I keep puzzling over the besotted New York Herald Tribune's reviewer who called Lee Olds "the pioneer of a new post-beatnik generation." What does that mean? Too Much Sun was published in 1960, so, yes, we are past the prime beatnik days of the 'Fifties. Also published in 1960 were To Kill a Mockingbird by Harper Lee, Green Eggs and Ham by Dr. Seuss, Island of the Blue Dolphins by Scott O'Dell and a whole bunch of books that nobody would call post-anything.
The post-beatnik label is probably intended to indicate that Lee Olds has incorporated but also moved beyond beatnik writing. I dunno. I see a lot of Kerouac in the prose style, and I see rebellion from his upbringing, and a lot of heedless rushing into things and examining society from the underside. There's jazz and alcohol. Very beatnik. Or simply very young. Which can be good or bad, depending. There's excellent writing in here, scenes that touched me, passion, sensitivity. And also idiotic behavior, which is true to life.
First novels are often autobiographical. This one is about Barry, a kid who runs away from his rich family and lives down-and-out in Alaska. And then here's author Lee Olds describing his own life: “Grew up in mansion of rich parents, made honor roll plus athletic plaudits in prep school I detested and was asked to leave at year's end. Went to work, traveled to Alaska, Got B.A. from Cal Berkeley, M.A. in philosophy from SF State."
The novel ends with Barry the protagonist still in Alaska. If the book had continued -- if Barry had moved on to Cal Berkeley -- I would've had the feeling he'd learned something (as the author Lee Olds obviously did). Instead, I end with the feeling that our protagonist continues to be a confused and callow bastard looking for kicks.