The Pomegranate Gate is a fantasy novel interwoven with Jewish folklore and elements of the Spanish Inquisition. The book is told predominantly from the perspectives of a young woman, Toba Peres, and a young man, Naftaly Cresques.
Toba has always been sickly, unable to shout or run without becoming fatigued, but she loves helping her grandfather translate books–she knows several languages and is even capable of writing with both hands, in two different languages. Though this ability is something she keeps hidden because her grandparents do not want her to attract any unwanted attention, especially in these times in which the book is set.
Naftaly is the son of a tailor, expected to carry on the family business. Unfortunately for him, he is extremely bad at tailoring. Naftaly also has vivid, bizarre, and often clairvoyant dreams–a trait Naftaly’s father also shares, but refuses to discuss with Naftaly, no matter how troubling the dreams are.
The book opens with Toba’s and Naftaly’s community in turmoil after the Queen (who I don’t recall ever being named) decrees that every Jew in the country must either convert, or be banished and forfeit all of their possessions. They are among the thousands of Jews who flee their home, joining a caravan out of the country.
Toba and Naftaly each covertly take one possession with them, however, in defiance of the decree. Toba has an amulet that her grandparents have warned her to never take off for her own protection, and Naftaly has a book that has been in his family for generations and which his father has forbidden him to ever open or read. Toba becomes separated from the caravan and Naftaly, being the honorable and heroic type, attempts to go after her, finding that Toba has disappeared into the woods.
Toba, meanwhile, has stumbled into a pomegranate grove that leads to the mirror realm (series name!), where she meets the mythical Mazik, immortal and magically powerful beings who are embroiled in an Inquisition in their own world.
As the story progresses, Toba and Naftaly learn more about the Mazik, the connection to their respective family heirlooms, and the threat that the Inquisitions in each world pose. There are also chapters from the perspectives of Toba’s grandmother, Elena, and a mysterious figure known as The Courser.
The Pomegranate Gate does switch perspectives with each chapter, which was overwhelming to me at first, but ultimately necessary given that we are following events in two different worlds. The Courser’s chapters were especially cryptic at first, and so few and far between that I completely forgot about this character a couple of times. However, things do come together at the end and the payoff is worth it.
I loved the overlay of Jewish folklore onto a fantasy world, which is not something I have seen very often. The Mazik that Toba encounters were some of my favorite characters because they had such distinctive personalities. I also loved the character of The Old Woman (honestly, this is how the book refers to her exclusively) because she was such a great source of sarcastic, crotchety comic relief.
The Pomegranate Gate is definitely the first installment in a larger series, because there are still a number of unresolved questions and plot points (about which I have concocted some of my own, probably wrong, theories). I am eagerly awaiting the next installment!
I would definitely recommend The Pomegranate Gate to anyone who likes intricate fantasy novels, has an interest in Jewish folklore, or enjoys complicated characters who sometimes make questionable ethical choices.
I also want to thank Kensington Books, Erewhon Books, and NetGalley for providing me with an ebook copy in exchange for my honest feedback.