Originally published on Tales to Tide You Over
The Godborn suffered from the same issue I had with The Companions, that of too many main characters existing in distant locations scattered throughout the world. What made this issue a bigger deal for me in The Godborn was the lack of an overall goal. The shape of the story did not become clear to me until rather late in the book, an effect worsened by the characters having the same problem in that they were following a path laid on faith and cloaked in shadow so they were lucky if they could see the step right in front of them.
But if you’ve been following my reviewing patterns, you’d know that I don’t post about books I didn’t like.
The above is absolutely true. I struggled to keep track of all the characters, and most of the times the story switched from one person/group to another, I had to step out of the book to reorient myself and remember this particular piece of the overall tale. Others might be better able to track disparate pieces without a clear tie between then, but I often felt as though this were a middle book in the series and the reason I couldn’t see the ties would be explained by them being bridging conflicts to move the characters in place for the final one. I also, I admit, was keeping an eye out for the companions, who never show up.
So why did I go ahead and review this book if I hated it so much? The characters.
Kemp puts together a huge cast in which each character–bad, good, mixed, or unclear–has a very real and vibrant presence, even those who grace the pages for all too short a time. No matter how much I struggled with the narrative shifts, I couldn’t give up. I wanted to see what was happening with pretty much every character in the book. I wanted them to find redemption, have a moment of glory, survive, reach their goal, commit their crime–or more often wanted them to fail–and ultimately live out the arc they were given.
Even how I describe my issue with not seeing the shape of the story shows how much this book got under my skin. The play of light and shadow in physical and moral terms is crucial. Even better, though, Kemp avoids the traditional dark is bad, light is good sequence to provide a much more nuanced view.
And the moments of philosophy are beautiful. This ties back into the character strengths, but a few key characters, like Vasen, actively struggle with their path and what it means to be who they are, what they are, and who they came from. Their gods are present as active forces, though some exist only in the consequences of their previous destruction, and with these gods come belief systems, approaches, and philosophies that both guide and twist the characters.
The Godborn is not a simple adventure novel. It’s so much more than that while at the same time providing the adventure, the epic quests, and the traumas along the way. It says a lot for Kemp and this particular novel that I was captivated almost despite myself.
So, be forewarned and forearmed. This book is not a series of bridging conflicts. Everything that happens comes together in the end for a satisfying conclusion. You need to be patient with the structure if you’re a reader like I am, but that patience is rewarded with characters you can love and hate, sometimes in equal measure, and who make you want to see how their trials end.
P.S. I received this title from the publisher through Netgalley in return for an honest review.