I read this book as part of a GoodReads group read and appreciate the authors sharing their work.
Rabbit Hole has a strong, simple premise. Agents of a government operated time travel tourism agency go rogue and try to use the technology for personal gain. Our heroes, the curvaceous Nora, and ex-Marine, Nick, have to use the same technology to stop them and prevent history from being rewritten.
The story is action-packed and full of characters that battle on behalf of their respective branches for ultimate control of the time travel “Bubble” technology. The paradoxical changes to time and their respective fixes provide some humorous alternate realities including Charlton Heston as president, a South American retiree Hitler, and other short-lived switches. The authors clearly had fun playing with the genre and its ability to tweak history as we know it. We even get a few cameo appearances from famous names like Nikola Tesla.
Unfortunately, as much as I wanted to like this book for its positives, it got bogged down by its deficiencies. It read very much like a first or second draft of a story that got published before it got the editing it needed. The descriptions are formulaic, with the introduction of each new character being followed by a block of description listing their height, age, weight and hair color. The exposition relies heavily on backstory that often feels forced, such as when the heroine backs out of the parking space at her work that she has used for years and is inspired to go into a lengthy reflection on her office building, the history of the property, and how the company’s corporate policies came about. This is followed by her driving for an hour, so we get an entire chapter of backstory on the character at her destination. The book also suffered from an extreme case of point of view swapping, where the reader is obligated to hop into different character’s heads mid-scene. The result was often jarring.
These sorts of style gaffs are not uncommon from first-time authors, and as a new author myself I understand I am very much the pot critiquing the kettle, but the story definitely suffered from them and a diligent rewrite could smooth many of these lumps out. I would also love to see the story ditch its hearty supply of adverbs, especially “Nick…smiled painfully,” and “'No', Nora said flatly.” I took a few issues with the plot points as well, especially one in which a kidnapped character uses a piano to send a secret message via his captor’s music player that he somehow predicts the villain will conveniently drop in front of the heroes?
Some cutthroat editing could elevate this story from the quagmire it’s in now to a point where its otherwise solid elements could shine.
At $0.99 cents, it was inexpensive, and the pacing kept it a quick read, but until it gets a little more work, I imagine a lot of people will be putting the book down well before they reach the finale.