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322 pages, Paperback
First published April 1, 2014
Sing for Me shouldn't work as well as it does. A historically research piece about race, art, religion, immigrant culture, labor and class relations, gender, family, disability, and (perhaps most of all) the mythic place known as Chicago, the novel weaves together big and small ideas about place, period, and identity. The writer's experience and talent play a part in this book's success, but I think the key is the way every character, setting, and problem is witnessed with love.
I won't recap the story, in part because the small twists and turn deserve to be experienced with the innocence of the main character. This is, at heart, a coming of age story, defined by the rich multitude of interpretations one can give to the title itself. (A parent commanding "Sing for me." A lover asking "Sing for me." A religion that centers on a god invoking participants to "Sing for me." A woman growing into the ability to state that she sings "for me.")
The writing style of this book seems to grow more mature and confident as the story progresses. Perhaps this is an intentional mimicry of the heroine's path. Or perhaps this is the unintentional growth of a writer whose vision has expanded beyond, though not left behind, the young adult audience of her earlier works. In fact, one of the more perplexing things about Sing for Me is the way the industry has categorized it. In my book store, it was shelved among inspirational books, mainly Christian texts, including the Bible. This novel won't find the readership it deserves hidden there. It's a well-crafted, female-centered, history-rich tale of personal growth, suitable for young adults and not-so-young ones. Faith may be important to the story, and even the author, but it is not required of the reader.