Steeped in Newfoundland’s unique folklore and superstitions, A Seal of Salvage is a coming-of-age novel about unrequited love between adolescent boys that slips between history and mythology. Set in 1950s rural outport Newfoundland and blending historical fiction with magic realism, A Seal of Salvage follows orphan Oliver Brown’s coming of age as a queer outsider. Oliver’s life in the small community of Salvage is overshadowed by lingering rumours about his mother, her mysterious past, and her untimely death. But as Oliver grows up, he experiences a remarkable series of events of mythic proportions. Stories of Oliver’s mother become entangled with the folklore of the people of the sea who live in the water as seals and come to land to find love as humans. While mostly unspoken, the speculations about Oliver’s bloodline become another excuse the town uses to marginalize him. A Seal of Salvage explores the space where the natural and supernatural meet, as well as how the stories people tell can be fashioned to justify their own prejudice.
I received an advance copy of this book to review for Atlantic Books Today, and I'm so glad I did. I adored this little book, which felt to me like the ocean packaged into paper. From the structure of the book, with the chapters flowing back and forth through time like the tide, to the rhythmic cadence of the sentences, the whole thing felt like a love letter to the ocean.
My one criticism is that for a book that bills itself as a story of unrequited love, the romance arc is actually quite minor. Oliver's fleeting relationship with Johnathan felt less important, to me, than much of the rest of the story, and I think it could have been explored a little deeper.
Full review to come in Atlantic Books Today. I loved this book, and I think it will stick with me for a long time.
A Seal of Salvage was a pure delight. Smith's writing so easily pulled images and emotions from my own memories of rural Newfoundland and its people. His poetic descriptions of the seascape transport you to places that feel familiar, like coastlines you have walked before, which makes it so easy to find yourself swept away in the mysticism of the story. Smith's intimate knowledge of the sea is so evident in his detailed descriptions of the boats, weather, and the choices characters make. It makes every part of his folktale all the more believable. Smith's love of the sea comes across so sincerely, at times it felt like a love letter to its sublimity. Universal themes of love, loss, and isolation are explored with intention and invest us in the narrative of the protagonist, Oliver. I rooted, mourned, and dreamt alongside him the entire read. Where other authors sometimes rely on the unidimensional trope of the rural Newfoundlander, Smith paints sincere portraits of characters who have been shaped by the charm and harshness of their rural existence. So much more good that could be said, but simply put this is a masterfully thought-out and polished piece of art from an author I am so excited to see more from in the coming years.
What can I even say. This book was mesmerizing. The story of Oliver Brown is heartbreaking and yet filled with beauty. A tale of love and loss, friendship and loneliness, family and lack there of.
A Seal of Salvage is a beautiful book, one full of folklore, town secrets, and the mystery surrounding a lonely boy named Oliver. Set in the small town of Salvage, Newfoundland, a sense of place radiates out of every well-chosen word. There's a hint of magic and whispers about Oliver's mother, a strange and seductive woman who appeared out of nowhere one day. I love a good selkie story and this one is so memorable. I know I'll be thinking about it for a long time.
"Truth doesnt have much to do with how things are. Its about what people choose to believe. Thats all that makes anything how anything is."
A Seal of Salvage does an incredible job at capturing the essence of the town of Salvage, its people, and despite being set 70-some years ago, the scenery as Oliver explored it and his life.
Such an incredibly written book that captures the feeling of growing up queer, isolated and lonely in rural Newfoundland. It was like a warm hug, so comforting and reminded me of my second home. The way characters spoke was so vivid I could imagine people I know saying it. (Specifically the sentence "The crowd down Eastport right used to ghosts or wha?" lol)
The ending was incredible. I flew through the last 50 pages so fast. Safe to say I will definitely be picking up Smiths next book!
4.5 stars Loved this little book A finely woven story, poetry in motion. A very satisfying read. A 5 star ending ! The punch: “ Truth doesn’t have much to do with how things are. It’s about what people choose to believe “ Looking forward to reading this author again!
I picked up this book because it promised a bit of small town drama, and some mythology elements as well. Selkies have always interested me ever since I first learned about them. The legend goes that selkie women would take off their seal skins and play as human women on the beaches. Then, men from the nearby towns, fisherman, and sailors, usually, would steal the skins and hide them away. The selkie women, trapped, with no way of returning to the sea, forced to become their wives and start a life on land. When they had a chance, whenever they found the seal skins again, they would take them, turn back into seals, and abandon their lives on land.
If you simply read the synopsis of this book, or are even familiar with selkies in mythology, it is incredibly obvious that Oliver Brown, the young main character of this novel, is a selkie (or is at least part selkie). So something that wasn’t too clear to me was why exactly it had to keep being teased. At around the 100 page mark, it still wasn’t fully revealed. It’s very confusing to me how this book was written, I truly think that it should have started with the old tale of selkies first, and then we would get introduced to Oliver much late in the book.
If I’m being completely honest, the beginning of this book is a bit of a slog. The only thing that saves it is the writing style and prose. While a good amount of events happen, about 3-4 chapters were dedicated solely to locals gossiping in a room over a cup of tea. If you like reading about that, then by all means, have fun with this book, but I found a good portion of it to just be skippable dialogue. I scanned most of these scenes, and found that it didn’t really affect the plot. I found a good portion of this book a bit boring at times, because other than Oliver saving Jonathan and Oliver learning about selkies for the first time, there’s not much else? I was more interested in the mythology more than anything, and it’s the reason why I picked this book up in the first place. But the wait to get there was very long, and not really worth it, in my opinion.
Oliver is fine as a character, he’s likeable and all that, but it’s hard to read about him without feeling sorry for him because everyone just hates him. Not a lot of thee other characters were too fleshed out either. I understand that this book is supposed to be like an oral retelling of Oliver’s story, and it does alright with that. This book does well for what it is, but I think it could have benefitted from being structured differently.
The positives of this book are: the writing style/prose, the folklore, the new words I learned, the visual imagery and scenes that this book evokes, and the pretty cover. But other than that? I think it’s a book with lost potential.
A Seal of Salvage is a beautifully written novel that wraps around you like a warm blanket on a cold winter morning. From the very first pages, I found myself completely immersed, not only in the vivid setting, but in the deeply human characters Smith brings so vividly to life.
Having grown up in a small town in Newfoundland myself, I saw pieces of my own experience reflected in Oliver. Anyone who grew up in a tight-knit community will recognize that feeling of both belonging and isolation, often at the same time. The traditional Newfoundland references felt authentic and comforting, and I loved encountering bits of slang and cultural details I hadn’t even known before. It felt less like reading a book and more like stepping back into a familiar place.
At its heart, this is a coming-of-age story, but one told with a fresh and welcoming twist. The folklore woven throughout the narrative adds a layer of magic and mystery that feels natural rather than forced, creating a story that stands apart from anything else I’ve read. It’s both grounded and enchanting in a way that lingers long after you close the book.
Reading Oliver's journey navigating a community he longs to belong to, while struggling to find his place as an outsider, was both heartbreaking and deeply inspiring. His growth feels earned, raw, and honest, making his journey incredibly impactful.
The writing itself is simply beautiful. Every sentence feels intentional, and I found myself hanging on to every word. Smith has a true gift for storytelling and a rare ability to create a rich and emotional world. This is the kind of book that doesn’t come around often, the kind that quietly stays with you long the final words.
While reading this book you would never say that this is Smith's debut novel, A Seal of Salvage is remarkably confident and assured. It’s clear that Smith is no stranger to storytelling, and this book is proof of that. By the time I reached the final page, I knew one thing for certain, I can’t wait to see what story he tells next.
Although a short book, it felt very whimsical to me and it certainly hit hard (especially the ending that made me gasp). I do wish we got more between Oliver and Johnathan but I do see what Smith was going for and he accomplished it well, I just wanted to see more heartfelt moments between them! The time jumps had me puzzled at first, but when he would reference Oliver’s age it meant sense. Besides the time jump confusion, Smith really can write. He understood the loneliness a queer person would experience in a small rural town, being excluded and made fun of, people not even looking at you, he captured it well. The dialogue was so accurate to how people talk and made me feel like I was there in the town. I absolutely loved all the descriptions and the storytelling and the folk tales told in this book, it was very magical. It brought Salvage and Newfoundland to life. This was such a sweet yet sad book with great writing, I can’t wait to read what Smith writes next.
The book of the year?! The sweetest and most heartbreaking tale about a gay, seal boy who is trying to find purpose and identity in a small, Newfoundland community that hasn't progressed beyond its conservative values.
Wow! I love this book .. all I can say is I want more. The way the author captures stories the history of tales and their influence on the small isolated village of Salvage, brings to life the importance of the stories, which are always deep in peoples understandings of life's mysteries. The author tells of feelings and Oliver's thoughts and the love he has, in a way that resonates with the readers feelings. He captures emotions perfectly when describing Oliver's feeling different, ostracized. Descriptions of the events where Oliver’s extraordinary abilities are revealed leave the reader in wonder. As the story evolves both the readers and Oliver come to understand the evolving of one’s self awareness and the Selkie myth, and yet are left pondering. The author’s descriptions of Salvage weather, the shorelines, the rocks and the movement of the sea make it feel like we are there, not just reading about this awesome place.
This book is beautifully written. It leaves me with a true sense of awe, a respect and feeling of wonder for the history of people of Newfoundland and the outports and their spirit and many tales. Dianne B.
This entire review has been hidden because of spoilers.