3/5 Stars
TL;DR - An interesting and intimate look at bipolar disorder through the eyes of the scholarly magician that lives with it. Complex, flawed characters in a magical and highly political world. Sadly lacking in world-building, but intriguing nonetheless.
Big thanks to Red Hen Press/Canis Major Books and NetGalley for providing the ARC for this book in exchange for an honest review!
***Trigger warnings for deep POV of a character with bipolar disorder, suicidal ideation, and drug use.***
‘Cursebreakers’ by Madeleine Nakamura is the story of Adrien Desfourneaux, a professor of magic trying desperately to outrun the mistakes of his past, while trying to contend with the struggles of bipolar disorder. He narrates to us - with wit and dry charm - his journey from mild-mannered professor minding his own business to unwitting pawn in a conspiracy that reaches to the highest levels of his city’s government. There's magic, there’s mystery, and a whole lot of deep POV that tackles the ups and downs of living with a mental illness.
I’m all here for magical academia, that is, when there’s actual collegiate academics involved and not just magic high school. I was excited and intrigued by the blurb, but honestly, I came away with mixed feelings.
First, the good:
The prose is clean and concise, and there are a lot of really good lines that I highlighted and thought about before continuing. Nothing especially groundbreaking, but many of them were reflections on mental illness that really resonated with me.
Adrien is an interesting and complex character, who also happens to fill out one of my absolute favorite archetypes - the sad, soft magic boi. I don’t know much at all about bipolar disorder, so I can’t comment on the accuracy of the depiction, but I do struggle with some of the other things he does, like depression, shame, and suicidal ideation, and I found that representation relatable. He makes dumb choices, he can be prickly and cruel, but all around, I found him endearingly human.
Gennady happens to be another of my favorite archetypes, the golden retriever himbo who can break spines with his bare hands, and I enjoyed him whenever he was on page. I’m not sure exactly what flavor of neuro-spicy he’s supposed to be, but I empathized with his struggles, at least what little we got to see of them.
Malise and Casmir are equally as interesting, if a bit less fleshed out, and I really appreciated that Adrien had such good friends to fall back on, even if their relationships are strained at times.
Most of the main cast is queer and I’m always here for that, especially the gay/lesbian solidarity between Adrien and Malise. It’s treated as no big deal within the world, and there was no homophobia I could see, and I really appreciated that the author let queers be queers. More of that, please!
Those praises aired, I have a few main complaints:
There is very little world-building. A lot of names and terms are thrown at us, and while many are explained, it’s only in passing and we’re left to glean a lot from context clues. And honestly, I had the hardest time imagining the world. There are few descriptions that give a real-world parallel to draw from, and I found it frustrating when trying to get a feel for the world. If I was hard-pressed to nail it down, I would cautiously say it’s Victorian-era inspired, what with carriages and electric lights being relatively new. Other than that, there’s not a whole lot to go on, which is a real shame, because the book could have been so much more atmospheric if it was more fleshed out.
In the same vein, there’s very little explained about the magic system. It’s roughly elemental in nature, with the main characters having domains over electricity, ice, earth, etc, and it seems like most magicians can heal people if properly trained, regardless of their domain. We know that there are those with magic and those without, that magic users have to attend school before they’re legally allowed to practice magic, and that there’s a whole branch of the government dedicated to keeping them in line. That’s really it. Adrien has a lot of extra abilities that we get little explanation for, and even the magical curse doesn’t get explained in any satisfying detail.
Overall, the plot is engaging at surface level, but it really feels devoid of tension. Yes, there are personal stakes for Adrien and his friends and those for the world at large, but even the ever-present danger doesn’t feel all that dangerous. There’s a big battle at the end, but it’s really not all that big, and it’s over in a few pages without much satisfying buildup or falling action. The pieces were all there, but they weren’t arranged in a way that made for a satisfying plot arc for me.
The antagonists are pretty one-dimensional, and while their cause is understandable, there’s not a lot of build-up or justification for why they’re taking such drastic measures. We’re told why, but we’re never shown in a way that makes their grievances anything more than the surface-level “non-magic users treat us bad so we want revenge” trope. A missed opportunity for a deeper discussion on fear and othering within governmental and societal structures, in my opinion.
Final Thoughts:
This book had so much potential, but it ultimately didn’t live up to it. I really would have read another 100-200 pages if it meant the world and the secondary/tertiary characters were more fleshed out. It’s a solid 3 stars, better than most but not quite good enough for me to add a physical copy to my shelf.