Re-reading Freud's writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place. Vicky Lebeau takes Freud's preoccupation with femininity and feminine fantasy as her starting point and goes on to explore his differentiation between masculine and feminine forms of fantasy through feminist and critical theories of spectatorship and cinema. Investigating how psychoanalysis explains fantasy as a form of preoccupation which cuts across both 'private' and 'public' forms of fantasy, Lebeau links discussion of the female spectator with the so-called 'malaise' of today's mass culture through her close readings of three key 'youth' films of the 1980's - John Hughes' Ferris Bueller's Day Off , Francis Coppola's Rumble Fish and Tim Hunter's River's Edge . Lost Angels is a ground-breading addition to current feminist film theory and essential reading for all students of film.
Cinematic and literary analysis was very interesting and at times provocative, particularly the Easton Ellis and Rumble Fish sections; wish there was more of that and less clumpy Freudian psychobabble written in that irritating style of deliberate academic obscurity