There is no life without water. Burtynsky's new and highly anticipated book Water tells us the story of where water comes from, how we use it, distribute and waste it. Often using a bird's-eye perspective, the photographer shows us its remote sources, remarkable ancient step-wells and mass bathing rituals, the transformation of desert into cities with waterfronts on each doorstep, the compromised landscapes of the American Southwest. Furthermore, Burtynsky explores the infrastructure of water management: the gigantic hydroelectric dams and terraced rice fields in the heart of China, the vast irrigation systems of America's bread basket and the use of aquaculture.
The colour photographs in this book are poetic and at the same time highly relevant: they reveal another vital component of our life on earth that drives the bloom of civilization, and foreshadow the extent to which our future depends on our everyday behaviour in dealing with this increasingly scarce resource.
Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Burtynsky's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.
Burtynsky was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).
In 1985, Burtynsky founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.
Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Burtynsky’s hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.
Exhibitions include: The Great Acceleration at New York’s International Center of Photography (2025); BURTYNSKY: Extraction/Abstraction which premiered at London’s Saatchi Gallery (February 2024) before touring to M9 in Mestre, Italy; Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Burtynsky's visually compelling works are currently being exhibited in solo and group exhibitions around the globe.
An incredible achievement. The aerial photography is complemented with contextual information including essays and thorough descriptions of location. For anyone fascinated with water on a global scale, this is the book to peruse.
Magnifique photographie de Edward Burtynsky de la beauté brut, et brutal de utilisation de l'eau par l'homme,ainsi que l'immense modification de la topographie, de la biosphère : L’Anthropocène... commentaire et information intéressante et approprier de russell lord et wade davis