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InuYasha Ani-Manga #19
Inuyasha: Ani-Manga, Vol. 19
Pulled back in time to Japan's ancient past, Japanese high school girl Kagome finds her destiny linked to a doglike half-demon named Inu-Yasha, who remembers Kagome's previous incarnation as the woman who killed him - and to the Shikon Jewel, or "Jewel of Four Souls," which can fulfill the greatest dreams of any man or monster. Now Kagome and Inu-Yasha must work together to search for the scattered shards of the jewel before everyone's nightmares are given the power the need to come true.
216 pages, Paperback
Published February 13, 2007
1 person is currently reading
178 people want to read
About the author
Rumiko Takahashi
1,596 books2,157 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 4 of 4 reviews
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May 2, 2012Michelle Kwait
Graphic Novel
(SPOILER ALERT)
Summary:
Inuyasha, Kagome, Shippo, Miroku, and Sango continue their adventure to retrieve the sacred jewel shards. The book is separated into three chapters (or episodes), the first being Shippo's love interest (where he and Inuyasha defeat an exorcised demon), the second a development of the relationship between Sango and Miroku (where Miroku overcomes his nature of... well, hitting on women, and rescues a princess), and finally, the last chapter, where the reader leaves Inuyasha smashed into the floor, and the rest of the companions trapped in a miniature world(this devised by an evil Sage, the residents are harbored for their spiritual power, and fed to a demon tree, who promises the fruit of longevity).
Critique:
This was my first experience with manga-- so once I figured out how to read it properly (I always knew it was backwards, but you read right to left, top down... I think...) it was actually really good. I wish I had started with the first one, so I would have fully understood this book-- but it wasn't available.
Graphic Novel
(SPOILER ALERT)
Summary:
Inuyasha, Kagome, Shippo, Miroku, and Sango continue their adventure to retrieve the sacred jewel shards. The book is separated into three chapters (or episodes), the first being Shippo's love interest (where he and Inuyasha defeat an exorcised demon), the second a development of the relationship between Sango and Miroku (where Miroku overcomes his nature of... well, hitting on women, and rescues a princess), and finally, the last chapter, where the reader leaves Inuyasha smashed into the floor, and the rest of the companions trapped in a miniature world(this devised by an evil Sage, the residents are harbored for their spiritual power, and fed to a demon tree, who promises the fruit of longevity).
Critique:
This was my first experience with manga-- so once I figured out how to read it properly (I always knew it was backwards, but you read right to left, top down... I think...) it was actually really good. I wish I had started with the first one, so I would have fully understood this book-- but it wasn't available.
January 12, 2016
What first drew me to this series was the romantic historical aspect. I loved how a modern day girl gets pulled back into the past. I don't know what it is about those stories that attract me so much, maybe it is the difficulty for the girl of fitting in and having to rely on the guy so much to be able to get along in the world.
I also really liked the group aspect to this series and the corresponding relationships that affect each of the characters.
I would really recommend this series to fans of Red River, it has a lot of the same concepts.
I also really liked the group aspect to this series and the corresponding relationships that affect each of the characters.
I would really recommend this series to fans of Red River, it has a lot of the same concepts.
Read
July 5, 2010F TAK ani-manga v.19
January 22, 2011
i never read this in order
Displaying 1 - 4 of 4 reviews