As Dr. Burridge notes, the Gospels have the form of Greco-Roman biography. While this genre is significantly different from modern biography, both genres share a similar goal, a portrait of the person featured in the biography, and no two biographies of the same person will portray that person in the same way. Dr. Burridge uses the illustration of four portraits of Winston Churchill:
• Churchill in conference with his allies during World War II
• Tee-time at Chartwell, 29 August 1927
• Churchill visiting the soldiers during World War II
• Churchill on holiday in Switzerland in 1946
Each portrait reveals a different aspect of the exact same man. Although the presentations are different, there is no contradiction. In like manner, each of the four Gospels presents Jesus’ ministry, sometimes the exact same events, from a different point of view. For this reason, it is inappropriate to jump to the conclusion that differences between the Gospels constitute a contradiction. That said, such differences warrant further investigation. They might represent evidence for eyewitness testimony, editorial choices by the Gospel writers, etc.
The early church settled on a different image for each Gospel, each one based on one of the faces of the four living beings of Ezekiel 1, a man for Matthew, a lion for Mark, an ox for Luke and an eagle for John. In a semi-literate society where most Christians would have lacked access to written scriptures, these images served as a teaching aid and Dr. Burridge follows the metaphor of each image as he discusses each Gospel.
Dr. Burridge starts out with Mark, possibly because of the consensus view of Markan priority, that Mark was the first gospel written and that Mark was used as a source by both Matthew and Luke. Like a bounding lion, Mark’s narrative maintains an unrelenting and fast-moving pace. Like a lion defending his territory, Mark’s Jesus experiences near constant conflict, with His family, with the religious authorities, and ultimately with the devil himself. When Jesus travels from Galilee to Jerusalem, “the lion comes to his lair – but finds it is a robbers’ den; the king of beasts comes to his throne – but is rejected.” During Jesus’ passion, “the enigmatic figure, so often misunderstood by family and disciples, and opposed by religious and political authorities, shows his power and identity in his final conflict by suffering the ultimate degradation and even abandonment by God himself.” Furthermore, given the questions about the ending of Mark (short ending vs. long ending vs. any ending past 16:8), Mark’s narrative leaves the reader hanging. What happens after the disciples find the tomb empty? In short, Mark’s Jesus bounds onto the scene with no explanation and similarly bounds off the scene in the end.
As presented by Matthew, “Jesus is not just the rabbi, but the human face of God, the revealer who has dominion and authority as the Son of God.” It is Matthew who refers to Jesus as Immanuel, God with us, God’s presence. Matthew starts out by describing Jesus as “the Messiah, the son of David, the son of Abraham.” Furthermore, in Matthew’s gospel, magi from the east come seeking the one who has been born King of the Jews, and when they find the child, they prostrate themselves before Him and present Him with gifts. Jesus fulfills Israel’s history, law and prophets by paralleling Israel’s history with His own life:
• His infancy in Egypt
• His testing in the wilderness
• Teaching Israel from the mountain like Moses
“He is the Teacher, the son of Abraham, the Davidic Messiah-King, the Lord, the Son of God Himself, present with His people.” In the end, all authority in heaven and on earth has been given to Him, and He is with us always, the human face of God.
Luke, on the other hand, presents Jesus as the humble bearer of burdens. Given the low status of women in the ancient world, his emphasis on Elizabeth, mother of John, and Mary, mother of Jesus, is remarkable. He is the only gospel writer who mentions the manger in which Jesus is laid after His birth because there is no room in the inn. There is also the scene in which the angel choir appears to lowly shepherds, who then hurry to see the newborn Jesus. When He is presented to the Lord at the temple, the sacrifice offered is that which had been prescribed for the poor (Lev. 12). So, Luke emphasizes Jesus’ humble background. Furthermore, Jesus starts His public ministry in Nazareth, where he quotes Isaiah 61:1-2:
“The Spirit of the Lord is upon Me,
Because He anointed Me to preach the gospel to the poor.
He has sent Me to proclaim release to the captives,
And recovery of sight to the blind,
To set free those who are oppressed,
To proclaim the favorable year of the Lord.” (NASB)
In that same sermon, he goes on to mention the widow of Zarephath and Naaman the Syrian, both Gentiles who obtained the Lord’s favor in the time of Elijah and Elisha when the rebellious Israelites failed to gain it. “Luke’s gospel is the journey of salvation; the ox bears the burdens of the poor, the captives and the blind, the oppressed and widows, as it travels beyond local and national concerns to the Gentiles to declare ‘the year of the Lord’s favor.”
At first glance, John appears simplistic. For example, I have noticed how simple the Greek is, a rather stark contrast with Luke’s Greek. The seven signs, seven discourses and seven “I am” sayings are evidence of a well thought-out structure to communicate concepts as lofty as a soaring eagle or as deep as the ocean. “The gospel has often been described as something in which a child can paddle, but an elephant may swim.”
John is known for his high Christology, in which he emphasizes Jesus’ divinity and role in creation. Jesus’ miraculous signs reveal His glory. Not only do Jesus’ “I am” statements point out His divinity, they also tie Him to Old Testament symbology suggesting that Jesus “is the culmination of Israel’s faith and history. Just as the characters in the narrative, the reader is faced with a choice, sight or blindness. Does he look past the surface misunderstandings to survey the spiritual realities from the eagle’s vantage point, or does he remain on the ground, spiritually blind?
Given that the gospels present different aspects of Jesus in different ways, Dr. Burridge is understandably skeptical of trying to harmonize the gospels because such harmonies tend to blur or miss the message entirely. Consider a Christmas nativity scene that include the magi along with the shepherds and Jesus in the manger. Luke uses the shepherds and the manger to emphasize Jesus’ humble origins and immanence while the magi, who worship Jesus and present their gifts to Him later, when Joseph and Mary are staying in a house, emphasize Jesus’ royal birth, His kingship. To mix the metaphors confuses the message.