The last Daredevil run started well, picking up from the post-Wire approach the Netflix series had, then squandered. But it then collapsed sufficiently that I never read the final volumes, and similarly, the last thing I read from incoming writer Saladin Ahmed, the atrocious Terrorwar, suggested that his early promise was now MIA. Factor in the terrible blurb ("Daredevil Is Born Again All Over Again!) and a recap page offering the Palpatinesque "Recently, Matt somehow returned to life with no memory of his past adventures", and the auguries here were not good. But despite all that, despite the inadvertent comedy of the scene where Matt puts the Daredevil suit on again for the first time - and then immediately has to take it off because someone's at the door, before promptly changing yet again - this at once feels like a very old-school Marvel comic, and manages to find a new angle which doesn't just feel like an exhausted reshuffle of the familiar IP counters.
Lately the blog House To Astonish has been running through DD's early years, and the various attempts to find the character a set-up that would work, and you could almost believe this as another of those; even in the sixties Matt was returning from apparent death with a bit of a rejig. This time, it's as a priest running an orphanage, which itself feels weirdly old-fashioned, especially when even the nasty rumours threatening to get the place closed down are that he's been teaching the kids to steal for him - this must surely be the first story in a long while where there's a Catholic priest with a house full of children and nobody draws what on our Earth would be the obvious conclusion. Beyond that charming/bizarre innocence, there are little details in the telling which also feel retro, like each issue quietly recapping the story and stakes within its pages, meaning that however much death and police corruption we might see, the mood is never altogether modern Marvel. And even the big new idea is one that feels like it should have come up sooner. Daredevil is usually a street-level book or else, when it leans mystical, it does so with undead ninja cult malarkey. Despite the lead being a devout Catholic, the only time I can remember it using that for occult purposes, a basis for a metaphysical rather than just a moral framework, was in Kevin Smith & Joe Quesada's Guardian Devil - where it turned out to be a feint. So having an ordained Matt casting Christian devils out of his supporting cast... that's new, without being random. I'm not wholly convinced it works, but Aaron Kuder has found a visual approach that helps sell it, and it feels right enough that for now I'm interested to see where it goes from here.