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Israeli Cinema: East/West and the Politics of Representation

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When the Hebrew edition of this groundbreaking book came out, it provoked a stormy public debate. The author has now up-dated "Israeli Cinema", adding a substantial new postscript that reflects on the book's initial reception and points to exciting new trends in the cinematic representation of Israel and Palestine. Ella Shohat explores the cinema as a productive site of national culture, dating back to the early Zionist films about turn-of-the-century Palestine. She offers a deconstructionist reading of Zionism, viewing the cinema as itself participating in the 'invention' of the nation. Unthinking the Eurocentric imaginary of 'East versus West', Shohat highlights the paradoxes of an anomalous national/colonial project through a number of salient issues, including the Sabra figure as a negation of the 'Diaspora Jew', the iconography of the land of Israel as a denial of Palestine, and the narrative role of 'the good Arab'. The new postscript examines the emergence of a richly multiperspectival cinematic space that transcends earlier dichotomies through a palimpsestic and cross-border approach to Israel/Palestine.

392 pages, Paperback

First published January 1, 1989

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About the author

Ella Shohat

30 books43 followers
Ella Habiba Shohat (Arabic: إيلا حبيبة شوحط; born 1959) is Professor of Cultural Studies at New York University, and has taught, lectured and written extensively on issues having to do with Eurocentrism and Orientalism, as well as with postcolonial and transnational approaches to Cultural Studies. More specifically, since the 1980s she has developed critical approaches to the study of Arab Jews/Mizrahim in the context of Israel and Palestine. Born to a Baghdadi family, Ella Habiba Shohat defines herself as an Arab Jew.

Her writing has been translated into several languages, including: Arabic, Hebrew, Turkish, French, Spanish, Portuguese, German, Polish, and Italian. Shohat has also served on the editorial board of several journals, including: Social Text; Critique: Critical Middle Eastern Studies; Meridians: Feminism, Race, Transnationalism; Interventions: International Journal of Postcolonial Studies; and Middle East Journal of Culture and Communication. She is a recipient of such fellowships as Rockefeller and the Society for the Humanities at Cornell University, where she also taught at the School of Criticism and Theory. Recently she was awarded a Fulbright research / lectureship at the University of São Paulo, Brazil, for working on the cultural intersections between the Middle East and Latin America.

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