THE TWELFTH CARD (Lincoln Rhyme Book 6) BY JEFFERY DEAVER
MY REVIEW FOUR STARS****
I just finished reading this early installment of Deaver's LINCOLN RHYME series nearly a decade and a half since its publication in 2005. These notes are written during the July 2019 Heat Wave that has been crippling three quarters of the nation. This past Fall I decided that it might be interesting to focus on my favorite authors, reading their books again in the order of publication, not skipping the inevitable re-reads, but just alternating between the fictional heroes whose exploits I had loved in the past. Jeffery Deaver has been one of my all time favorite writers, so naturally reading all of the Lincoln Rhyme books was a must.
I re-read THE VANISHED MAN in May of this year, and then THE TWELFTH CARD was "up to bat", the sixth novel in order of publication. But, after reading the teaser description of the book on Amazon, I was all but convinced that it was destined to be one installment in the series that I simply wouldn't find interesting. The premise of a hit man targeting a young girl in Harlem not only didn't sound like it was NOT "right up my ally", but rather was far adrift of any number of assorted story lines that might have snagged my interest. Moreover, I always avoid "cold cases" when I watch true crime on ID. "Lincoln has to solve a cold case that's over 150 years old" I read in the Description, and thought to myself that I would just like to skip over this one.
That said, largely because of my OCD tendencies, I just couldn't force myself to NOT read this installment. In hindsight this worked in my favor, because I truly enjoyed this book. I would recommend it to any Deaver fan that may have somehow missed out on reading it when it was first published. Those readers who may not already BE Deaver fans, believe me when I say that he is one of the truly amazing authors writing today. This book is a good choice for inquisitive fans who are partial to the Mystery, Thriller, and Suspense genres.
It's been said that Deaver has the ability to draw the reader into the narrative essentially "right out of the gate", and THE TWELFTH CARD is no exception. Subsequent to the thwarted murder attempt at the library, our potential victim (an articulate young black teen named Geneva) finds herself in Lincoln's townhouse in Manhattan. Deaver's fictional (former Captain) Rhyme never disappoints. He works his scientific "magic" from the incredibly well equipped forensic lab assembled in his home, surrounded by his talented colleagues we have grown to know and care about from reading about his prior cases. I was quickly engaged by the detailed description of the investigative techniques, and the witty banter among Thom, Rhyme, Sachs, Lon, and Mel. The subject of the Tarot Card left at the crime scene in the library is introduced very early in the narrative. The author treats us to a cameo appearance by Cara [THE VANISHED MAN] to explain the meaning of the twelfth card in the Tarot deck (The Hanged Man). The interpretation of the card in a reading is explained to the group by Cara, and the underlying theme of (The Twelfth Card) underscores the intertwined plot lines in the novel.
"The Hanged Man does not refer to someone being punished. Its appearance in a reading indicates spiritual searching leading to a decision, a transition, a change of direction. The card often foretells a surrendering to experience, ending a struggle, accepting what is. When this card appears in your reading you must listen to your inner self, even if that message seems to be contrary to logic."
The Lincoln Rhyme series has to be among the most deceptively clever and adroit in the annals of contemporary crime fiction. I have read a large number of Deaver's works, to include his short stories, standalone books, and many of the Lincoln Rhyme novels. I am all too familiar with his uncanny ability to ratchet up tension and suspense, typically by placing a beloved character in harm's way, often Rhyme himself or his partner Sachs will be in imminent peril. I let the feelings of apprehension sweep over me while I simultaneously feel safe knowing there is an imaginary "safety net" all the while. I even allow myself a smile sometimes. I have often speculated that his total mastery of the short story format has provided him with what is an exceptional talent in crafting cliffhangers and remarkable plot twists in his novels. Despite my familiarity with Deaver's expertise in manipulating the narrative like Play-Do I fall into the his insidious traps nearly all the time. A reader can know and anticipate Deaver's antics, but when he pulls an unexpected plot twist out of his hat time and time again you just shake your head in wonder. For me to say that Deaver is a genius at misdirection is not overstating it. His novels are like rafting a patch of roiling whitewater but doing it with a virtual reality head set. You get the adrenaline rush and the excitement but without the risk.
He is a master story teller, manages POV changes smoothly, challenges the minds of his readers with numerous opportunities to learn new information about myriad topics, and delivers on his unspoken promise of a complex, tightly knit story with pulse pounding plot twists.
Kudos to Deaver are in order for several elements in this particular story, including but certainly not limited to, the creation of a truly intriguing and chilling contract killer in the character of Thompson Boyd (ice water in his veins, well versed in all lethal execution methods that matter, cool enough to take a nap in the seat of Old Sparky, comfortable with explosives to lethal gases but also a talented handyman when it comes to rigging booby traps and ways to kill)---and an especially exciting and memorable showdown between Sachs and the main villain is in store.
In addition, the underlying story of Rhyme's own painful wrestling with the meaning of The Hanged Man (as it pertained to his personal "crossroads") added depth and was quite memorable in that it added to the knowledge we have of Lincoln's character arc in the series.
I was ready to add that I personally enjoyed the back story that the author incorporated about series regular Detective Lon Sellitto. Other readers may not agree in that the author's fleshing out a peripheral character, series regular or not, takes away from the main protagonist's "screen time" so to speak. In most cases I would agree. However, this novel added to the knowledge we have about Rhyme and his character's arc as stated in preceding paragraph. The back story about Sellitto was not only interesting in its own right, but obviously was needed in order to help set up the later showdown between crack shot Amelia Sachs, caught without a bullet in a deadly shoot out with our "very bad man" Thompson Boyd.
The whole subject of increasing our knowledge and understanding of the main character's thoughts and motivations, or the author giving a series regular "more lines" in the book does bring up the question of is this a "standalone" book? I have noted questions from readers time and time again. They will read a book selection that is a part of a series with a particular protagonist and then ask whether they should start at the beginning (of the series) or can the novel be enjoyed on its own merit. I would respond to that question by answering "it depends". The Lincoln Rhyme book series is one that a reader could pluck out any one of the installments and enjoy the story. However, I DO believe that the level of enjoyment, understanding, and enlightenment relative to the hero and series regulars will be greatly enhanced by reading the series in order of publication. Rhyme's early relationship with the "Lethe Society" mentioned in this book is a case in point.
Finally, several authors insert what I like to call "teachable moments" in their novels, but this book by Deaver contained "a wealth of information"---an opportunity to learn about the art of "orawhistling", the topic of Tarot Cards, the history of Harlem in the 19th century, an illuminating retrospective on the Fourth Amendment, AAEV (African American English Vernacular), the correct spoken usage of Ebonics, and even tidbits like the fact that ‘Axe’ is just an Old-English version of ‘ask'. The reader also learns the mechanics of death by hanging, a lot about homemade explosives and the use of deadly gases in booby traps, not to mention the potential long term effects of carrying out the death penalty from the perspective of the prison employees who pull the switch. Only in a Lincoln Rhyme novel would you run across the fact that the composition of tears differ when they are shed as a result of emotion (happiness, a poignant movie) as opposed to resulting from stark fear and terror.
Caveats-Deaver's attempts to use the deviations from standard English in scenes of the book requiring self-reflection and dialogue...were distracting at times and interfered with the momentum of the narrative; frequent recaps of the white boards were unusually spacious in this one due to the multiple crime scenes.
The conclusion was not an unexpected twist for our targeted teenage girl in Harlem but was still rewarding in more ways than one, despite the poignant (albeit realistic) developments involving our young heroine's best friend Keisha. The scene with Rhyme and Sachs at the end of the novel, which provided closure relative to the meaning of The Twelfth Card (The Hanged Man) was more or less anticipated but especially memorable because of the manner in which it was revealed.