In this deceptively slim volume, Paul F. McDonald takes the Star Wars prequel film trilogy seriously as a work of art with literary, mythological, religious, and philosophical content. McDonald divides his work into three sections (one for each movie), and within each section he devotes a chapter to a discussion of every one of the film's main characters (including the Force itself). His analysis runs the gamut, drawing from sources from John Milton to the Dalai Lama.
McDonald makes no claims that the resonances he notes were intended by George Lucas. In this, he follows the lead of NYU Professor of Fine Arts Joan Breton Connelly, who said, "And what's fun for me personally is when I get to a point where I say, 'Did George Lucas mean for this connection to be made or am I making it, am I participating as part of the poet, the creator, in making connections?" The key word here is fun. McDonald's presentation of his insights, despite the citations, is a bit too casual and stream-of-consciousness to qualify as traditional scholarship, but that doesn't mean that it's not of use (or delight) to academics. This is an excellent resource for anyone seeking to analyze and appreciate the prequel films, and it's also an inspiring and entertaining read.