Shakespeare’s Visual Regime: Tragedy, Psychoanalysis and the Gaze

by Philip Armstrong

Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult.

257 pages, Hardcover

First published November 8, 2000

About the author

Professor of English