 2017
So it took me five days to read this book but it felt like I was reading it for about two weeks. It was so slow and so painful. This book is very overrated, I just don't understand how it's so popular. It never grabbed me and so I just wasn't interested. I'm giving it 2 stars because I'm feeling generous.
What I liked:
- The type of world Scott Westerfeld created. At first I thought it was a silly premise but as the story progressed and I found out more about the world Tally was living in, I understood why this kind of a world would seem ideal. I liked how Scott Westerfeld talked trash about us (or as he called us - "Rusties").
- Hoverboards. Very cool.
What I did not like:
- Tally. Sweet Baby Jesus, she was so irritating. I know she was 15/16 but I didn't like her.
- David. Why did everyone love him? I just didn't see the appeal of his character.
- The rest of the characters. They were weak characters. The words boring, clichéd and one-dimensional spring to mind.
- The "romance". It was so weak. I didn't see any connection between Tally and David. Their insta-love and angst was annoying.
- The pace. SCOTT, MY GOD MAN, PICK UP THE PACE. This book was quite possibly the slowest book I've ever read in my life.
- The writing. I just didn't like it. I knew from the first chapter where Tally was explaining the vomit-coloured sky that I wouldn't like the writing and I was right.
- The Special Circumstances people. They didn't seem like consistent characters. Lightening fast reflexes, superhuman senses etc and yet two teenagers outsmarted them? Not buying it.
- How predictable it was. It was so predictable and the godawful slow pace just made the book so much worse.
I wouldn't recommend this book. You won't miss out on anything if you skip this book. Do I want to read the sequel? No. Will I read the sequel? Probably. I wish I was someone who could have put this book down as a DNF (I really really wanted to) or someone who could skip reading the sequel because Uglies was a poor book but unfortunately I am not. Who knows, maybe the next book will be better but I'm not going to hold my breath.
What I liked:
- The type of world Scott Westerfeld created. At first I thought it was a silly premise but as the story progressed and I found out more about the world Tally was living in, I understood why this kind of a world would seem ideal. I liked how Scott Westerfeld talked trash about us (or as he called us - "Rusties").
- Hoverboards. Very cool.
What I did not like:
- Tally. Sweet Baby Jesus, she was so irritating. I know she was 15/16 but I didn't like her.
- David. Why did everyone love him? I just didn't see the appeal of his character.
- The rest of the characters. They were weak characters. The words boring, clichéd and one-dimensional spring to mind.
- The "romance". It was so weak. I didn't see any connection between Tally and David. Their insta-love and angst was annoying.
- The pace. SCOTT, MY GOD MAN, PICK UP THE PACE. This book was quite possibly the slowest book I've ever read in my life.
- The writing. I just didn't like it. I knew from the first chapter where Tally was explaining the vomit-coloured sky that I wouldn't like the writing and I was right.
- The Special Circumstances people. They didn't seem like consistent characters. Lightening fast reflexes, superhuman senses etc and yet two teenagers outsmarted them? Not buying it.
- How predictable it was. It was so predictable and the godawful slow pace just made the book so much worse.
I wouldn't recommend this book. You won't miss out on anything if you skip this book. Do I want to read the sequel? No. Will I read the sequel? Probably. I wish I was someone who could have put this book down as a DNF (I really really wanted to) or someone who could skip reading the sequel because Uglies was a poor book but unfortunately I am not. Who knows, maybe the next book will be better but I'm not going to hold my breath.
October 8, 2008
At an unspecificied time in the future everyone turning sixteen is given surgery to become "pretty." Tally Youngblood is young woman, counting down the days to the procdure which despite being extremely intensive is considered worth it for a life of luxury and decadence among her peers. She's waiting to be reunited with her best friend and enjoy the life of being pretty together.
That is until she meets Shay. The two bond over having lost all their friends to the surgery and waiting to join them. They sneak out of the city to the wasteland and Tally discovers that not only does Shay not consider herself "ugly" but she has no intention of having the surgerys. Instead she wants to run off with a mysterious boy named David to a secret group of insurgents who refuse to have the surgery. She invites Tally to come with her, but Tally refuses.
Shay runs away, leaving details on how Tally can find the group if she desires. On the day of her surgery, Tally is taken aside by Special Circumstances and told unless she finds Shay and betrays her to them, she (Tally) will be ugly for life. Tally agrees and sets out on her quest to find the rebels.
If that were all the story was, it might just be merely interesting. And though the story does follow a fairly predictable character arc for Tally (she finds the group, fits in better than Shay and decides to stay), the secret behind the surgery that Scott Westerfield reveals mid-way through the novel is far more fascinating. And it also goes a long way to explaining some of the behavoir by post-surgery characters in the novel.
Tally finds out that the surgery creates a specific kind of brain damage among all receipients. This twist explains why certain characters are so vapid and hedonistic in the story. Not only are the people being made to all be the same externally, they're being made to think the same way, to no longer question anything and to live only for the pleasure of the moment. The process is reversible (theoretically) and all of these various storylines lead to one massive cliffhanger that had me curious to see where things go next.
That is until she meets Shay. The two bond over having lost all their friends to the surgery and waiting to join them. They sneak out of the city to the wasteland and Tally discovers that not only does Shay not consider herself "ugly" but she has no intention of having the surgerys. Instead she wants to run off with a mysterious boy named David to a secret group of insurgents who refuse to have the surgery. She invites Tally to come with her, but Tally refuses.
Shay runs away, leaving details on how Tally can find the group if she desires. On the day of her surgery, Tally is taken aside by Special Circumstances and told unless she finds Shay and betrays her to them, she (Tally) will be ugly for life. Tally agrees and sets out on her quest to find the rebels.
If that were all the story was, it might just be merely interesting. And though the story does follow a fairly predictable character arc for Tally (she finds the group, fits in better than Shay and decides to stay), the secret behind the surgery that Scott Westerfield reveals mid-way through the novel is far more fascinating. And it also goes a long way to explaining some of the behavoir by post-surgery characters in the novel.
Tally finds out that the surgery creates a specific kind of brain damage among all receipients. This twist explains why certain characters are so vapid and hedonistic in the story. Not only are the people being made to all be the same externally, they're being made to think the same way, to no longer question anything and to live only for the pleasure of the moment. The process is reversible (theoretically) and all of these various storylines lead to one massive cliffhanger that had me curious to see where things go next.
This entire review has been hidden because of spoilers.
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November 9, 2024Living as an ugly on the wrong side of town, Tally can’t wait until her sixteenth birthday. Then she will turn pretty and be able to join her best friend, Peris, in Pretty Town.
Then she meets Shay, who inexplicably wants to leave Pretty Town. She shows Tally the Rusty Ruins, the remains of a civilization that once existed. She tells Tally of the Smoke, a band of rebels living on their own and opposed to everything Pretty Town stands for. There, Tally meets David, and learns of the dark truth lurking beneath the Operation that will make her pretty.
Vicariously riding with Tally on her magnetically powered hoverboard over the white rapids and ruins of an ancient civilization was thrilling. Rich with elation and symbolism, I soaked up this story about the consequences of a society so enraptured with appearance that its humanity is on the brink of extinction.
An excellent adventure one can really delve into. Great for fans of The House of the Scorpion and Matched. Look for the series now on Netflix. ~Tiffany J.
In Tally's world, every 16 year old is required to have surgery that makes them pretty. Tally's waited forever for her surgery, but her friend, Shay, chose to run away rather than be made pretty. When the government forces Tally to bring Shay back, Tally ends up on an adventure she could never have expected. Can she ever go back to her old life, knowing what she knows now? An excellent book for fans of The Hunger Games and Divergent. --Beth M.
Then she meets Shay, who inexplicably wants to leave Pretty Town. She shows Tally the Rusty Ruins, the remains of a civilization that once existed. She tells Tally of the Smoke, a band of rebels living on their own and opposed to everything Pretty Town stands for. There, Tally meets David, and learns of the dark truth lurking beneath the Operation that will make her pretty.
Vicariously riding with Tally on her magnetically powered hoverboard over the white rapids and ruins of an ancient civilization was thrilling. Rich with elation and symbolism, I soaked up this story about the consequences of a society so enraptured with appearance that its humanity is on the brink of extinction.
An excellent adventure one can really delve into. Great for fans of The House of the Scorpion and Matched. Look for the series now on Netflix. ~Tiffany J.
In Tally's world, every 16 year old is required to have surgery that makes them pretty. Tally's waited forever for her surgery, but her friend, Shay, chose to run away rather than be made pretty. When the government forces Tally to bring Shay back, Tally ends up on an adventure she could never have expected. Can she ever go back to her old life, knowing what she knows now? An excellent book for fans of The Hunger Games and Divergent. --Beth M.
September 2, 2010
I go a little crazy if I read more than one Margaret Atwood novel a year. I hope I'm not alone in this. I get the feeling that Atwood's sharp, but her writing is filed to a finer edge. I realized a while ago that one book per year was enough.
I have a similar reaction to Stephen King, though I'm not sure why. I really loved The Stand, but when it was over I knew that I wasn't going to read another of his works for a while.
At first, I thought this meant that I didn't like Stephen King and Margaret Atwood. Over time, I've come to realize and accept that I really like reading them, and there's no contradiction in needing to read other authors in between.
I am going through a similar process with young adult novels. I've read quite a few lately.
Additionally, I feel like I shouldn't like young adult literature anyway. For one thing, I'm too old. Undeniably, I often find the characters annoying. And everything is clearly explained to the reader.* As a teacher, I have perfectly satisfactory excuses for reading young adult fiction, but I suppose I should stop kidding myself. I just like a lot of these young adult novels.
Right now, young adult writers are very free to do what they want. I worry sometimes that too many authors stress over being derivative or unoriginal. Most of the best stories are stolen, and many great writers seem to excel at making people forget the source text. With young adult writers, they don't seem to be setting out to top their template stories. Instead, everything is an homage, an introduction, or a gateway for children to learn about those older templates. Since it's all for a good cause, it's not necessary to pretend like no one else wrote the story before.
(Or maybe the sorts of stories that I like to read are not marketing as well with mainstream writers. I don't know.)
In The Uglies, Scott Westerfield has fun introducing dystopian themes, weighing in on conformity and control.
Here's the premise: In the future, everything is provided for. Life is broken up into the following stages: cute littlies, awkward uglies (teens), gorgeous pretties, authoritative middle pretties, and late pretties. Thanks to a new surgical procedure, everyone gets to give up their ugly features when they turn 16. The result is a paradise, so everyone has to become pretty.
Although it means they'll always be ugly, some people choose to walk away from Omelas...
Not bad, eh? Unfortunately, the breakthrough surgical procedure reminded me too strongly of Unwind and the love triangle reminded me too much of Mockingjay. Westerfield resists the urge to use a first-person voice, and that was refreshing.
I've recently read quite a few dystopian young adult novels so I didn't enjoy The Uglies as much as I would have if I'd read it in 2011. It's my own fault, really.
Still, I've learned something about myself, which is good. Unashamed, I think the next young adult read for me will either be The Book Thief or City of Ember.
But I'm going to wait a couple months first.
*Gene Wolfe is the anti-coddler, in my opinion. He doesn't write young adult fiction, but I can't think of any writers that give their readers as much credit as Wolfe does.
I have a similar reaction to Stephen King, though I'm not sure why. I really loved The Stand, but when it was over I knew that I wasn't going to read another of his works for a while.
At first, I thought this meant that I didn't like Stephen King and Margaret Atwood. Over time, I've come to realize and accept that I really like reading them, and there's no contradiction in needing to read other authors in between.
I am going through a similar process with young adult novels. I've read quite a few lately.
Additionally, I feel like I shouldn't like young adult literature anyway. For one thing, I'm too old. Undeniably, I often find the characters annoying. And everything is clearly explained to the reader.* As a teacher, I have perfectly satisfactory excuses for reading young adult fiction, but I suppose I should stop kidding myself. I just like a lot of these young adult novels.
Right now, young adult writers are very free to do what they want. I worry sometimes that too many authors stress over being derivative or unoriginal. Most of the best stories are stolen, and many great writers seem to excel at making people forget the source text. With young adult writers, they don't seem to be setting out to top their template stories. Instead, everything is an homage, an introduction, or a gateway for children to learn about those older templates. Since it's all for a good cause, it's not necessary to pretend like no one else wrote the story before.
(Or maybe the sorts of stories that I like to read are not marketing as well with mainstream writers. I don't know.)
In The Uglies, Scott Westerfield has fun introducing dystopian themes, weighing in on conformity and control.
Here's the premise: In the future, everything is provided for. Life is broken up into the following stages: cute littlies, awkward uglies (teens), gorgeous pretties, authoritative middle pretties, and late pretties. Thanks to a new surgical procedure, everyone gets to give up their ugly features when they turn 16. The result is a paradise, so everyone has to become pretty.
Although it means they'll always be ugly, some people choose to walk away from Omelas...
Not bad, eh? Unfortunately, the breakthrough surgical procedure reminded me too strongly of Unwind and the love triangle reminded me too much of Mockingjay. Westerfield resists the urge to use a first-person voice, and that was refreshing.
I've recently read quite a few dystopian young adult novels so I didn't enjoy The Uglies as much as I would have if I'd read it in 2011. It's my own fault, really.
Still, I've learned something about myself, which is good. Unashamed, I think the next young adult read for me will either be The Book Thief or City of Ember.
But I'm going to wait a couple months first.
*Gene Wolfe is the anti-coddler, in my opinion. He doesn't write young adult fiction, but I can't think of any writers that give their readers as much credit as Wolfe does.
March 26, 2024
If I read the phrase “i guess so” one more time in the next book I’m never picking this series up again
December 14, 2011
Una novela impresionante que leí hace ya más de un año. Completamente recomendable, la introducción en un mundo completamente diferente y tan real que hace que la piel se me ponga de gallina con solo de pensarlo. Impresionante.
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