This addition to the Matter of Britain is an omnibus volume of the first two (of four) novels in Diana L. Paxson's Hallowed Isle series. The first novel begins in the chaos of early fifth century the Roman legions have left, and the Romano-British aristocracy, along with various Picts and Scotti, and a few assorted Teutonic tribes, are circling the power vacuum like vultures. The heart of the matter is, of course, Arthur (or Artor, as he is known here). Paxson surrounds Artor with all the usual suspects--Cei, Merlin, Betiver and so on--and sends him down the by-now standard path to his destiny. Her Once and Future King is smart and likeable, has equally good sword and people skills, and loves to infuse his followers with his own personal vision of peace, unity, and civility for all. Where Paxson departs from the usual fare is in her consideration of the Saxons (and Angles and Jutes and Frisians, etc.) as people with their own goals and beliefs and lives, rather than as stock barbarians who exist only to destroy what is left of Roman civilization. The sword and spear of the novel titles are totemic objects of the Romano-Britains (in particular Artor), and the Teutonic Myrgings (in the person of Oesc) humming with fantasical properties and mystical significance. Paxson uses them to full effect. There are battles (of will, of weapons, of religion), prophecies, and lots of intriguing historical tidbits. The author has obviously done her homework, and equally obviously relishes immersing her characters, and readers, in the dirt and poverty and epic heroism of a still not well-understood age. --Luc Duplessis
Diana L. Paxson (born 1943) is a novelist and author of nonfiction, primarily in the fields of Paganism and Heathenism. Her published works include fantasy and historical fiction novels, as well as numerous short stories. More recently she has also published nonfiction books about Pagan and Heathen religions and practices.
In addition to her multiple novels and collaborations, she has written over seventy short stories. Her best-known works are the Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then took over sole authorship of after Bradley's death.
Paxson was nominated for the Mythopoeic Fantasy Awards twice, in 1989 for the "White Raven" and in 1983 for "Lady of Light".
Paxson's non-fiction books include Taking Up the Runes, Essential Asatru, and Trance-Portation. She writes a regular column for the women's spirituality magazine, Sagewoman.
Paxson has been active in the leadership of a number of organizations. She hosted the first activities of the Society for Creative Anachronism, and was subsequently among that group's founding Directors and Corporate Officers when it incorporated[1]. She was the western regional director of the Science Fiction & Fantasy Writers of America, and is a frequent panelist at science fiction conventions, especially Baycon, where she was the 2007 Fantasy Guest of Honor.
A leader in the Neopagan and Heathen revivals, Paxson is the founder of the The Fellowship of the Spiral Path and has served as First Officer of the Covenant of the Goddess. She has been Steerswoman of the Heathen group, The Troth, a member of its Board of Directors, and currently edits its journal, Idunna. She is a pioneer in the revival of Oracular Seidh, which she has taught and performed at many Neopagan and heathen festivals and retreats.
She composes and plays music for the harp. She currently lives at her home, Greyhaven, in Berkeley, California.
I think that this book is best read as a parable instead of as a novel. It’s a good retelling of the classic Arthurian tale and I enjoyed the changes that Paxson made to add historical and Celtic spirituality significance to it. However, the characters were never really fleshed out and felt one dimensional. The writing was was done but also felt like I was reading a bible story at times because it never went too deep.
This was a very brief book. It reads almost like a historical record: lots of names (she went with the Roman names for this one) of places, status, etc. In Paxson fashion, she has done a lot of research for the topic. The story is basically the story of the Sword in the Stone: the events leading up to Arthur (Artor) becoming king. The characters don't have depth and the worldbuilding is a minimum, lots of places named, but very little to describe them. She was mainly just getting to the events via the characters. If this were a tv show, it'd be an episode in an anthology about Arthurian legend. Short, to the point, and basically a history lesson about the power vacuume left behind in Britain after the Romans have left. I can see much of the stuff here and how it went to eventually inspire her later Avalon books: Sword of Avalon, Priestess of Avalon and Ravens of Avalon. Also, her close relationship with Marion Zimmer Bradley is very evident. She hints at the magic of Avalon having come from the Atlantic (Atlantis), and the focus is about the pagan religions striving to survive the tide of Christianity. Overal, 3/5, mostly points just for the history.
While well researched, the characters are flat, and if there were any interesting themes in the story, I missed them. I liked how the magic was very thought out, and I liked the idea of Merlin, having all these crisis. If he'd had a personality, he could have been a great character. Often, I didn't get why the characters acted the way they did. I like the few modern fantasy novels from Paxon that I've read, but so far all of her historical fantasy bored me.
Kurzweilige Geschichte mit spannenden Verbindungen zu echten Ereignissen. Zum Teil ein bisschen oberflächlich geschrieben, so das man sich nie wirklich in einen Charakter verlieben kann oder wirklich mit fiebert. Liegt, aber vielleicht auch daran, dass der Ausgang der Geschichte bereits am Anfang bekannt war.
I wrote this in 2008: Arthurian series with a unique representation: 'Paxson departs from the usual fare is in her consideration of the Saxons as people with their own goals and beliefs and lives, rather than as stock barbarians who exist only to destroy what is left of Roman civilization'.
I am very much looking forward to reading these novels. I've read Ms. Paxson before and like her style. As Marion Zimmer Bradley's sister in law and most trusted friend, she's worked on the Avalon series with Marion.
Today: So far, I've read nothing in regards to a unique representation nor any consideration of the Saxons. This is straightforward traditional Arthurian novel, the same as so many others. 3 more books to go in the series, and hopefully, I'll get what I bought this series for, something unique.
Many may say that this is just another King Arthur story, but in my opinion, it's not. It's really about the Sword. Yeah, it does tell the story of the origins of Merlin (Ambros) and Arthur (Artur), but the Sword is behind those stories, and is the star of the show more than once. A wonderfully told tale, Diana Paxson is one of the best when it comes to this. Good read.
really having a hard time deciding what I think about this book. I like that it is a different take on the Arthur legend, with more of an emphasis on the magic of the sword itself, but the writing is rough and unsatisfying.
I enjoyed this different perspective of the Arthurian tale, and am already gobbling up the "Spear" book two of the 4-book set. I like Diana Paxson's writing. I love this type of historical fantasy, and I am a huge Arthurian fan. I am enjoying the series very much.
I liked this book - it started earlier than usual in the author legend, with Merlin's birth. Not a common angle, but familiar enough to satisfy Authorian legend fans.