What a fantastic surprise this was. I downloaded it from Audible because--and I know I'm about to lose any respect you still hold for me--it was a freebie. Hey, I was out of credits. Sue me.
First, the WRITING. Holy hell, Sims can write. This is funny, literate, snarky, sharp, original. Here are a few examples that snagged me hard, but I could give you dozens of others:
Describing an excruciatingly ongoing breakup: "It was like dissecting a moth with a chainsaw. The air in our apartment was filled with words, exclamation points, sentences."
"My rabbit Todd had the run of the place and the good sense not to blow it."
"His dead-hamster hairpiece loomed in my office doorway."
Second, the plot. Yeah, it's the story of an out of work reporter who solves a series of murders, blah blah. But that is where the tropes end. The two detectives on the case don't want Lillian meddling, but they're sympathetic, and they don't automatically throw her in jail every time she ends up in a compromising situation, which, by the by, is often. The tale of why she's unemployed is razor sharp, hilariously told, and all too real. (You're gonna hate Bucky's guts. Show of hands if your life is cursed with a Bucky or two of your own. *raises hand*) Through her internal dialog, we learn bits and pieces of her life, how she became who she is. All of it is compelling, often funny, and always relatable.
Third, the characters and setting. I love Detroit. My son lived there for 3 years, and we looked forward to visiting him there, trying all the funky ethnic eateries on sketchy side streets, soaking up the ambience of broken concrete and stubborn pride. Lillian is a native, and you feel the city like a supporting character, nurturing and sheltering, even as she acknowledges the crime rate and down-at-heel neighborhoods. When she's confronted by a knife wielding mugger, walks away unscathed, then calmly goes on in and orders enchiladas "at that great enchilada place by the bridge. Nobody knows its name, but everybody knows where you mean", her faith in her beloved Detroit is palpable.
Lillian is gay, but the author doesn't make this story all about the fact that LILLIAN IS GAY. Her sexuality is not a plot device, a gimmick, or a political statement. She just ... is, naturally and as part of how she sees and interacts with the world, the way any hetero character is portrayed without making a big deal out of sexual or gender identity. Imagine Elizabeth Bennett stewing over whether it's natural for her to be attracted to a MAN, oh my pearl clutching good gracious!
Holy Hell is peppered with memorable side characters, from Billie the pet whisperer to Lou, the woman who just won't take 'no' for an answer.
Finally, the narration. Dina Pearlman, as it happens, narrates my novels, so while I'm biased, her sassy, sometimes snarky, always crisp delivery truly is the perfect voice for Lillian, as our hero slogs her way from one scrape to the next. I mean, Holy Hell, read this book. You're welcome.