✰ 3 stars ✰
“I guess. It’s like two artworks in one. But it’s not . . . worth anything. You could probably argue that it isn’t even art.”
“It’s still beautiful.”
Icarus shrugged. “It’s a job. My job, sometimes.”
Helios’s eyes were hard and dark when he faced him. “That doesn’t mean it’s worthless.”
K. Ancrum's Icarus is a character-driven portrait of seventeen-year-old high school senior who has followed in his father's footsteps of stealing precious artworks from a one Mr. Black's residence in the depths of the night - an art form they have got down to perfection. It is during one such planned heist that his plans do go awry when he unexpectedly stumbles upon another residence of his manor - his son, Helios, thus, opening up a whole other world of feelings and truths that he had never known before. And much like his namesake of ancient lore, there will come a time when Icarus will fly a little too close to the sun and where he has to decide if it is worth his own life or not.
“He was funny and outgoing, girls and guys liked him, he got invited to parties. He just wasn’t allowed to go.
It was lonely. He hated it.”
This line deeply resonated with me of how close it home to the school life I had growing up; how I grew up in a strict household, but it didn't mean that I didn't have friends. And as much as I wanted to have a social life - I just couldn't - that when I got home, I left behind all the drama, all the angst, all the conversations that I had lived that school day - 'he had never felt so lonely in his life.' 😔 Maybe that's why I turned to reading - a passion that isn't quite on the same wavelength as the art theft that Icarus dabbled with, but it made his own feelings of loneliness and hesitancy of interacting and the longing for interaction with his friends - matter to me more. 🪷
One of the major themes that Icarus explores is how vital friendship is in growing up - teenagers who can recognize the signs when something is wrong and express their concern - even when it may not feel like they aren't paying attention. 😥 Seeing Icarus' classmates care about his well-being jolted me with a memory of my own from my freshman year. When there were some troubles at home that were affecting me so deeply, a girl in my class - who, while we may have known each other since Nursery, we were never really quite friends - looked at me and noted how sad my eyes were and asked if I was okay.
Just as I was touched by my friend's concern for me, I do not fault Icarus for feeling overwhelmed by the kindness and consideration his friends gave him. It is in noticing the little things that shows how a friend cares - gives it's unmitigated support without ever asking. 🫂 He's never been on the receiving end of such kindness that he has to learn how to feel love and appreciated - that he is worthy of belonging. It is with their soft and tender affection of him that inadvertently strengthened Icarus' resolve to be more proactive in his efforts in saving Helios. 😟
“I was yours before we even met and I’ll be yours until we die.”
There is a certain wistfulness to the prose - not so much lyrical, but remorseful; a loneliness of time that has been lost to you. I know how that feels - missed opportunities and a longing of regret was what made Icarus a character that I empathize with. 'It’s not stupid, Icarus. That’s more than half your life that you can’t get back. That’s developmental opportunities ruined. You never got to be normal.' 😞 His outgoing mask is a facade to the desire for more - a yearning to break free that certainly does resonate with the Greek myth of how Icarus longed to fly to his freedom. The twisted irony here that I liked was how it was his father was as much responsible for his own imprisonment that made his story that much more tragic. 💔💔
But, I think for me, the character I was more drawn towards was Helios, who, in my opinion, had lost just as much time as Icarus had - someone who was almost preordained to be destined to be in Icarus' life without any basis of their own free will. It is this heartbreaking example of how sins of the fathers are visited on the hands of the children - where past grievances are still being acted upon. In that respect, their attraction for each other, albeit rather abrupt and sudden, did make sense. 😔 'If you’re such a good thief, then why haven’t you stolen me yet?' That they recognized in each other that shared burden - that need to reach out to someone who understands what they've been through - the emotional trauma and desire to be accepted. As Icarus inched closer towards him, I liked how their relationship deepened with each vulnerable touch, each tender and hopeful truth that defined the suppressed yearning in both of them. 🥺
Helios was - such a bright light - it hurts to think that he's unable to shine, except with Icarus. He taught Icarus so much about himself - this tenderness of affection paired with this fierce desire of understanding what want feels like. 🥹 Even when his own life holds no future - trapped in a darkness, Icarus gives him an escape that actually helped Icarus more than just him. 'Can I call you ‘my friend?’ It is heartbreaking how it takes seeing someone else's heart breaking for Icarus to finally allow himself to feel - to let his emotions and his own well-being matter - that they have both been hurting - both starving for affection, but choosing to ignore doing something about it, because no one existed to ever care about them - until now. ❤️🩹❤️🩹
“I don’t think home has the same impact unless you’re returning to it after a long time away.
The air is prickly with possibility, but the ground is magnetic and heavy. Going anywhere or doing anything feels like running in a dream. It’s an open-air prison.”
Despite the points that resonated with me, sadly there were some parts that didn't quite leave me satisfied. The story is told in short chapters - and I mean, really, really short chapters; this format of story-telling did not bother me in The Wicker King, where it was also previously used; this time, however, I think it affected the overall tone and pacing of the story. It did not grate on me that each moment felt like a break in time, it was that each chapter had a title - a title that, at some parts, did not really even apply to the happenings of the chapter, itself. Or maybe it was something I was unable to pick up on. 🤔
I was disappointed with how it concluded, with an equally rushed climax that didn't capture the same level of emotions that the build-up had. It was all very anti-climatic and rushed; most of all, the utter disregard Angus had about his son and the dismissive way Mr.Black in his violent abuse was treated frustrated me and angered me. It angered me a lot. The parting - the resolution - the eventual fall-out - it was so flat and uncaring that it really upset me. 😢 'Like Icarus being a sacrifice was an acceptable ending to any plan.' After all that trauma, after all the sacrifice, this was the way it was going to end? 😞 But, the part of me that hates myself as a reasonable reader argues with me that, in the smallest of ways, their reaction is very much similar and fitting to the Greek gods themselves...
When I reread The Wicker King earlier this year, I was confused as to why I had rated it so highly, when it was shaping up to be a read that deserved a much lower one. But, then that moment came which proved to me why it earned the rating it did. That moment never came here. I respect and appreciate the story the author wanted to convey, but that emotional train of feels that makes me invested in the character's relationship - sadly did not land with me this time around. I don't deny that it was a beautiful story, with a meaningful and relatable message, it just failed to capture me entirely. 😔