You know, I've always been skeptical of New Adult as a genre, probably because it never felt like anything relevant to my experiences. I was pleasantly surprised by this one, because the writing was so dark and funny, and the main character didn't feel like an overgrown/over-articulated teenager. Shay's written so maturely, and her history is already so dense that it's hard to believe she's only twenty-two.
The book's description doesn't do it justice, but it does highlight what I would say is the main flaw in the writing: Roccaforte often holds back information that's not really relevant to the plot, but that makes the characters make more sense, or that makes them resonate more. Especially during the introduction of our beefcake male characters, so many other details that ultimately ended up being irrelevant to the audience's relationship to them were pulled forward, that it was hard to follow how we were supposed to engage with them, and how Shay was engaging with them.
The focus on physical descriptions in their introductions, and their early scenes didn't really show them in enough dimension to make them feel like compelling romantic interests, in the first third or so. You can read that as my bias, since I don't think it's possible for the description of a man to make him attractive to me. That type of description is certainly not aimed at me. I was happy to find I could engage with them as people, as the story went on, and Roccaforte explored their distinct personalities more. But I would have preferred to see that from the beginning, if only because Shay already knows them, and engages with them that way, rather than the way you engage a handsome stranger at a coffee shop. It undermined the sense of her familiarity with them, in the beginning. Again, you can read that as my personal bias against thinking about guys' midsections. Personally, I enjoyed them more later, when the allusions to their physical studliness had taken second place to their disparate ways of handling things.
Though the relationships and characterizations ultimately end up making sense, it would have connected with me much more strongly had more of the backstory and exposition been placed earlier in the characters' appearances.
The beginning felt a bit bumpy, because of that. I was glad I stuck with it, though, because the story was quite fun when I got past that. Roccaforte is a writer catering to my own tastes (other than the beefcake); she's focused on witty dialogue and uniquely personal narration. I smiled through a lot of the caustic dialogue. I loved Shay's at times self destructively stupid outbursts. Even though I would have found many aspects of everyone's urge to protect her from herself, and help her through her current legal problems to be painfully claustrophobic, as she's written, she does too. I respect her for it.
At risk of spoiling anything, if you demand your plotlines be wrapped up with a pretty bow, you may enjoy Fine Lines more if you wait for book 2. The ending came very abruptly, and landed on a cliffhanger. There's a number of questions that must be answered in book 2 concerning minor characters, and the shape of the paranormal elements through the story. Roccaforte keeps you guessing, and at plays her hand close. Her writing is entertaining, and you'll want to spend more time with her characters, so the momentum should carry through well. Just- consider putting it on your to-read list for later, if you need a strong sense of resolution.
I'm looking forward to seeing what Roccaforte writes after she's finished with this series. I'm certainly not her target reader for this, but I would love to see her tackle a project with less focus on the constraints of writing loosely-genred romance. She writes wicked dialogue, and is downright funny, and I have to feel like her writing was a little restrained by the genre expectations, and the focus on immediate romance and attraction.