What do you think?
Rate this book


352 pages, Kindle Edition
First published July 2, 2013
This part of the story is thus about finding the would-be murderer and thwarting them. Events unfold over a mere day and a half, with the bulk of the book being taken up with Thomas and Cat’s remembrances of their time in India and how they fell in love. I like the use of flashback as a literary device, and it is handled very well here. The interludes are well placed and I never felt as though the flow of the story was interrupted.
In India, Thomas and Cat are inexorably drawn towards each other – Thomas knowing all the while that he is risking exposure because of course, a Sikh horse-trader could have nothing to do with a British memsahib. But her pull is so strong that even a seasoned spy like Thomas can’t stop himself from showing her more attention than he should, even as he tries to disguise his interest in her. I really enjoyed the way their romance was developed. It was clear from the outset that there was much more to it than physical attraction or insta-lust, and that here were two lonely people who were somehow two halves of the same whole. Thomas’ false identity prevents him from wooing Cat as he would were he “himself”, and Ms Essex has skilfully written a slow-burning and tender courtship with an underlying intensity which stems from Tanvir/Thomas’ very proper behaviour towards her. The author’s use of formal language is both appropriate and rather beautiful; Thomas’ disguise as Tanvir gives her the opportunity to embellish his speech in a way that feels simultaneously formal yet very sensuous.
Thomas is a man who knows what he wants, which is one of the things that I loved about him. He falls hard for Cat and doesn’t try to fight it, even though he knows that the only way to be with her is to turn his life upside down and leave India. Unlike many heroes in historical romance, Thomas isn’t a commitment-phobe, and he’s ready to make such a huge change and settle down, which adds greatly to his overall appeal.
Cat is a woman surrounded by secrets. Even at the age of twenty (when Thomas meets her for the first time) she is carrying a burden of guilt which led her to flee her homeland under a cloud and her return to England seems to have taken place under similar conditions. The British community in Saharanpur believes her to be responsible for a fire at the Summers’ residence which killed her aunt and uncle on the night before she left, and she knows that whoever is out to kill her is seeking to secure her silence about what really happened there.
The way the story plays out is well planned and very well executed. The two protagonists are strongly characterised – Thomas especially – and I particularly liked the way Ms Essex commented upon the political situation of the time, and the corrupt nature of the power enjoyed by the East India Company and its employees. Her depiction of the ex-patriot community as a bunch of discontented backstabbers felt completely right as the matrons disdained Catriona’s desire to soak up as much as she could of the local culture.
I found Scandal in the Night to be a very entertaining and well-written novel . I loved the setting and was impressed by the attention given by the author to the historical and political detail. The romance was tender and heartfelt and the thriller element worked well. I will admit that I wasn’t too enthusiastic about the dénouement, but by that point, I was so caught up in the story and with rooting for Cat and Thomas to finally get their HEA, that I was happy to watch things play out and turned the final page with that feeling of satisfaction that comes with reaching the end of a thoroughly enjoyable book.
""We're neither of us saints, Catriona."
This was the thing. This was that indescribable feeling, the connection, that had called to him from the very first moment he saw her---his soul had recognized its other half."