In the early nineteenth century, Vuk Karadžić, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs. It was a monumental and unprecedented undertaking. Karadžić gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes. His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.
This edition of the songs offers the most complete and authoritative translations ever assembled in English. Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers. Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.
The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadžić, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection. The editors have selected the best known and most representative songs from each of the cycles. A complete biography is also provided.
Vuk Stefanović Karadžić was a philologist and linguist who was the major reformer of the Serbian language. He deserves, perhaps, for his collections of songs, fairy tales, and riddles, to be called the father of the study of Serbian folklore. He was also the author of the first Serbian dictionary in the new reformed language. In addition, he translated the New Testament into the reformed form of the Serbian spelling and language.
Karadžić held the view that all South Slavs that speak the Shtokavian dialect were Serbs or of Serbian origin and considered all of them to speak the Serbian language. This view is today a matter of dispute among scientists.
He was well known abroad and familiar to Jacob Grimm, Johann Wolfgang von Goethe and historian Leopold von Ranke. Karadžić was the primary source for Ranke's Die serbische Revolution (The Serbian Revolution), written in 1829.
The oral epics included by Mihailovich and Holton in this collection of the songs of Serbia is fantastic. In addition to capturing the desterci meter of various songs, the editors annotated the text with footnotes to provide historical and social information concerning the South Slavs. Overall this work exhibits the excellent scholarship of Vuk Karadzic concerning his collection of South Slavic oral epics.